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Credit Line Yale Center for British Art, Paul Mellon Fund

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Period 18th century

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Width [cm] 53

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Sawrey Gilpin Death on a Pale Horse
Sawrey Gilpin, 1733–1807
Death on a Pale Horse
undated
John Robert Cozens Willow
Print made by John Robert Cozens, 1752–1797
Willow
1789
William Dickinson Mrs. Pelham
Print made by William Dickinson, 1746–1823
Mrs. Pelham
1775
Thomas Rowlandson Place des Victoires, Paris
Thomas Rowlandson, 1756–1827
Place des Victoires, Paris
ca. 1783
Giuseppe Marchi Mrs. Harriet Bouverie and Mrs. Frances Ann Crewe
Print made by Giuseppe Marchi, ca. 1735–1808
Mrs. Harriet Bouverie and Mrs. Frances Ann Crewe
1770
Thomas Gaugain Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
1797
Thomas Gaugain Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
1797
Thomas Gaugain Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797
Thomas Gaugain Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
Katharine Read Thomas, Second Baron Bruce, Later First Earl of Ailesbury (1729-1814)
Katharine Read, 1723–1778
Thomas, Second Baron Bruce, Later First Earl of Ailesbury (1729-1814)
ca. 1751
John Robert Cozens Poplar
Print made by John Robert Cozens, 1752–1797
Poplar
1789
John Robert Cozens Horse Chestnut
Print made by John Robert Cozens, 1752–1797
Horse Chestnut
1789
Valentine Green The Children of Joseph Bradshaw of Holbrook
Print made by Valentine Green, 1739–1813
The Children of Joseph Bradshaw of Holbrook
1769
Stephen Riou Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
unknown artist Shakespeare's Seven Ages
unknown artist
Shakespeare's Seven Ages
1796