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Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Rev. William Gilpin The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)
Rev. William Gilpin, 1724–1804
The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)
undated
Rev. William Gilpin As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)
Rev. William Gilpin, 1724–1804
As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)
undated
Rev. William Gilpin As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)
Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)
undated
Rev. William Gilpin As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)
Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
undated
Henry Salt Illustrations of the Travels of Lord Valentia: Two Volumes
Henry Salt, 1780–1827
Illustrations of the Travels of Lord Valentia: Two Volumes
1802-1806
Henry Salt Illustrations of the Travels of Lord Valentia: Two Volumes
Henry Salt, 1780–1827
Illustrations of the Travels of Lord Valentia: Two Volumes
1802-1806
Henry Salt Illustrations of the Travels of Lord Valentia: Two Volumes
Henry Salt, 1780–1827
Illustrations of the Travels of Lord Valentia: Two Volumes
1802-1806
Henry Salt Illustrations of the Travels of Lord Valentia: Two Volumes
Henry Salt, 1780–1827
Illustrations of the Travels of Lord Valentia: Two Volumes
1802-1806
Henry Salt Illustrations of the Travels of Lord Valentia: Two Volumes
Henry Salt, 1780–1827
Illustrations of the Travels of Lord Valentia: Two Volumes
1802-1806
Henry Salt Illustrations of the Travels of Lord Valentia: Two Volumes
Henry Salt, 1780–1827
Illustrations of the Travels of Lord Valentia: Two Volumes
1802-1806
Henry Salt Illustrations of the Travels of Lord Valentia: Two Volumes
Henry Salt, 1780–1827
Illustrations of the Travels of Lord Valentia: Two Volumes
1802-1806
George Moutard Woodward The Volunteer Review or Effects of Rain
George Moutard Woodward, ca. 1760–1809
The Volunteer Review or Effects of Rain
1800
George Moutard Woodward Unexpected Visitors on the Subject of the Divorce Bill
George Moutard Woodward, ca. 1760–1809
Unexpected Visitors on the Subject of the Divorce Bill
1800
George Moutard Woodward More Luxeries for John Bull
George Moutard Woodward, ca. 1760–1809
More Luxeries for John Bull
1800
George Moutard Woodward Bleeding Neptune or A Scotch Experiment
George Moutard Woodward, ca. 1760–1809
Bleeding Neptune or A Scotch Experiment
1800
George Moutard Woodward Oratorical Hints to Members of Parliament
George Moutard Woodward, ca. 1760–1809
Oratorical Hints to Members of Parliament
1800
Thomas Gaugain An Airing in Hyde Park
Thomas Gaugain, 1748–1812
An Airing in Hyde Park
1796
Francesco Bartolozzi Omai, a Native of Utaietea, Brought into England in the Year 1774 by Tobias Funeaux Esqr., Commander of His Majesty's Sloop Adventure...
Francesco Bartolozzi, 1728–1815
Omai, a Native of Utaietea, Brought into England in the Year 1774 by Tobias Funeaux Esqr., Commander of His Majesty's Sloop Adventure..
