Credit Line: Yale Center for British Art, Paul Mellon Collection

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1830
Materials & Techniques:: Mezzotint; second published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/8 × 34 3/8 inches (58.7 × 87.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37530. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint with white chalk; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/4 × 23 1/8 inches (46.4 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37531. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint, with graphite and white chalk; touched engraver's proof (b) on medium, slightly textured, cream wove paper, mounted on cream card
Dimensions:: Sheet: 19 × 25 3/4 inches (48.3 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37532. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint; engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37533. Boccaccio, the Bird Cage

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1830
Materials & Techniques:: Mezzotint with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 38 5/8 × 26 inches (98.1 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37534. Boccaccio, the Bird Cage

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1830
Materials & Techniques:: Mezzotint; second published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 32 3/4 × 22 1/8 inches (83.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37535. The Wreck of the Minotaur

Creator:: Print made by Thomas Oldham Barlow, 1824–1889
Date:: 1856
Materials & Techniques:: Mezzotint and etching with chine collé; published state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 27 × 38 5/8 inches (68.6 × 98.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37536. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1800
Materials & Techniques:: Etching printed in brown ink; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 28 1/4 inches (58.7 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37537. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1804
Materials & Techniques:: Etching and aquatint; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 23 × 28 3/4 inches (58.4 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37538. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1800
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 × 26 1/2 inches (53 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37539. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/2 × 33 5/8 inches (57.2 × 85.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37540. Fashionable Contrasts or The Female Jockey and Man Millner

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37541. Administering to an Old Friend

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37542. Twelve Etchings Album

Creator:: Rev. Edward Thomas Daniell, 1804–1842
Date:: 1882
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37543. The Midshipmen's Birth

Creator:: unknown artist
Date:: 1818
Materials & Techniques:: Aquatint, tinted with watercolor
Dimensions:: Sheet: 9 1/8 x 17 3/16in. (23.2 x 43.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37544. St. Mary, Rotherhithe

Creator:: Print made by Hanslip Fletcher, 1874–1955
Date:: 1931
Materials & Techniques:: Etching on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 8 1/8 × 9 1/2 inches (20.6 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37545. St. Martin, Outwich, Bishopsgate Street

Creator:: unknown artist
Date:: 1830
Materials & Techniques:: Engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 5 3/16 × 7 3/8 inches (13.2 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37546. View of the South Sea House

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 5 3/16 × 7 5/8 inches (13.2 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37547. The Marine Society

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 7 × 6 5/8 inches (17.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37548. Mrs. Elizabeth Billington as St. Cecilia

Creator:: James Ward, 1769–1859
Date:: 1803
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 25 5/8 × 16 3/4 inches (65.1 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37549. Undercroft of No. 66, Bishopsgate Street Within

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 6 × 9 1/2 inches (15.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37550. Wrapper and Advertisements for Rivers of England (Number Three)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37551. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37552. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37553. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37554. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37555. The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37556. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37557. The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37558. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37559. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37560. A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37561. The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37562. The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37563. The evening glow now pervades the Landscape strongly (Design for Plate 25)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37564. Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37565. No.4, The Parson of Clerk Rock, Part of the Warren, Babbacombe and Hills Towards Torquay, Taken from the Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37566. No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37567. No.11, The Rocks Going towards Salterton

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37568. No.9, The Milk House, Warren, etc. Returning to Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37569. No.13, The Beacon, General Legder's, Star Cross, etc., Taken from the Beacon Fields

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37570. No.12, Part of the Warren, Dr. Drury's, etc.

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37571. No.14, The Beacon, Taken from the Windmill

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37572. Mamhead, Starcross, etc.

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37573. Panoramic View from Berry Head to Powderham

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37574. The Deserter

Creator:: William Dickinson, 1746–1823
Date:: 1784
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 19 7/16 inches (39 × 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37575. Composition: Sandy Road through Woodland

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 15/16 × 11 11/16 inches (38 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37576. The Great Harry. The First Ship of War that Carried Guns

Creator:: George Cruikshank, 1792–1878
Date:: 1834
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 21 3/8 x 28in. (54.3 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37577. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37578. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37579. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37580. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37581. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37582. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37583. The Pavilion at Brighton, The Marine Palace of His Majesty George the IVth

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1821
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 11 1/4 x 13 3/4in. (28.6 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37584. The Victory Coming up the Channel with the Body of Nelson

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 15 1/2 inches (30.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37585. The West or Garden Front of the Pavilion at Brighton, The Marine Palace of His Majesty George the IVth

