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Credit Line Yale Center for British Art, Paul Mellon Fund

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Date 1797

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Work Type intaglio print

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1. Mr. Kemble, of the Theatre Royal, Drury Lane

Mr. Kemble, of the Theatre Royal, Drury Lane
Creator:
Print made by William Nelson Gardiner, 1766–1814
Date:
1797
Materials & Techniques:
Stipple engraving and etching, with watercolor on moderately thick, slightly textured, beige card
Dimensions:
Sheet: 8 9/16 × 5 1/2 inches (21.8 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. "Tempest", Act I, Scene I

"Tempest", Act I, Scene I
Creator:
Benjamin Smith, 1775–1833
Date:
1797
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 × 25 7/8 inches (50.8 × 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/2 x 20 13/16in. (47 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/2 x 20 13/16in. (47 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs on medium, slightly textured, cream paper mounted on linen
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)

Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
Creator:
Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. Cymon and Iphigenia

Cymon and Iphigenia
Creator:
Print made by Francis Haward, 1759–1797
Date:
1797
Materials & Techniques:
Etching and stipple engraving (second state) on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/4 × 20 1/4 inches (48.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

13. The Right Honourable Lady Charlotte Duncombe

The Right Honourable Lady Charlotte Duncombe
Creator:
Print made by Charles Wilkin, 1750–1814
Date:
1797
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/16 × 12 1/8 inches (41.4 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. The Right Honourable Charlotte Viscountess St. Asaph

The Right Honourable Charlotte Viscountess St. Asaph
Creator:
Print made by Charles Wilkin, 1750–1814
Date:
1797
Materials & Techniques:
Stipple engraving (proof without letters) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 17 1/16 × 11 5/8 inches (43.3 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. The Right Honorable Lady Jane Dundas

The Right Honorable Lady Jane Dundas
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
ca. 1802
Materials & Techniques:
Stipple engraving, mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 8 7/8 inches (28.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. The Daughters of Sir Thomas Frankland

The Daughters of Sir Thomas Frankland
Creator:
Print made by William Ward, 1766–1826
Date:
1797
Materials & Techniques:
Mezzotint on thick, rough, cream wove paper
Dimensions:
Sheet: 22 7/8 × 19 inches (58.1 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17. Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)

Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

18. Lady Hamilton as a Bacchante

Lady Hamilton as a Bacchante
Creator:
Print made by Charles Knight, 1743–c.1826
Date:
1797
Materials & Techniques:
Stipple engraving (first state) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 11 7/16 inches (37.5 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund