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Credit Line Yale Center for British Art, Paul Mellon Fund

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Sylvio and Dorinda
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1752 and 1768
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/16 x 14 1/8 inches (26.2 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Youth Playing Bagpipes
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately thick, cream laid paper
Dimensions:
Sheet: 12 13/16 × 8 7/8 inches (32.6 × 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Wandering Musicians
Creator:
Print made by Louis de Fontaine, active 1723–1757
Date:
undated
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 9/16 × 4 7/16 inches (14.1 × 11.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sylvio and Dorinda
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1680 and 1703
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 12 5/8 inches (23.1 × 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sisters Contemplating on Mortality
Creator:
Print made by Robert Dunkarton, 1744–1811
Date:
1770
Materials & Techniques:
Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 14 1/4 inches (50.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Elizabeth Keppel and a Servant
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1760s
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 15 5/8 inches (62.2 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund