Credit Line: Yale Center for British Art, Paul Mellon Fund / Height [cm]: 19 / Width [cm]: 25

Print made by Joseph Mallord William Turner, 1775–1851

Shields Lighthouse

between 1820 and 1826

Print made by Joseph Mallord William Turner, 1775–1851

Gloucester Cathedral

between 1820 and 1826

Print made by Sir Frank Short, 1857–1945

Breaking up of the 'Great Eastern' #2

1890

Print made by Sir David Young Cameron, 1865–1945

Berwick; Printed with Counterproof of Dundee

1890

Print made by John Smith, the mezzotinter, 1652–1743

Title Page of Sonate da Camera

1702

Print made by George Arnald, 1763–1841

Left Bank, Meuse

between 1818 and 1828

Print made by Henry Thomas Alken, 1785–1851

The School-Boy

1824

Print made by Henry Thomas Alken, 1785–1851

The Lover

1824

Print made by Henry Thomas Alken, 1785–1851

The Infant

1824

Print made by Henry Thomas Alken, 1785–1851

The Justice

1824

Print made by Charles Turner, 1774–1857

More Park, near Watford, on the River Colne

1824

Print made by Samuel William Reynolds, 1773–1835

Pass near Dinant

undated

Print made by Pieter Schenck I, 1660–1719

Sleeping Infant in a Landscape

1690s

Print made by unknown artist

Girl Reading by Candle Light

undated

George Cruikshank, 1792–1878

Macbeth and the Witch

undated

George Cressal Ellis, ca. 1810–1875

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

undated

George Cressal Ellis, ca. 1810–1875

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3

undated

George Cressal Ellis, ca. 1810–1875

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

undated

Jean B. C. Chatelain, 1710–1771

View with a Cart and Figures in a Wooded Landscape

undated

Jean B. C. Chatelain, 1710–1771

View with Figures in a Classical Landscape with Ruins

undated