Credit Line: Yale Center for British Art, Paul Mellon Fund / On-site Access: Accessible by appointment in the Study Room / Height [cm]: 45

John Frederick Lewis, 1804–1876

Study for the Proclamation of Don Carlos

between 1834 and 1838

Print made by Joseph Bishop Pratt, 1854–1910

Mrs. Gregory

1898

Print made by Richard Purcell, active 1746–1766

A Jewess

undated

Print made by John Raphael Smith, 1752–1812

Mrs. Stables and Two Daughters Harriet & Maria

1781

Print made by Thomas Watson, 1743–1781

Miss Polly Kennedy

1771

Print made by Francesco Bartolozzi, 1728–1815

The Cottagers

1794

Print made by Joseph Grozer, ca. 1755–1798

Miss Mary Palmer as "The Young Shepherdess"

ca. 1785

Print made by John Raphael Smith, 1752–1812

Miss Theophila Palmer

1777

Print made by William Dickinson, 1746–1823

Lady Charles Spencer

1776

Print made by Charles Howard Hodges, 1764–1837

Mrs. Ann Warren

undated

Print made by Thomas Park, ca. 1760–1834

The Honorable Mrs. Watson

ca. 1785

Print made by Jan van de Velde IV, ca. 1620–1686

Oliver Cromwell, P.R.O.C

ca. 1655

Print made by William Dickinson, 1746–1823

A Lady and Children

1780

Print made by John Finlayson, 1730–1776

Elizabeth, Duchess of Hamilton and Brandon and of Argyll

1770

Print made by Valentine Green, 1739–1813

William Lord Newbottle and His Sister

1768

Print made by William Pether, ca. 1738–1821

Officer of State

1764

Print made by William Pether, ca. 1738–1821

Officer of State

1764

Print made by Leopold Flameng, 1831–1911

Grolier with the Printer Aldus Manutius

1882

Print made by Valentin Daniel Preissler, 1717–1765

Der Geiz sucht Fäden

undated

Print made by unknown artist

The Promenade

1781

Print made by Johnson, active 1766

The Italian Bird Catcher

1766

Print made by Valentin Daniel Preissler, 1717–1765

Der Gute Alchimyst wird nun den Barth Verbrennen, da er zum Schuld-Process die Feder Schneiden muss: Gold Macher!

undated

John Banting, 1902–1972

Untitled

1932

John Banting, 1902–1972

The 100th Lie

1931

John Banting, 1902–1972

The Oracle

1932

David Martin, 1736/7–1798

Lord Mansfield

1775

C. R. W. Nevinson, 1889–1946

The Wave

1917

Print made by James Watson, 1740–1790

Caroline Duchess of Marlborough with Lady Caroline Spencer Her Daughter

1768

Print made by John Raphael Smith, 1752–1812

Mrs. Montagu

1776

Print made by James Watson, 1740–1790

Margaret Georgiana, Viscountess of Spencer and Her Daughter

undated

Print made by John Raphael Smith, 1752–1812

Hon. Mrs. Stanhope

1783

Print made by William Dickinson, 1746–1823

Richard Grenville-Temple, 2nd Earl Temple

1778

Print made by William Dickinson, 1746–1823

Elizabeth Godden (née Houghton), Lady Taylor

ca. 1775

Print made by Edward Fisher, 1722–1785

The Ladies Amabel and Mary Jemina Yorke

1762

Print made by John Jones, ca. 1745–1797

A View of Petersham & Twickenham Meadows from Richmond Hill

published 1800

Print made by William Ward, 1766–1826

The Snake in the Grass

1802

Print made by James Walker, 1748–1808

Caroline, Countess of Carlisle

1781

Print made by Thomas Cheesman, 1760–1834/35

Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip

1791

Print made by John Dean, 1754–1798

Lady Elizabeth Herbert and Son

1778

Print made by William Doughty, 1757–1782

Samuel Johnson, L. L. D

1779

Print made by John Spilsbury, 1730–1795

Miss Jacobs

ca. 1762

Sir Howard Hodgkin, 1932–2017

"For John Constable"

