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Credit Line Yale Center for British Art, Paul Mellon Fund

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Genre figure study

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Subject Terms drapery

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Search Results

A Figure in Distress
Creator:
Print made by John Copley, 1875–1950
Date:
1944
Materials & Techniques:
Etching with gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 11 5/8 inches (39.4 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Prospero Watching Ferdinand and Miranda
Creator:
Theodor von Holst, 1810–1844
Date:
ca. 1840
Materials & Techniques:
Graphite with black chalk and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 7 1/8 inches (21.9 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Venetian Courtesan
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1739
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/16 x 9 5/16 inches (33.8 x 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Standing Female Figure
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1910 and 1915
Materials & Techniques:
Pen and green ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 x 8 1/4 inches (29.5 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Three Figures Resting by a Roadside
Creator:
Evelyn Gibbs, 1905–1991
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink, pen and black ink and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 9 inches (21 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Tennis Players
Creator:
Print made by John Copley, 1875–1950
Date:
1918
Materials & Techniques:
Lithograph on thin, slightly textured, white laid paper
Dimensions:
Sheet: 13 11/16 x 11 7/16 inches (34.7 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund