<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Date 1671

Remove constraint Date: 1671

Search Results

An Old Woman Reading
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 18 9/16 x 13 11/16 inches (47.2 x 34.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
What's Humane Life, Where Nothing Long Can Stand? Time Flyes, Our Glory Fades, and Death's at Hand.
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
undated
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 5/16 x 9 3/16 inches (18.5 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Tric-trac Players
Creator:
Print made by Jan van Somer, ca. 1645–after 1699
Date:
1671
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 13 5/8 inches (28.6 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Crucifixion
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/8 × 4 1/2 inches (18.7 × 11.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Flora

Flora
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 13/16 x 5 13/16 inches (19.9 x 14.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund