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Memorial to Samuel Buckley and Burrage and Elizabeth Angier
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 7/8 inches (36.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Temples of Paestum
Creator:
Print made by John Pye, 1782–1874
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5303. Amalfi

Amalfi
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 11 7/8 inches (43.2 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Campagna of Rome
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving, with graphite; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Woman with a Pitcher
Creator:
Richard Dadd, 1817–1886
Date:
1858
Materials & Techniques:
Watercolor over graphite on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 7 3/8 × 4 1/8 inches (18.8 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5306. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 5/8 inches (43.8 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hannibal Passing the Alps
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 6 inches (27.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5308. Marengo

Marengo
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Life of a Nobleman: Scene the First - The Inheritance
Creator:
Henry Dawe, 1790–1848
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 6 3/8 inches (19.1 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hospice of the Great St. Bernard
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching with chine collé; open etched state, engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5311. St. Maurice

St. Maurice
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 inches (43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hospice of the Great St. Bernard II (The Dead-House)
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 6 5/8 inches (28.6 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hospice of the Great St. Bernard
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5314. St. Maurice

St. Maurice
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 1/4 inches (43.2 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Epitaph to Richard Candish from Hornsey Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 11 inches (35.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Font and Memorial to John Carter from Hornsey Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 11 3/8 inches (35.6 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Life of a Nobleman: Scene the Second - The First Party
Creator:
Henry Dawe, 1790–1848
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 6 1/8 inches (19.1 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brass Plate for George Ray from Hornsey Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 5/8 inches (35.9 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Memorial to Ann Tolson also to Caleb Cotesworth and Susannah, his Wife from Isleworth Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 7/8 inches (37.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Memorial to Mr. Thomas Lant also to Mr. Robert Harington from Hornsey Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 7/8 inches (36.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brass Plate for John Skevington from Hornsey Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 11 inches (35.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brass Plate for John Skevington from Hornsey Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
William Tell's Chapel
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 12 7/8 inches (43.8 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Memorial to Sir Orlando Gee Knight from Isleworth Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 inches (38.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tomb of Dame Katherine Darcy from Isleworth Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 7/8 × 10 5/8 inches (45.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Inscription to Ann Tolson, Caleb Cotesworth and Susannah Cotesworth from Isleworth Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 7/8 inches (37.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tomb of the Three Children of Sir Thomas Savage from Isleworth Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Life of a Nobleman: Scene the Third - The Night House
Creator:
Henry Dawe, 1790–1848
Date:
undated
Materials & Techniques:
Brown wash over graphite on medium, morderately textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 6 1/8 inches (18.7 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brass Plate for unidentified Woman from Stoke Newington Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Memorial to Richard Blundell from Norwood Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lake of Geneva
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 8 1/2 inches (29.2 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aldborough, Suffolk
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 22 1/2 inches (41.6 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brass Plate for Francis Awsiter and Richard Awsiter
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 7/8 inches (38.4 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aldborough, Suffolk
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 22 5/8 inches (42.9 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Memorial to Isabella Nelson from Norwood Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Life of a Nobleman: Scene the Fifth - The Gambling House
Creator:
Henry Dawe, 1790–1848
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 6 1/2 inches (20 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Fowey Harbour, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; early engraver's proof on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/4 × 12 1/2 inches (26 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lancaster Sands
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; completed engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Knaresborough, Yorkshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 9 7/8 inches (20 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 5/8 inches (30.5 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Malmsbury Abbey, Wiltshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1827-1838
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 22 3/8 inches (42.5 × 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5344. Stone Henge

Stone Henge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Great Yarmouth, Norfolk
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 14 1/2 inches (30.5 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hampton Court Palace
Creator:
Print made by Charles Westwood, active 1819–1838
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Great Yarmouth, Norfolk
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; early engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 22 1/4 inches (42.5 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 11 7/8 inches (23.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hampton Court Palace
Creator:
Print made by Charles Westwood, active 1819–1838
Date:
1827-1838
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 22 1/4 inches (42.2 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Devonport and Dockyard, Devonshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 19 inches (34.3 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cowes, Isle of Wight
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 22 3/4 inches (41.9 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Memorial to James from Paddington Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 7/8 inches (37.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Unidentified Tomb with Brass Plates Removed from Pancras Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Memorial to Orlando Bridgeman from Teddington Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 inches (38.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
William Lee, October 1, 1792
Creator:
Robert Mabon, died 1798
Date:
1792
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 6 inches (14 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5357. Costume Note

Costume Note
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/4 × 3 inches (5.7 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5358. Costume Note

Costume Note
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/4 × 2 5/8 inches (5.7 × 6.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Still Life: Basket
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Brown wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 x 7 5/16 inches (17.6 x 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Winchelsea, Sussex
Creator:
Print made by Josiah Henshall, 1806–1869
Date:
1827-1838
Materials & Techniques:
Etching; open etched state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stoneyhurst, Lancashire
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Winchelsea, Sussex
Creator:
Print made by Josiah Henshall, 1806–1869
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Trematon Castle, Cornwall
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Trematon Castle, Cornwall
Creator:
Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stoneyhurst, Lancashire
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1827-1838
Materials & Techniques:
Etching; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Mawes, Cornwall
Creator:
Print made by James H. Kernot, 1802–1858
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof (b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Walton Bridge on Thames, Surrey
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Etching; open etched state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Windsor Castle, Berkshire
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Etching; open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eaton College, Berkshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1831
Materials & Techniques:
Etching and line engraving; engraver's proof (a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eaton College, Berkshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1831
Materials & Techniques:
Etching; open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bedford, Bedfordshire
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Etching and line engraving; engraver's proof (b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pembroke Castle, Wales
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1831
Materials & Techniques:
Etching; open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pembroke Castle, Wales
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1831
Materials & Techniques:
Etching and line engraving; first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond Hill and Bridge, Surrey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1832
Materials & Techniques:
Etching and line engraving, with chine collé and graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Malvern Abbey and Gate, Worcestershire
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1832
Materials & Techniques:
Etching and line engraving; first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chatham, Kent
Creator:
Print made by William Miller, 1796–1882
Date:
1832
Materials & Techniques:
Etching and line engraving; first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth, Devonshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1832
Materials & Techniques:
Etching; open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chatham, Kent
Creator:
Print made by William Miller, 1796–1882
Date:
1832
Materials & Techniques:
Etching; open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Canvasing for Member of Parliament
Creator:
Robert Dighton, 1752–1814
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Etching and line engraving; early engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Etching and line engraving; completed engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ashby de la Zouch, Leicestershire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1832
Materials & Techniques:
Etching and line engraving; first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Warwick Castle, Warwickshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1832
Materials & Techniques:
Etching; open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Warwick Castle, Warwickshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1832
Materials & Techniques:
Etching and line engraving; first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Country Amusement - Bull Baiting
Creator:
Robert Dighton, 1752–1814
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Warwick Castle, Warwickshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1832
Materials & Techniques:
Etching; open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Warwick Castle, Warwickshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1832
Materials & Techniques:
Etching and line engraving; early engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kenilworth Castle, Warwickshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1832
Materials & Techniques:
Etching and line engraving, with graphite; touched engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kenilworth Castle, Warwickshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1832
Materials & Techniques:
Etching and line engraving; first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kenilworth Castle, Warwickshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1832
Materials & Techniques:
Etching; open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tamworth Castle, Staffordshire
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1832
Materials & Techniques:
Etching and line engraving; first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brinkburn Priory, Northumberland
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1832
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof (a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ely Cathedral, Cambridgeshire
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1833
Materials & Techniques:
Etching; open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof (a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and line engraving; engraver's proof (b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Travelling Show Man
Creator:
Robert Dighton, 1752–1814
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and line engraving; first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching; open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5399. The Ferry

The Ferry
Creator:
Robert Dighton, 1752–1814
Date:
undated
Materials & Techniques:
Pen and black ink, brushed gray ink, gray wash, and black wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hilt of the Peshwa's Sword
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 × 4 1/8 inches (7.6 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection