George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
4
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
5
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
6
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
7
Giovanni Battista Borra, 1713–1770
Cnidus: Plan of the Harbor and Map of Sites
ca. 1750
8
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
9
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
10
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
11
Giovanni Battista Borra, 1713–1770
Plan and View of a Cave, Temple, or Tomb
ca. 1750
12
Giovanni Battista Borra, 1713–1770
Sepolcro di Zagaria
ca. 1750
13
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
14
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
15
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
16
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
17
Giovanni Battista Borra, 1713–1770
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
18
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
19
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
20
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
21
George Vertue, 1684–1756
Edward Harley, 2nd Earl of Oxford and Earl of Mortimer
1745
22
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
23
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
24
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
25
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
26
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
27
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
28
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
29
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
30
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
31
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
32
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
33
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
34
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
ca. 1750
35
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
36
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
37
Giovanni Battista Borra, 1713–1770
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
38
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
39
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
40
Giovanni Battista Borra, 1713–1770
A Doorway from Geramo
ca. 1750
41
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
42
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
43
Giovanni Battista Borra, 1713–1770
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
44
Giovanni Battista Borra, 1713–1770
Plan of the Bay of Tyre
ca. 1750
45
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
46
Giovanni Battista Borra, 1713–1770
Plan of Lake Tiberias
ca. 1750
47
Giovanni Battista Borra, 1713–1770
Pianta di Rodi
ca. 1750
48
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
49
Giovanni Battista Borra, 1713–1770
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
50
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
51
Giovanni Battista Borra, 1713–1770
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
52
Giovanni Battista Borra, 1713–1770
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
53
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of Gethsemene
ca. 1750
54
Giovanni Battista Borra, 1713–1770
Topographical View of the Pyramids at Giza
ca. 1750
55
Giovanni Battista Borra, 1713–1770
Plan of Jerusalem
ca. 1750
56
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of St. Jerome at Lydda (Lod)
ca. 1750
57
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
58
Giovanni Battista Borra, 1713–1770
Sepolcro di Absalon
ca. 1750
59
Giovanni Battista Borra, 1713–1770
Gierusalemme
ca. 1750
60
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
61
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
62
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
63
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
64
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
65
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
66
Giovanni Battista Borra, 1713–1770
Unfinished View of the Palatine in Rome
ca. 1750
67
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
68
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
69
Giovanni Battista Borra, 1713–1770
Reconstruction of the Proscenium of the Theater at Hierapolis
ca. 1750
70
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
71
Print made by Callender, active mid–18th century
Voluntier
1745
72
Print made by Callender, active mid–18th century
John's Coffee House
1745
73
Print made by Callender, active mid–18th century
Study of a Man with a Cutlass
between 1745 and 1748
74
Print made by James Bretherton, ca. 1730–1806
George Stubbs: A Sketch
undated
75
Print made by James Watson, 1740–1790
Carolina Matilda, Queen of Denmark
undated
76
Print made by James McArdell, ca. 1729–1765
The Holy Family at Night
ca. 1750
77
Thomas Bowles III, ca. 1712–1767
The Inside View of the Royal Exchange at London
ca. 1750
78
John Spilsbury, 1730–1795
Benjamin West, Engraver
undated
79
Alexander Bannerman, ca. 1730–1780
Robert White, P. Vansomer, Isaac Becket, John Start and William Elder
undated
80
Alexander Bannerman, ca. 1730–1780
Hamlet Winstanley
undated
81
Alexander Bannerman, ca. 1730–1780
Hamlet Winstanley
undated
82
Alexander Bannerman, ca. 1730–1780
Francis Wouters
undated
83
Alexander Bannerman, ca. 1730–1780
John Wyck and Thomas Wyck
undated
84
Francois Vivares, 1709–1780
A View of Hopping Mill, Ware
1745
85
Alexander Bannerman, ca. 1730–1780
Sir Christopher Wren and Hugh Howard
undated
86
Alexander Bannerman, ca. 1730–1780
John Wyck and Thomas Wyck
undated
87
Alexander Bannerman, ca. 1730–1780
Gerard Zoust, Edema and Grifiere
undated
88
Print made by Alexander Bannerman, ca. 1730–1780
Frederick Zucchero
undated
89
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
90
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
91
Francis Swaine, 1730–1782
Fishing Boats
undated
92
James Bruce, 1730–1794
No. 2 Elevation of the Front of the first temple fronting the sea
undated
93
James Bruce, 1730–1794
No. 9 architecture of the temple of Neptune the King
undated
94
James Bruce, 1730–1794
Plan of one quarter of the amphitheatre at El Djem showing seating tiers
undated
95
James Bruce, 1730–1794
Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
undated
96
James Bruce, 1730–1794
No. 3 sketch of temple remains at Baalbec
undated
97
James Bruce, 1730–1794
Fragments of Architecture at Temple of Thignica Ain Tunga
undated
98
James Bruce, 1730–1794
XIVI Theatre at Ain Tunga Thignica
undated
99
James Bruce, 1730–1794
Architectural Detail of Cornice of Temple at Thignica Modern Ain Tunga