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1824
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 10 7/8 x 13 3/4in. (27.6 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37586. The Victory coming up Channel with the body of Nelson on Board

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37587. George Inn, Southwark

Creator:: Print made by Hanslip Fletcher, 1874–1955
Date:: 1932
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37588. Strawberry Hill, East Front (Outer Western Suburb)

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37589. East Front of Strawberry Hill

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37590. Strawberry Hill

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37591. Entrance of Strawberry Hill

Creator:: Print made by James Newton, 1748–ca. 1804
Date:: 1784
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37592. The Temple Buildings in 1720

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37593. Burning the Rumps at Temple Bar

Creator:: unknown artist
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37594. Royal Artillery Barracks

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37595. Woolwich Kent

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37596. Woolwich

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37597. View of Woolwich, Kent

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37598. The Palace of Whitehall as it appeared about the Reign of James II

Creator:: unknown artist
Date:: 1808
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37599. St. James Palace

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37600. A View of St. James' Park taken near the Stable Yard. Comprising St. James's Palace, Westminster Abbey and Whitehall

Creator:: unknown artist
Date:: 1794
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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37501. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

37502. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

37503. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

37504. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

37505. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

37506. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

37507. The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)

37508. As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)

37509. As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)

37510. As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)

37511. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)

37512. Illustrations of the Travels of Lord Valentia: Two Volumes

37513. Illustrations of the Travels of Lord Valentia: Two Volumes

37514. Illustrations of the Travels of Lord Valentia: Two Volumes

37515. Illustrations of the Travels of Lord Valentia: Two Volumes

37516. Illustrations of the Travels of Lord Valentia: Two Volumes

37517. Illustrations of the Travels of Lord Valentia: Two Volumes

37518. Illustrations of the Travels of Lord Valentia: Two Volumes

37519. The Volunteer Review or Effects of Rain

37520. Unexpected Visitors on the Subject of the Divorce Bill

37521. More Luxeries for John Bull

37522. Bleeding Neptune or A Scotch Experiment

37523. Oratorical Hints to Members of Parliament

37524. An Airing in Hyde Park

37525. Omai, a Native of Utaietea, Brought into England in the Year 1774 by Tobias Funeaux Esqr., Commander of His Majesty's Sloop Adventure...

37526. A Scene on the Main Deck

37527. The Grand Attack on Valenciennes by the Combined Armies Under the Command of H.R.H. the Duke of York on the 25th July, 1793

37528. Algiers

37529. Field of Waterloo

37530. Fishing Boats off Calais (The Pas de Calais)

37531. Fishing Boats off Calais (The Pas de Calais)

37532. Fishing Boats off Calais (The Pas de Calais)

37533. Boccaccio, the Bird Cage

37534. Boccaccio, the Bird Cage

37535. The Wreck of the Minotaur

37536. The Mausoleum at Brocklesby

37537. The Mausoleum at Brocklesby

37538. The Mausoleum at Brocklesby

37539. Fishing Boats off Calais (The Pas de Calais)

37540. Fashionable Contrasts or The Female Jockey and Man Millner

37541. Administering to an Old Friend

37542. Twelve Etchings Album

37543. The Midshipmen's Birth

37544. St. Mary, Rotherhithe

37545. St. Martin, Outwich, Bishopsgate Street

37546. View of the South Sea House

37547. The Marine Society

37548. Mrs. Elizabeth Billington as St. Cecilia

37549. Undercroft of No. 66, Bishopsgate Street Within

37550. Wrapper and Advertisements for Rivers of England (Number Three)

37551. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

37552. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

37553. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

37554. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

37555. The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)

37556. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

37557. The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)

37558. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)

37559. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)

37560. A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)

37561. The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)

37562. The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)

37563. The evening glow now pervades the Landscape strongly (Design for Plate 25)

37564. Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)

37565. No.4, The Parson of Clerk Rock, Part of the Warren, Babbacombe and Hills Towards Torquay, Taken from the Beacon

37566. No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon

37567. No.11, The Rocks Going towards Salterton

37568. No.9, The Milk House, Warren, etc. Returning to Exmouth

37569. No.13, The Beacon, General Legder's, Star Cross, etc., Taken from the Beacon Fields

37570. No.12, Part of the Warren, Dr. Drury's, etc.

37571. No.14, The Beacon, Taken from the Windmill

37572. Mamhead, Starcross, etc.

37573. Panoramic View from Berry Head to Powderham

37574. The Deserter

37575. Composition: Sandy Road through Woodland