Credit Line: Yale Center for British Art, Paul Mellon Fund / Width [cm]: 53

1. The Great Exhibition of 1851

Creator:: James Duffield Harding, 1798–1863
Date:: 1851
Materials & Techniques:: Oil on canvas
Dimensions:: 14 × 21 inches (35.6 × 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

2. The Camden Town Murder, or What Shall We Do for the Rent?

Creator:: Walter Richard Sickert, 1860–1942
Date:: ca. 1908
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/16 × 14 inches (25.6 × 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

3. Charles Lenox Cumming-Bruce in Turkish Dress

Creator:: Andrew Geddes, 1783–1844
Date:: 1817
Materials & Techniques:: Oil on panel
Dimensions:: 25 1/4 x 21 inches (64.1 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

4. Design for Omega Workshops Fabric

Creator:: Vanessa Bell, 1879–1961
Date:: 1913
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove graph paper
Dimensions:: Image: 21 × 16 inches (53.3 × 40.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. A Road Near Bettws-y-Coed

Creator:: George Price Boyce, 1826–1897
Date:: 1851
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum arabic, graphite, and scratching out on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/8 x 20 7/8 inches (37.8 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/2 x 20 13/16in. (47 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

7. Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs on medium, slightly textured, cream paper mounted on linen
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Mrs. Pelham

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1775
Materials & Techniques:: Mezzotint (only state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 28 1/4 × 21 inches (71.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12. Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

13. Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/2 x 20 13/16in. (47 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

14. Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)

Creator:: Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

15. Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. The Wave

Creator:: C. R. W. Nevinson, 1889–1946
Date:: 1917
Materials & Techniques:: Lithograph on medium, slightly textured, white wove paper
Dimensions:: Sheet: 17 3/4 × 21 inches (45.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

17. Near the Caravan Bridge, Smyrna

Creator:: William James Muller, 1812–1845
Date:: 1843
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 x 20 3/4 inches (35.6 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

18. Penmanmawr

Creator:: David Cox, 1783–1859
Date:: 1855
Materials & Techniques:: Watercolor, gouache, with traces of graphite and black chalk on moderately thick, rough, cream wove paper
Dimensions:: Mount: 20 × 27 1/2 inches (50.8 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

19. De Hemelvaart

Creator:: Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:: ca. 1820
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/2 × 21 inches (67.3 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. De Geboorten

Creator:: Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:: ca. 1820
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/4 × 20 7/8 inches (66.7 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. A Storm

Creator:: Print made by James Watson, 1740–1790
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 5/8 × 21 inches (47.3 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

22. Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

23. A Woman Swearing her Child to a Grave Citizen

Creator:: Print made by John Young, 1755–1825
Date:: 1816
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 23 1/4 inches (47.6 × 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. Countess Gower and Her Daughter Lady Elizabeth Leveson Gower

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1832
Materials & Techniques:: Mezzotint (engraved proof) on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 30 3/4 × 21 inches (78.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

25. Mrs. Harriet Bouverie and Mrs. Frances Ann Crewe

Creator:: Print made by Giuseppe Marchi, ca. 1735–1808
Date:: 1770
Materials & Techniques:: Mezzotint (state al) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 21 inches (45.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

26. A Lavatory

Creator:: John Copley, 1875–1950
Date:: 1909
Materials & Techniques:: Lithograph, printed in seven colors
Dimensions:: Sheet: 15 5/8 x 20 3/4in. (39.7 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

27. The Spirit of the Snake

Creator:: Sir Eduardo Paolozzi, 1924–2005
Date:: 1965
Materials & Techniques:: Screen print on H.P. J. Green 133 lbs. white wove paper
Dimensions:: Sheet: 38 × 26 inches (96.5 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. Willow

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

29. Death on a Pale Horse

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Pen and ink, graphite, brown wash, and gray wash on moderately thick, slightly textured, brown laid paper
Dimensions:: Sheet: 16 1/2 × 20 3/4 inches (41.9 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

30. Place des Victoires, Paris

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1783
Materials & Techniques:: Watercolor in pen and black ink over graphite on medium, moderately textured, cream antique laid paper
Dimensions:: Sheet: 13 3/4 x 21 inches (34.9 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

31. Durbar of the Nawab Mubarak al-Daula (1770-93) of Murshidabad

Creator:: Unknown artist (Company style)
Date:: between 1795 and 1810
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Image: 14 1/8 × 21 inches (35.9 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

32. The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome.

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 21 inches (37.5 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33. Thomas, Second Baron Bruce, Later First Earl of Ailesbury (1729-1814)

Creator:: Katharine Read, 1723–1778
Date:: ca. 1751
Materials & Techniques:: Pastel on laid paper
Dimensions:: Sheet: 18 3/8 × 14 1/2 inches (46.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

34. The Reconciliation of the Montagues and the Capulets

Creator:: Frederic Leighton, 1830–1896
Date:: 1854
Materials & Techniques:: Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

35. Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'

Creator:: Stephen Riou, 1720–1780
Date:: 1762
Materials & Techniques:: Watercolor, pen and black ink, graphite on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 7 5/16 x 20 7/8 inches (18.6 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36. Shakespeare's Seven Ages

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Engraving and stipple engraving, semi-circular sheet
Dimensions:: Sheet: 11 1/8 x 20 11/16in. (28.3 x 52.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. The Return of Tobias

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1805
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 27 inches (50.8 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. The Children of Joseph Bradshaw of Holbrook

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1769
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 28 × 21 inches (71.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. Poplar

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. Horse Chestnut

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Fund

Width [cm] 53

Search Results

1. The Great Exhibition of 1851

2. The Camden Town Murder, or What Shall We Do for the Rent?

3. Charles Lenox Cumming-Bruce in Turkish Dress

4. Design for Omega Workshops Fabric

5. A Road Near Bettws-y-Coed

6. Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

7. Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

8. Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

9. Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

10. Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

11. Mrs. Pelham

12. Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

13. Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

14. Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)

15. Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)

16. The Wave

17. Near the Caravan Bridge, Smyrna

18. Penmanmawr

19. De Hemelvaart

20. De Geboorten

21. A Storm

22. Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

23. A Woman Swearing her Child to a Grave Citizen

24. Countess Gower and Her Daughter Lady Elizabeth Leveson Gower

25. Mrs. Harriet Bouverie and Mrs. Frances Ann Crewe

26. A Lavatory

27. The Spirit of the Snake

28. Willow

29. Death on a Pale Horse

30. Place des Victoires, Paris

31. Durbar of the Nawab Mubarak al-Daula (1770-93) of Murshidabad

32. The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome.

33. Thomas, Second Baron Bruce, Later First Earl of Ailesbury (1729-1814)

34. The Reconciliation of the Montagues and the Capulets

35. Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'

36. Shakespeare's Seven Ages

37. The Return of Tobias

38. The Children of Joseph Bradshaw of Holbrook

39. Poplar

40. Horse Chestnut