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George Romney Figure Composition Study 18
George Romney, 1734–1802
Figure Composition Study 18
undated
George Romney Figure Study 2
George Romney, 1734–1802
Figure Study 2
undated
George Romney Figure Composition Study 22
George Romney, 1734–1802
Figure Composition Study 22
undated
George Romney Figure Composition Study 12
George Romney, 1734–1802
Figure Composition Study 12
undated
George Romney Study of a Horse's Hooves
George Romney, 1734–1802
Study of a Horse's Hooves
undated
George Romney Figure Composition Study 13
George Romney, 1734–1802
Figure Composition Study 13
undated
George Romney Figure Composition Study 16
George Romney, 1734–1802
Figure Composition Study 16
undated
George Romney Figure Composition Study 17
George Romney, 1734–1802
Figure Composition Study 17
undated
George Romney Figure Study 9
George Romney, 1734–1802
Figure Study 9
undated
George Romney Figure Composition Study 20
George Romney, 1734–1802
Figure Composition Study 20
undated
George Romney Figure Composition Study 21 with a Face
George Romney, 1734–1802
Figure Composition Study 21 with a Face
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George Romney Figure Composition Study 11
George Romney, 1734–1802
Figure Composition Study 11
undated
George Romney Figure Composition Study 34
George Romney, 1734–1802
Figure Composition Study 34
undated
George Romney Figure Composition Study 37
George Romney, 1734–1802
Figure Composition Study 37
undated
George Romney Figure Composition Study 41
George Romney, 1734–1802
Figure Composition Study 41
undated
George Romney Figure Study 4
George Romney, 1734–1802
Figure Study 4
undated
George Romney Figure Composition Study 44
George Romney, 1734–1802
Figure Composition Study 44
undated
George Romney Figure Composition Study 45
George Romney, 1734–1802
Figure Composition Study 45
undated
George Romney Figure Composition Study 48
George Romney, 1734–1802
Figure Composition Study 48
1793
George Romney Figure Composition Study 49
George Romney, 1734–1802
Figure Composition Study 49
undated
George Romney Figure Composition Study 50
George Romney, 1734–1802
Figure Composition Study 50
undated
George Romney Study of a Seated Woman
George Romney, 1734–1802
Study of a Seated Woman
undated
George Romney Figure Composition Study 1
George Romney, 1734–1802
Figure Composition Study 1
1794
George Romney Composition of Two Figures
George Romney, 1734–1802
Composition of Two Figures
undated
George Romney Figure Study Twelve
George Romney, 1734–1802
Figure Study Twelve
undated
George Romney Figure Study 6
George Romney, 1734–1802
Figure Study 6
undated
George Romney Figure Composition Study 23
George Romney, 1734–1802
Figure Composition Study 23
undated
George Romney Figure Composition Study 24
George Romney, 1734–1802
Figure Composition Study 24
undated
George Romney Landscape
George Romney, 1734–1802
Landscape
undated
George Romney Study of a Cow
George Romney, 1734–1802
Study of a Cow
undated
George Romney Figure Composition Study 27
George Romney, 1734–1802
Figure Composition Study 27
undated
George Romney Figure Study 3
George Romney, 1734–1802
Figure Study 3
undated
George Romney Figure Composition Study 28
George Romney, 1734–1802
Figure Composition Study 28
undated
George Romney Figure Composition Study 29
George Romney, 1734–1802
Figure Composition Study 29
undated
George Romney Figure Composition Study 31
George Romney, 1734–1802
Figure Composition Study 31
undated
George Romney Study of Three Women
George Romney, 1734–1802
Study of Three Women
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George Romney Study of a Male Figure
George Romney, 1734–1802
Study of a Male Figure
undated
George Romney Male Head 2
George Romney, 1734–1802
Male Head 2
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George Romney Figure Composition Study 35
George Romney, 1734–1802
Figure Composition Study 35
undated
George Romney Figure Composition Study 36
George Romney, 1734–1802
Figure Composition Study 36
undated
George Romney Figure Composition Study 42
George Romney, 1734–1802
Figure Composition Study 42
undated
George Romney Figure Study Eleven
George Romney, 1734–1802
Figure Study Eleven
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George Romney "Lear in the Storm," King Lear, Act III, Scene II
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
William Blake Rev. John Caspar Lavater
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake The Shepherd, from Songs of Innocence
Print made by William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