1774
unknown artist A Scene on the Main Deck
unknown artist
A Scene on the Main Deck
1824
William Bromley The Grand Attack on Valenciennes by the Combined Armies Under the Command of H.R.H. the Duke of York on the 25th July, 1793
William Bromley, 1769–1842
The Grand Attack on Valenciennes by the Combined Armies Under the Command of H.R.H. the Duke of York on the 25th July, 1793
1801
unknown artist Algiers
unknown artist
Algiers
Frederick Christian Lewis the Elder Field of Waterloo
Print made by Frederick Christian Lewis the Elder, 1779–1856
Field of Waterloo
1830
William Davison Fishing Boats off Calais (The Pas de Calais)
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
William Davison Fishing Boats off Calais (The Pas de Calais)
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
William Davison Fishing Boats off Calais (The Pas de Calais)
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
J. P. Quilley Boccaccio, the Bird Cage
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
J. P. Quilley Boccaccio, the Bird Cage
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
Thomas Oldham Barlow The Wreck of the Minotaur
Print made by Thomas Oldham Barlow, 1824–1889
The Wreck of the Minotaur
1856
Frederick Christian Lewis the Elder The Mausoleum at Brocklesby
Print made by Frederick Christian Lewis the Elder, 1779–1856
The Mausoleum at Brocklesby
ca. 1800
Frederick Christian Lewis the Elder The Mausoleum at Brocklesby
Print made by Frederick Christian Lewis the Elder, 1779–1856
The Mausoleum at Brocklesby
ca. 1804
Frederick Christian Lewis the Elder The Mausoleum at Brocklesby
Print made by Frederick Christian Lewis the Elder, 1779–1856
The Mausoleum at Brocklesby
ca. 1800
William Davison Fishing Boats off Calais (The Pas de Calais)
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
George Moutard Woodward Fashionable Contrasts or The Female Jockey and Man Millner
George Moutard Woodward, ca. 1760–1809
Fashionable Contrasts or The Female Jockey and Man Millner
1800
George Moutard Woodward Administering to an Old Friend
George Moutard Woodward, ca. 1760–1809
Administering to an Old Friend
1800
Rev. Edward Thomas Daniell Twelve Etchings Album
Rev. Edward Thomas Daniell, 1804–1842
Twelve Etchings Album
1882
unknown artist The Midshipmen's Birth
unknown artist
The Midshipmen's Birth
1818
Hanslip Fletcher St. Mary, Rotherhithe
Print made by Hanslip Fletcher, 1874–1955
St. Mary, Rotherhithe
1931
unknown artist St. Martin, Outwich, Bishopsgate Street
unknown artist
St. Martin, Outwich, Bishopsgate Street
1830
unknown artist View of the South Sea House
unknown artist
View of the South Sea House
undated
unknown artist The Marine Society
unknown artist
The Marine Society
undated
James Ward Mrs. Elizabeth Billington as St. Cecilia
James Ward, 1769–1859
Mrs. Elizabeth Billington as St. Cecilia
1803
unknown artist Undercroft of No. 66, Bishopsgate Street Within
unknown artist
Undercroft of No. 66, Bishopsgate Street Within
undated
William Bernard Cooke Wrapper and Advertisements for Rivers of England (Number Three)
Print made by William Bernard Cooke, 1778–1855
Wrapper and Advertisements for Rivers of England (Number Three)
1823 to 1827
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Rev. William Gilpin The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)
Rev. William Gilpin, 1724–1804
The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)
undated
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Rev. William Gilpin The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)
Rev. William Gilpin, 1724–1804
The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)
undated
Rev. William Gilpin A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)
Rev. William Gilpin, 1724–1804
A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)
undated
Rev. William Gilpin The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)
Rev. William Gilpin, 1724–1804
The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)
undated
Rev. William Gilpin The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)
Rev. William Gilpin, 1724–1804
The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)
undated
Rev. William Gilpin The evening glow now pervades the Landscape strongly (Design for Plate 25)
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 25)
undated
Rev. William Gilpin Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)
Rev. William Gilpin, 1724–1804
Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)
undated
unknown artist No.4, The Parson of Clerk Rock, Part of the Warren, Babbacombe and Hills Towards Torquay, Taken from the Beacon
unknown artist
No.4, The Parson of Clerk Rock, Part of the Warren, Babbacombe and Hills Towards Torquay, Taken from the Beacon
1815-1816
unknown artist No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon
unknown artist
No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon
1815-1816
unknown artist No.11, The Rocks Going towards Salterton
unknown artist
No.11, The Rocks Going towards Salterton
1815-1816
unknown artist No.9, The Milk House, Warren, etc. Returning to Exmouth
unknown artist
No.9, The Milk House, Warren, etc. Returning to Exmouth
1815-1816
unknown artist No.13, The Beacon, General Legder's, Star Cross, etc., Taken from the Beacon Fields
unknown artist
No.13, The Beacon, General Legder's, Star Cross, etc., Taken from the Beacon Fields
1815-1816
unknown artist No.12, Part of the Warren, Dr. Drury's, etc.
unknown artist
No.12, Part of the Warren, Dr. Drury's, etc
1815-1816
unknown artist No.14, The Beacon, Taken from the Windmill
unknown artist
No.14, The Beacon, Taken from the Windmill
1815-1816
unknown artist Mamhead, Starcross, etc.
