<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Search Results

William Bernard Cooke Wrapper and Advertisements for Rivers of England (Number Three)
Print made by William Bernard Cooke, 1778–1855
Wrapper and Advertisements for Rivers of England (Number Three)
1823 to 1827
Thomas Goff Lupton Front of Wrapper; and Advertisement for Ports of England
Print made by Thomas Goff Lupton, 1791–1873
Front of Wrapper; and Advertisement for Ports of England
1826 to 1828
J. Cross Map of the Rape of Hastings
Print made by J. Cross, active ca. 1819
Map of the Rape of Hastings
between 1816 and 1820
unknown artist Advertisement for 'The Old Téméraire'
unknown artist
Advertisement for 'The Old Téméraire'
1859 to 1861
Richard Reeve Circe
Print made by Richard Reeve, 1780–ca. 1835
Circe
between 1800 and 1835
Richard Reeve Helen
Print made by Richard Reeve, 1780–ca. 1835
Helen
between 1800 and 1835
unknown artist Hey Day, is this My Daughter Ann
unknown artist
Hey Day, is this My Daughter Ann
ca. 1774
William Simpson Circassia Sketchbook, October to November 1855
William Simpson, 1823–1899
Circassia Sketchbook, October to November 1855
1855
William Simpson Valence to Balaklava Sketchbook, October to December 1854
William Simpson, 1823–1899
Valence to Balaklava Sketchbook, October to December 1854
1854
William Simpson Abyssinia Sketchbook
William Simpson, 1823–1899
Abyssinia Sketchbook
1868
William Simpson Athens Sketchbook
William Simpson, 1823–1899
Athens Sketchbook
1877
William Simpson Scotland Sketchbook
William Simpson, 1823–1899
Scotland Sketchbook
1889 to 1890
Thomas Stothard [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
Thomas Stothard, 1755–1834
[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
1802 - 1825
Thomas Stothard [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
Thomas Stothard, 1755–1834
[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
1802 - 1825
George Moutard Woodward The Ghost of St. Stephens or The Stranger at Home
George Moutard Woodward, ca. 1760–1809
The Ghost of St. Stephens or The Stranger at Home
1800
George Moutard Woodward Oratorical Hints to Members of Parliament
George Moutard Woodward, ca. 1760–1809
Oratorical Hints to Members of Parliament
1800
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Henry Cave York Minister
Henry Cave, 1780–1836
York Minister
ca. 1813
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Rev. William Gilpin The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)
Rev. William Gilpin, 1724–1804
The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)
undated
Rev. William Gilpin The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
Rev. William Gilpin, 1724–1804
The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
undated
Rev. William Gilpin The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)
Rev. William Gilpin, 1724–1804
The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)
undated
Rev. William Gilpin Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)
Rev. William Gilpin, 1724–1804
Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)
undated
William Havell [One from a group of views] Thames and South Coast
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
Rev. William Gilpin The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)
Rev. William Gilpin, 1724–1804
The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)
undated
William Havell [One from a group of views] Thames and South Coast
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
Rev. William Gilpin Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)
Rev. William Gilpin, 1724–1804
Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)
undated
William Havell [One from a group of views] Thames and South Coast
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
William Havell [One from a group of views] Thames and South Coast
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
William Havell [One from a group of views] Thames and South Coast
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
William Havell [One from a group of views] Thames and South Coast
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
unknown artist No.2, Lympstone, Topsham, Exeter Cathedral & Country around Exeter
unknown artist
No.2, Lympstone, Topsham, Exeter Cathedral & Country around Exeter
1815-1816
unknown artist No.3, The Windmill, Parker's Warehouse, etc., Taken from Mr. Russell's
unknown artist
No.3, The Windmill, Parker's Warehouse, etc., Taken from Mr. Russell's
1815-1816
unknown artist No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon
unknown artist
No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon
1815-1816
unknown artist No.8, The Milk House, Part of the Warren of Haldon in the Distance, Taken from the Lime Kilns
unknown artist
No.8, The Milk House, Part of the Warren of Haldon in the Distance, Taken from the Lime Kilns
1815-1816
unknown artist No.11, The Rocks Going towards Salterton
unknown artist
No.11, The Rocks Going towards Salterton
1815-1816
unknown artist No.10, The Milk House, Lime Kilns, Webber's Farm, etc., Going from Exmouth
unknown artist
No.10, The Milk House, Lime Kilns, Webber's Farm, etc., Going from Exmouth
1815-1816
unknown artist No.12, Part of the Warren, Dr. Drury's, etc.
