Credit Line: Yale Center for British Art, Paul Mellon Collection

James Gillray, 1756–1815

Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger

1801

James Gillray, 1756–1815

Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row

1806

Valentine Green, 1739–1813

Emily Mary, Countess of Salisbury

Valentine Green, 1739–1813

The Ladies Waldengrave

1781

Valentine Green, 1739–1813

Lady Elizabeth Compton

1781

Joseph Grozer, ca. 1755–1798

Master Thomas Braddly

Print made by William Miller, 1796–1882

An Old Manor House

1833

Anthony Walker, 1726–1765

Views of Chiswick House & Garden

ca. 1753

Valentine Green, 1739–1813

Aegisthus discovers the body of Clytemnestra

1786

Charles Bretherton, ca. 1760–1783

Book of Regents, London

1782

James Gillray, 1756–1815

The Apotheosis of the Corsican Phoenix

1808

James Gillray, 1756–1815

Introduction of Citizen Volpone - and His Suite, at Paris

1802

James Gillray, 1756–1815

The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners

1800

James Gillray, 1756–1815

Pen-etration

1799

James Gillray, 1756–1815

Delicious Weather

1808

James Gillray British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

James Gillray, 1756–1815

British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

1807

James Gillray, 1756–1815

Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle

1802

James Gillray, 1756–1815

Sketch of the Interior of St. Stephen's, as It Now Stands. -

1802

James Gillray, 1756–1815

Hope

1802

James Gillray, 1756–1815

Be gone Dull Care, I Prithee Begone From Me!

1801

James Gillray, 1756–1815

Forming a Line on the Parade

1801

James Gillray, 1756–1815

Bologna Sausages, or Opposition Flux'd

1788

James Gillray, 1756–1815

King Henry The Fourth's Last Scene

1788

James Gillray, 1756–1815

The Vulture of the Constitution

1789

James Gillray, 1756–1815

Cooling the Brain - or - The Little Major, Shaving the Shaver

1789

James Gillray, 1756–1815

The Rival Queens, or a Political Heat for Lege (Rege) and Grege

1789

James Gillray An Angel Gliding on a Sunbeam Into Paradise. Down Thither, Prone in Flight, Lo! Schwelly Speeds, and With Her Brings, The Gems, and Spoils of Heaven. Milton

James Gillray, 1756–1815

An Angel Gliding on a Sunbeam Into Paradise. Down Thither, Prone in Flight, Lo! Schwelly Speeds, and With Her Brings, The Gems, and Spoils of Heaven. Milton

1791

James Gillray, 1756–1815

The Magnanimous Minister Chastising Prussian Perfidy - Vide the "Morning Chronicle." April 28th

1806

James Gillray, 1756–1815

A Birmingham Toast, as Given on the 14th of July By The Revolution Society

1791

James Gillray, 1756–1815

A Welsh Tandem

1801

James Gillray, 1756–1815

To Skiffy - Skipt on, With His Wonted Grace. Vide Birthday Ball

1800

James Gillray, 1756–1815

Symptoms of Deep Thinking: Sinking from Thought to Thought, a Vast Profound (Sir Charles Bunbury)

1800

James Gillray, 1756–1815

Governor Wall's Ghost

1802

James Gillray, 1756–1815

Lordly Elevation

1802

James Gillray, 1756–1815

French-Taylor, Fitting John Bull - With a "Jean-de-Bry"

1800

James Gillray, 1756–1815

Going to Market

1791

James Gillray, 1756–1815

The Discarded Viceroy Silenced

1782

James Gillray, 1756–1815

Out of Fits - or the Recovery to the Satisfaction of All Parties

1786

James Gillray, 1756–1815

A Tom Tit Twittering on an Eagle's Back-side

1786

James Gillray, 1756–1815

Britania's Assassination - or - The Republicans Amusement

1782

James Gillray, 1756–1815

Questions & Commands; or The Mistaken Bad Road to HE-R-F-RD: A Sunday Evenings Amusement

1788

James Gillray, 1756–1815

The Dissolution, - or - The Alchymist Producing An Aetherial Representation (Pitt)

1796

James Gillray Meeting of the Monied Interest: - Constitutional Opposition to e/y 10 pr. cent: - i.e. John Bull's Friends Alarm'd by the New Tax (from: Caricature, vol. 1)

James Gillray, 1756–1815

Meeting of the Monied Interest: - Constitutional Opposition to e/y 10 pr. cent: - i.e. John Bull's Friends Alarm'd by the New Tax (from: Caricature, vol. 1)

1798

after Charles Turner, 1774–1857

A Pair: Coming In. London, Jan. 20, 1803

1803

after Charles Turner, 1774–1857

A pair: Preparing to Start. London, Jan. 20, 1803

1803

after Thomas Ryder, 1746–1810

Midsummer Night's Dream: Act IV, Scene I

1803

Peter Simon, 1750–1810

A Midsummer Night's Dream, Act IV, Scene I

c.1796

Print made by Theodore Henry Adolphus Fielding, 1781–1851

A Shipwreck

1825

Peter Simon, 1750–1810

Tempest, Act I, Scene II. The Enchanted Island

1803

Valentine Green, 1739–1813

Portrait of David Garrick

Joseph Goupy, 1689–1769

Romanus sum Civis

1726

Print made by unknown artist

Bacchus and Ariadne

1855

Samuel Middiman, ca. 1750–1831

As You Like It: Act II Scene 1. Jacques and the Wounded Stag

1791

Valentine Green, 1739–1813

Wigmore Castle, Herefordshire

1778

Valentine Green, 1739–1813

Ludlow Castle, Shropshire

Print made by Kenneth Hobson, 1897–1972

Spithead: Two Captured Danish Ships entering Portsmouth Harbour

1928

Print made by Sir Emery Walker, 1851–1933

Calm

1913

Print made by unknown artist

Turner's Haunts - a map