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Credit Line Yale Center for British Art, Paul Mellon Fund
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon FundPeriod 18th century
Remove constraint Period: 18th centurySearch Results
1
- Mary Hogarth
- ca. 1740
- Not on view
2
- Ann Hogarth
- ca. 1740
- Not on view
3
- John and Elizabeth Jeffreys and Their Children
- 1730
- Not on view
4
- Ann Wilson (née Harrison) and Her Daughter, Sybill
- between 1776 and 1777
- Not on view
5
- Alexander van Aken
- ca. 1770
- Not on view
6
- Study of Rocks and Branches
- between 1788 and 1806
- Not on view
7
- Mrs. Wardle
- 1742
- Not on view
8
- The Rt. Honorable Stephen Poyntz, of Midgham, Berkshire
- 1732
- Not on view
9
- An Unknown Man
- ca. 1748
- Not on view
10
- Landscape, with Dover Castle in the Distance
- ca. 1767
- Not on view
11
- A Distant View of Hythe Village and Church, Kent
- ca. 1767
- Not on view
12
- West Gate of Pevensey Castle, Sussex
- between 1773 and 1774
- Not on view
13
- Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss
- between 1705 and 1710
- Not on view
14
- The Good Samaritan
- between 1751 and 1752
- Not on view
15
- Warren Hastings
- 1783-1784
- Not on view
16
- The Battle of La Hogue
- 1778, retouched 1806
- Not on view
17
- Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
- 1789
- Not on view
18
- Robert, Duke of Normandy, in Prison
- 1779
- Not on view
19
- Hackwood Park, Hampshire
- undated, exhibited 1764
- Not on view
20
- Cymon and Iphigenia
- ca. 1766
- Not on view
21
- Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i
- between 1770 and 1780
- Not on view
22
- Shylock and Tubal from "The Merchant of Venice"
- 1767 to 1769
- Not on view
23
- View of the Campi Flegrei from the Camaldolese Convent near Naples
- 1783
- Not on view
24
- The Thistlethwayte Family
- ca. 1758
- Not on view
25
- Self-Portrait
- ca. 1750
- Not on view
26
- Classical Landscape
- ca. 1760
- Not on view
27
- The Education of Achilles
- ca. 1772
- Not on view
28
- Classical Landscape
- 1767 to 1771
- Not on view
29
- Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
- 1790
- Not on view
30
- Prospero, Miranda and Ariel, from "The Tempest"
- ca. 1780
- Not on view
31
- Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
- ca. 1778
- Not on view
32
- Falstaff with the Body of Hotspur
- ca. 1786
- Not on view
33
- David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
- 1753
- Not on view
34
- The Return of Othello, 'Othello,' Act II, Scene II
- ca. 1799
- Not on view
35
- Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
- ca. 1799
- Not on view
36
- Sir James Gray
- 1761
- Not on view
37
- A Whole Length of a Lady of Petrella, in the Kingdom of Naples
- Exhibited 1762
- Not on view
38
- A Whole Length of a Lady of Neturrio, a Sea-port in the Pope's Territories
- Exhibited 1762
- Not on view
39
- Portrait of a Lady
- ca. 1750
- Not on view
40
- Self-Portrait
- ca. 1780
- Not on view
41
- Four Servants of Ston Easton Estate
- 1776
- Not on view
42
- Joseph Nash
- ca. 1775
- Not on view
43
- Jeffery Amherst, first Baron Amherst
- 1784
- Not on view
44
- Portrait of a Woman, Probably Elizabeth Aislabie, of Studley Royal, Yorkshire
- 1749
- Not on view
45
- Portrait of a Gentleman
- ca. 1740
- Not on view
46
- Portrait of a Lady
- ca. 1740
- Not on view
47
- Francis, second Earl of Godolphin
- 1733
- Not on view
48
- Samuel Johnson
- 1777
- Not on view
49
- The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
- ca. 1715
- Not on view
50
- The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
- ca. 1715
- Not on view
51
- Sir Isaac Newton
- ca. 1710
- Not on view
52
- Bust of Niobe's Daughter, after the Antique
- 1780
- Not on view
53
- A Seated Woman
- ca. 1780
- Not on view
54
- Father Time
- ca. 1790
- Not on view
55
- Allegory of Geometry
- 1796
- Not on view
56
- Mr. Punch
- ca. 1760
- Not on view
57
- Portrait of a Man, called Francois Duquesnoy
- ca. 1750
- Not on view
58
- Dr. Anthony Addington
- 1790
- Not on view
59
- Ecorché Figure
- ca. 1767
- Not on view
60
- Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
- 1746
61
- Windsor
- ca. 1798
62
- "Lear in the Storm," King Lear, Act III, Scene II
- undated
63
- Figure Composition Study 12
- undated
64
- Study of a Horse's Hooves
- undated
65
- Figure Composition Study 13
- undated
66
- Figure Composition Study 14
- undated
67
- Figure Composition Study 16
- undated
68
- Figure Composition Study 18
- undated
69
- Figure Study 1
- undated
70
- Figure Study 7
- undated
71
- Figure Composition Study 2
- undated
72
- Figure Composition Study 3
- undated
73
- Figure Composition Study 4
- 1793
74
- Figure Composition Study 5
- undated
75
- Figure Composition Study 6
- undated
76
- Figure Composition Study 7
- undated
77
- Figure Study 8
- undated
78
- Figure Composition Study 8
- undated
79
- Figure Composition Study 9
- undated
80
- Male Head 1
- undated
81
- Figure Composition Study 11
- undated
82
- Figure Composition Study 17
- undated
83
- Figure Study 9
- undated
84
- Figure Composition Study 20
- undated
85
- Figure Study 2
- undated
86
- Figure Composition Study 21 with a Face
- undated
87
- Figure Composition Study 22
- undated
88
- Figure Composition Study 23
- undated
89
- Figure Composition Study 24
- undated
90
- Landscape
- undated
91
- Figure Composition Study 25
- undated
92
- Figure Composition Study 26
- undated
93
- Leaves 1
- undated
94
- Study of a Cow
- undated
95
- Figure Composition Study 27
- undated
96
- Figure Study 3
- undated
97
- Figure Composition Study 30
- undated
98
- Study of a Standing Figure
- undated
99
- Figure Composition Study 41
- undated
100
- Figure Composition Study 42
- undated