unknown artist
No.12, Part of the Warren, Dr. Drury's, etc
1815-1816
unknown artist No.16, Lympstone Rock and Topsham Taken from the Windmill, Exmouth
unknown artist
No.16, Lympstone Rock and Topsham Taken from the Windmill, Exmouth
1815-1816
unknown artist No.19, Parson of Clerk Rock, Taken between Dawlish and Teignmouth
unknown artist
No.19, Parson of Clerk Rock, Taken between Dawlish and Teignmouth
1815-1816
unknown artist Western Side of Torquay, Tor Abbey Lies behind this Hill
unknown artist
Western Side of Torquay, Tor Abbey Lies behind this Hill
1815-1816
unknown artist Southwark Cathedral
unknown artist
Southwark Cathedral
undated
unknown artist Wilsdon, Middlesex
unknown artist
Wilsdon, Middlesex
unknown artist A View of St. Bride's Church as Shattered and Struck with Lightening June 18, 1704
unknown artist
A View of St. Bride's Church as Shattered and Struck with Lightening June 18, 1704
undated
unknown artist Christ Church, Craven Hill, Paddington
unknown artist
Christ Church, Craven Hill, Paddington
unknown artist View of Christ Church, Spitalfields
unknown artist
View of Christ Church, Spitalfields
undated
unknown artist St. Clement Danes
unknown artist
St. Clement Danes
unknown artist A View of Deptford
unknown artist
A View of Deptford
unknown artist St. Margaret's, Lothbury
unknown artist
St. Margaret's, Lothbury
undated
unknown artist St. Margaret, Patterns
unknown artist
St. Margaret, Patterns
undated
unknown artist The S. E. Prospect of the Parish Church of St. Margaret, Lothbury
unknown artist
The S. E. Prospect of the Parish Church of St. Margaret, Lothbury
undated
unknown artist The Plan of St. Martin's Church before 1730
unknown artist
The Plan of St. Martin's Church before 1730
William Ward John Jeffreys Pratt, 1st Marquess Camden, 2nd Earl Camden
William Ward, 1766–1826
John Jeffreys Pratt, 1st Marquess Camden, 2nd Earl Camden
undated
unknown artist Chiesa di San Martino a Londra
unknown artist
Chiesa di San Martino a Londra
undated
unknown artist St. Martin's in the Field
unknown artist
St. Martin's in the Field
Francis Sydney Unwin West Front of St. Mary, Magdalen, Bermondsey
Francis Sydney Unwin, 1885–1925
West Front of St. Mary, Magdalen, Bermondsey
unknown artist The N.E. Prospect of the Parish Church of St. Martin Outwich in Treadneedle St.
unknown artist
The N.E. Prospect of the Parish Church of St. Martin Outwich in Treadneedle St
unknown artist St. MAry, Magdelen, Bermondsey
unknown artist
St. MAry, Magdelen, Bermondsey
1852
unknown artist St. Mary, Magdelen, Bermondsey
unknown artist
St. Mary, Magdelen, Bermondsey
1852
unknown artist St. Olaves Old Jewry
unknown artist
St. Olaves Old Jewry
undated
unknown artist St. Mary's Church, Rotherhithe
unknown artist
St. Mary's Church, Rotherhithe
undated
unknown artist S.W. View Newington Church
unknown artist
S.W. View Newington Church
undated