William Blake Copy of the Laocoön, for Rees's Cyclopædia
William Blake, 1757–1827
Copy of the Laocoön, for Rees's Cyclopædia
1815
William Holman Hunt Sketch of a Woman (Study for Isabella and the Pot of Basil)
William Holman Hunt, 1827–1910
Sketch of a Woman (Study for Isabella and the Pot of Basil)
undated
Sir John Everett Millais Study for the Head of Ferdinand in "Ferdinand Lured by Ariel"
Sir John Everett Millais, 1829–1896
Study for the Head of Ferdinand in "Ferdinand Lured by Ariel"
1849
James Northcote Study for Burying the Royal Children
James Northcote, 1746–1831
Study for Burying the Royal Children
ca. 1790
Sir Walter Thomas Monnington Man's Head (Mr. Gardner)
Sir Walter Thomas Monnington, 1902–1976
Man's Head (Mr. Gardner)
1932
Sir Walter Thomas Monnington Full Length Study of Mr. Gardner
Sir Walter Thomas Monnington, 1902–1976
Full Length Study of Mr. Gardner
undated
Sir Walter Thomas Monnington Landscape with Shepherd
Sir Walter Thomas Monnington, 1902–1976
Landscape with Shepherd
undated
Alexander Marshal St. Jerome in his Study
Alexander Marshal, active 1651–died 1682
St. Jerome in his Study
1650
William Say Mrs. Siddons
Print made by William Say, 1768–1834
Mrs. Siddons
1810
James Northcote Study for a Tiger and Monkeys
James Northcote, 1746–1831
Study for a Tiger and Monkeys
undated
Hannah Linnell Palmer Bridge at Corpo di Cava
Hannah Linnell Palmer, 1818–1893
Bridge at Corpo di Cava
1838
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
Sir John Gilbert Apotheosis of Shakespeare's Characters
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
unknown artist Alcibiades and Timon
unknown artist
Alcibiades and Timon
undated
Gavin Hamilton Classical Composition
Gavin Hamilton, 1723–1798
Classical Composition
undated
Sir Stanley Spencer Deposition
Sir Stanley Spencer, 1891–1959
Deposition
1910
Gavin Hamilton Classical Composition
Gavin Hamilton, 1723–1798
Classical Composition
undated
William Hamilton Hero and Leander
William Hamilton, 1751–1801
Hero and Leander
1801
William Hamilton Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
William Hamilton, 1751–1801
Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
undated
George Holmes Study of a Girl with Two Children at a Stile
George Holmes, active 1789–1802
Study of a Girl with Two Children at a Stile
undated
Theodor von Holst Prospero Watching Ferdinand and Miranda
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
Benjamin Robert Haydon Sketches for a Scene from 'Macbeth'
Benjamin Robert Haydon, 1786–1846
Sketches for a Scene from 'Macbeth'
ca. 1811
Benjamin Robert Haydon Portrait of a Gentleman (W. Winston?)
Benjamin Robert Haydon, 1786–1846
Portrait of a Gentleman (W. Winston?)
ca. 1835
George Jones Portentous Things
George Jones, 1786–1869
Portentous Things
undated
George Jones Chantrey's Studio
George Jones, 1786–1869
Chantrey's Studio
undated
Alfred Edward Chalon Cleopatra on the Cydnus to Meet Antony
Alfred Edward Chalon, 1780–1860
Cleopatra on the Cydnus to Meet Antony
ca. 1821
John Massey Wright Falstaff Disguised as Herne
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
unknown artist Shakespeare
unknown artist
Shakespeare
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
unknown artist Miss Lissie Weston as Oberon - Midsummer Night's Dream, Act II, Scene II
unknown artist
Miss Lissie Weston as Oberon - Midsummer Night's Dream, Act II, Scene II
1855
unknown artist Shylock turn'd MacBeth...
unknown artist
Shylock turn'd MacBeth..
1773
George Fennell Robson Macbeth and Banquo on the Heath
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
unknown artist Will Sommers - King Henry's Jester
unknown artist
Will Sommers - King Henry's Jester
c.1798
unknown artist Mr. Kean as Richard III
unknown artist
Mr. Kean as Richard III
ca. 1837
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Alfred William Hunt Tynemouth Pier - Lighting the Lamps at Sundown
Alfred William Hunt, 1830–1896
Tynemouth Pier - Lighting the Lamps at Sundown
1868
Wyndham Lewis Abstract Figure Study
Wyndham Lewis, 1882–1957
Abstract Figure Study
1921
Sir John Everett Millais The Blind Man
Sir John Everett Millais, 1829–1896
The Blind Man
1853
Sir John Everett Millais The Dying Man
Sir John Everett Millais, 1829–1896
The Dying Man
ca. 1853
William Marlow The Coast Near Naples
William Marlow, 1740–1813
The Coast Near Naples
undated
Sir Walter Thomas Monnington Glade with Hop-Poles
Sir Walter Thomas Monnington, 1902–1976
Glade with Hop-Poles
undated
Sir Walter Thomas Monnington Macrocarpa
Sir Walter Thomas Monnington, 1902–1976
Macrocarpa
undated