1976

Print made by William Faithorne the Younger, ca. 1669–1703

An Old Woman Reading

undated

Print made by John Jones, ca. 1745–1797

James Boswell of Auchinleck, Esq

1786

Print made by Giuseppe Marchi, ca. 1735–1808

Mrs. Harriet Bouverie and Mrs. Frances Ann Crewe

1770

Andrew Miller, Died 1763

Oliver Cromwell and General Lambert

1745

Print made by John Raphael Smith, 1752–1812

Children of Walter Synnot

1782

Print made by William Say, 1768–1834

The Cottar's Door

1802

Print made by John Bogle, 1746–1804

Night Watchman

1776

Print made by Johann Gottfried Haid, 1704–1767

Absalom's Submission to his Father, King David

1766

Print made by James Watson, 1740–1790

James Paine and his Son

1767

Print made by John Finlayson, 1730–1776

Miss Wynyard

1771

Print made by Joseph Grozer, ca. 1755–1798

St. John

c.1799

Print made by John Dean, 1754–1798

Elizabeth, Countess of Derby

1780

Print made by Johann Jacobé, 1733–1797

Lord George Germain

1780

Print made by Joseph Grozer, ca. 1755–1798

Lady Charlotte Legge

1794

Print made by James Watson, 1740–1790

Margaret Caroline, Countess of Carlisle

1776

Dame Elisabeth Frink, 1930–1993

Male Portrait Head, after 1950

1950s

Frederick Christian Lewis the Elder, 1779–1856

View of the Farm House with Screen to Stables & Farm Buildings to Sezincot House

ca. 1818

Print made by John Raphael Smith, 1752–1812

Lady Elizabeth Compton

1780

Print made by James McArdell, ca. 1729–1765

The Holy Family at Night

ca. 1750

Print made by Richard Earlom, 1743–1822

Rubens' Son and Nurse

1785

Print made by Richard Earlom, 1743–1822

The Enchantress

1786

Print made by Richard Earlom, 1743–1822

The Enchantress

1786

Print made by Samuel Cousins, 1801–1887

Julia, Lady Peel

1832

Print made by Samuel Cousins, 1801–1887

Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart

1833

Print made by Richard Earlom, 1743–1822

Mordecai

1787

Print made by Richard Earlom, 1743–1822

A Brewhouse Yard

1791

Print made by James Ward, 1769–1859

The Spottiswoode Ox

1804

Print made by John Murphy, ca. 1748–1820

Hiram King of Tyre, Sends Presents to King Solomon

1790

Print made by Charles Turner, 1774–1857

Lady Georgiana Fane

1828

Frederick Christian Lewis the Elder, 1779–1856

The Entrance Door of East Front of Mansion House

ca. 1818

John Martin, 1789–1854

Death of the First Born of Egypt

1836

John Banting, 1902–1972

Tiger Ray

1932

John Banting, 1902–1972

Untitled

1931 or 1932

John Banting, 1902–1972

Untitled

1932

John Banting, 1902–1972

The Secret Visit

1931

John Banting, 1902–1972

Untitled

1932

John Banting, 1902–1972

Untitled

1931 or 1932

John Banting, 1902–1972

Untitled

1932

John Banting, 1902–1972

Untitled

1932

Frederick Christian Lewis the Elder, 1779–1856

Distant View of North side of Mansion House from the upper Thornery

ca. 1818

Constance Stuart Larrabee, 1914–2000

Shelburne, Vermont, 1960's

1950-1959

Constance Stuart Larrabee, 1914–2000

Cape Dutch-Style Building, Cape Town, South Africa

1988

Thomas Gaugain Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Print made by Thomas Gaugain, 1748–1812

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

1796

Bhawani Das, active 18th century

A Great Indian Fruit Bat or Flying Fox (Pteropus giganteus)

1778 to 1782

David Cox, 1783–1859

Windermere During the Regatta

1832

Print made by James McArdell, ca. 1729–1765

Ghismonda

undated

Print made by James McArdell, ca. 1729–1765

Mrs. Bonfoy

ca. 1755

Print made by John Dean, 1754–1798

Lady Cadogan

1787

Print made by Stephen Buckley, born 1944

Crazy Paving

1991

Print made by John Dean, 1754–1798

Lady Gertrude Fitzpatrick as Collina

1780

Print made by Benedetto Pastorini, Italian, ca.1746–after 1803

Inside View of the Theatre Royal, Drury Lane

1775

Print made by William Pether, ca. 1738–1821

Officer of State

1764

Print made by Joseph Grozer, ca. 1755–1798

Lady Charlotte Legge

1794

Sir Frank William Brangwyn, 1867–1956

Bridge, Barnard Castle

1907

Print made by Valentine Green, 1739–1813

The Children of Joseph Bradshaw of Holbrook

1769

Print made by Valentine Green, 1739–1813

Scene in a Country Town at Time of a Race

1789

Print made by Robert Pollard, 1755–1838

Boys Playing at Marbles

1786

Print made by Valentine Green, 1739–1813

Miss Martha Ray

1779

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Credit Line Yale Center for British Art, Paul Mellon Fund

On-site Access Accessible by appointment in the Study Room

Height [cm] 45

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Credit Line Yale Center for British Art, Paul Mellon Fund

On-site Access Accessible by appointment in the Study Room

Height [cm] 45

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