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Credit Line Yale Center for British Art, Paul Mellon Fund
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon FundDate 1749
Remove constraint Date: 1749Search Results
1
- Portrait of a Woman, Probably Elizabeth Aislabie, of Studley Royal, Yorkshire
- 1749
- Not on view
2
- Figure Composition Study 6
- undated
3
- Figure Study 8
- undated
4
- Figure Composition Study 9
- undated
5
- Male Head 1
- undated
6
- Figure Composition Study 12
- undated
7
- Study of a Horse's Hooves
- undated
8
- Figure Composition Study 13
- undated
9
- Figure Composition Study 14
- undated
10
- Figure Study 9
- undated
11
- Figure Composition Study 21 with a Face
- undated
12
- Figure Composition Study 22
- undated
13
- Landscape
- undated
14
- Figure Composition Study 25
- undated
15
- Leaves 1
- undated
16
- Figure Composition Study 26
- undated
17
- Figure Composition Study 28
- undated
18
- Figure Composition Study 29
- undated
19
- Figure Composition Study 30
- undated
20
- Figure Composition Study 31
- undated
21
- Study of Leaves 2
- undated
22
- Study of Three Women
- undated
23
- Male Head 2
- undated
24
- Figure Composition Study 38
- undated
25
- Figure Composition Study 39
- undated
26
- Figure Composition Study 42
- undated
27
- Figure Composition Study 43
- undated
28
- Figure Composition Study 46
- undated
29
- Figure Composition Study 45
- undated
30
- Figure Composition Study 47
- undated
31
- Figure Composition Study 50
- undated
32
- Study of a Seated Woman
- undated
33
- Composition of Two Figures
- undated
34
- Figure Study Twelve
- undated
35
- Figure Study Thirteen
- undated
36
- Female Figure
- undated
37
- Figure Composition Study 50
- undated
38
- Figure Study 1
- undated
39
- Figure Study 7
- undated
40
- Figure Composition Study 2
- undated
41
- Figure Composition Study 3
- undated
42
- Figure Composition Study 5
- undated
43
- Study of a Male Figure
- undated
44
- Figure Composition Study 35
- undated
45
- Figure Composition Study 36
- undated
46
- Figure Composition Study 37
- undated
47
- Figure Composition Study 40
- undated
48
- Study of Two Seated Figures
- undated
49
- Study of a Standing Figure
- undated
50
- Figure Composition Study 41
- undated
51
- Figure Study 4
- undated
52
- Figure Composition Study 44
- undated
53
- Figure Composition Study 49
- undated
54
- Study of Two Figures and a Face
- undated
55
- Figure Study 10
- undated
56
- Figure Study Eleven
- undated
57
- Figure Composition Study 7
- undated
58
- Figure Composition Study 8
- undated
59
- Figure Composition Study 11
- undated
60
- Figure Composition Study 24
- undated
61
- Study of a Cow
- undated
62
- Figure Composition Study 27
- undated
63
- Figure Study 3
- undated
64
- Figure Composition Study 32
- undated
65
- Figure Composition Study 33
- undated
66
- Figure Composition Study 34
- undated
67
- Figure Study 6
- undated
68
- Figure Composition Study 16
- undated
69
- Figure Composition Study 17
- undated
70
- Figure Composition Study 18
- undated
71
- Figure Composition Study 20
- undated
72
- Figure Study 2
- undated
73
- Figure Composition Study 23
- undated
74
- Figure Study of a Woman
- undated
75
- Figure Study 5
- undated
76
- "Lear in the Storm," King Lear, Act III, Scene II
- undated
77
- An Allegory of Love
- Undated
78
- Landscape with Ruins
- undated