unknown artist
Mamhead, Starcross, etc
1815-1816
unknown artist Panoramic View from Berry Head to Powderham
unknown artist
Panoramic View from Berry Head to Powderham
1815-1816
William Dickinson The Deserter
William Dickinson, 1746–1823
The Deserter
1784
John Crome Composition: Sandy Road through Woodland
Print made by John Crome, 1768–1821
Composition: Sandy Road through Woodland
1813
George Cruikshank The Great Harry. The First Ship of War that Carried Guns
George Cruikshank, 1792–1878
The Great Harry. The First Ship of War that Carried Guns
1834
Henry Salt Illustrations of the Travels of Lord Valentia: Two Volumes
Henry Salt, 1780–1827
Illustrations of the Travels of Lord Valentia: Two Volumes
1802-1806
Henry Salt Illustrations of the Travels of Lord Valentia: Two Volumes
Henry Salt, 1780–1827
Illustrations of the Travels of Lord Valentia: Two Volumes
1802-1806
Henry Salt Illustrations of the Travels of Lord Valentia: Two Volumes
Henry Salt, 1780–1827
Illustrations of the Travels of Lord Valentia: Two Volumes
1802-1806
Henry Salt Illustrations of the Travels of Lord Valentia: Two Volumes
Henry Salt, 1780–1827
Illustrations of the Travels of Lord Valentia: Two Volumes
1802-1806
Henry Salt Illustrations of the Travels of Lord Valentia: Two Volumes
Henry Salt, 1780–1827
Illustrations of the Travels of Lord Valentia: Two Volumes
1802-1806
Henry Salt Illustrations of the Travels of Lord Valentia: Two Volumes
Henry Salt, 1780–1827
Illustrations of the Travels of Lord Valentia: Two Volumes
1802-1806
Thomas Sutherland The Pavilion at Brighton, The Marine Palace of His Majesty George the IVth
Thomas Sutherland, ca. 1785–1838
The Pavilion at Brighton, The Marine Palace of His Majesty George the IVth
1821
Sir Frank Short The Victory Coming up the Channel with the Body of Nelson
Print made by Sir Frank Short, 1857–1945
The Victory Coming up the Channel with the Body of Nelson
1891
Thomas Sutherland The West or Garden Front of the Pavilion at Brighton, The Marine Palace of His Majesty George the IVth
Thomas Sutherland, ca. 1785–1838
The West or Garden Front of the Pavilion at Brighton, The Marine Palace of His Majesty George the IVth
1824
Sir Frank Short The Victory coming up Channel with the body of Nelson on Board
Print made by Sir Frank Short, 1857–1945
The Victory coming up Channel with the body of Nelson on Board
1891
Hanslip Fletcher George Inn, Southwark
Print made by Hanslip Fletcher, 1874–1955
George Inn, Southwark
1932
unknown artist Strawberry Hill, East Front (Outer Western Suburb)
unknown artist
Strawberry Hill, East Front (Outer Western Suburb)
undated
unknown artist East Front of Strawberry Hill
unknown artist
East Front of Strawberry Hill
undated
unknown artist Strawberry Hill
unknown artist
Strawberry Hill
undated
James Newton Entrance of Strawberry Hill
Print made by James Newton, 1748–ca. 1804
Entrance of Strawberry Hill
1784
unknown artist The Temple Buildings in 1720
unknown artist
The Temple Buildings in 1720
undated
unknown artist Burning the Rumps at Temple Bar
unknown artist
Burning the Rumps at Temple Bar
unknown artist Royal Artillery Barracks
unknown artist
Royal Artillery Barracks
undated
unknown artist Woolwich Kent
unknown artist
Woolwich Kent
undated
unknown artist Woolwich
unknown artist
Woolwich
undated
unknown artist View of Woolwich, Kent
unknown artist
View of Woolwich, Kent
undated
unknown artist The Palace of Whitehall as it appeared about the Reign of James II
unknown artist
The Palace of Whitehall as it appeared about the Reign of James II
1808
unknown artist St. James Palace
unknown artist
St. James Palace
unknown artist A View of St. James' Park taken near the Stable Yard. Comprising St. James's Palace, Westminster Abbey and Whitehall
unknown artist
A View of St. James' Park taken near the Stable Yard. Comprising St. James's Palace, Westminster Abbey and Whitehall
1794