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Credit Line Yale Center for British Art, Paul Mellon Fund

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Emily Mary Osborn The Governess
Emily Mary Osborn, 1828–1925
The Governess
1860
Not on view
Robert Smirke The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
Robert Smirke, 1752–1845
The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Robert Smirke The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
Robert Smirke, 1752–1845
The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Robert Smirke The Seven Ages of Man: The Justice, 'As You Like It,' II, vii
Robert Smirke, 1752–1845
The Seven Ages of Man: The Justice, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Albert Joseph Moore Beads (study)
Albert Joseph Moore, 1841–1893
Beads (study)
ca. 1875
Not on view
Thomas Gaugain Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797
Henry Thomas Alken The Lover
Print made by Henry Thomas Alken, 1785–1851
The Lover
1824
Henry Thomas Alken The Infant
Print made by Henry Thomas Alken, 1785–1851
The Infant
1824
Frederick Walker Strange Faces
Frederick Walker, 1840–1875
Strange Faces
1862 to 1863
Emily Calmady Sir Thomas Lawrence's Painting Room in 1824
Emily Calmady, 19th century
Sir Thomas Lawrence's Painting Room in 1824
1824