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Credit Line Yale Center for British Art, Paul Mellon Fund

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Date 1851

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The Great Exhibition of 1851
Creator:
James Duffield Harding, 1798–1863
Date:
1851
Materials & Techniques:
Oil on canvas
Dimensions:
14 × 21 inches (35.6 × 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
The Last Judgement (study)
Creator:
John Martin, 1789–1854
Date:
between 1851 and 1853
Materials & Techniques:
Oil on panel
Dimensions:
7 3/4 × 12 inches (19.7 × 30.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Landscape near Ageles - Gazost at the foot of the Pyrenees
Creator:
Edward John Poynter, 1836–1919
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 9/16 × 8 3/8 inches (14.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Road Near Bettws-y-Coed
Creator:
George Price Boyce, 1826–1897
Date:
1851
Materials & Techniques:
Watercolor, pen and brown ink, gouache, gum arabic, graphite, and scratching out on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/8 x 20 7/8 inches (37.8 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
James Thomson, 1800–1883
Date:
1851
Materials & Techniques:
Pen and black ink, gray wash, blue wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 23 inches (42.9 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
James Thomson, 1800–1883
Date:
1851
Materials & Techniques:
Pen and black ink, gray wash, blue wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 22 7/8 inches (43.5 × 58.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund