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Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Creator Bartolozzi, Francesco, 1727–1815

Remove constraint Creator: Bartolozzi, Francesco, 1727–1815

Width [cm] 32

Remove constraint Width [cm]: 32

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Lady Smith and Her Children: George Henry, Louisa, and Charlotte
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 11/16 x 12 1/2 inches (42.4 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Farren
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Etching and stipple engraving (fifth state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 22 1/4 × 14 1/4 inches (56.5 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Farren
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1803
Materials & Techniques:
Etching and stipple engraving (seventh state) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 21 7/8 × 13 7/8 inches (55.6 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Farren
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Color-printed etching and stipple engraving with hand coloring in watercolor (possibly fifth state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 13 1/2 inches (54.6 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Farren
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Etching and stipple engraving (fourth state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 13 1/2 inches (54.6 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund