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2001. Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles

Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
Creator:
George Stubbs, 1724–1806
Date:
undated
Materials & Techniques:
Red chalk and graphite on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 x 10 5/8 inches (17.1 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2002. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 1 1/2 inches (4.4 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2003. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 5/8 x 1 1/2 inches (4.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2004. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 x 1 3/4 inches (5.1 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2005. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 7/8 x 1 1/2 inches (4.8 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2006. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 1 3/4 inches (4.4 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2007. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 1 1/2 x 1 5/8 inches (3.8 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2008. The First Stage of Cruelty

The First Stage of Cruelty
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 13 1/8 inches (39.4 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2009. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 x 1 3/4 inches (5.1 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2010. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 1 5/8 inches (4.4 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2011. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 2 inches (4.4 x 5.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2012. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 1 3/4 inches (4.4 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2013. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 x 1 1/2 inches (5.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2014. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 5/8 x 1 1/2 inches (4.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2015. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 7/8 x 1 5/8 inches (4.8 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2016. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 2 inches (4.4 x 5.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2017. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 1/8 x 1 7/8 inches (5.4 x 4.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2018. A Rake's Progress, Plate III: He Revels

A Rake's Progress, Plate III: He Revels
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Line Engraving
Dimensions:
Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2019. A Rake's Progress, Plate V: He Marries

A Rake's Progress, Plate V: He Marries
Creator:
Print made by William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 x 16in. (35.6 x 40.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2020. The Distrest(ed) Poet

The Distrest(ed) Poet
Creator:
William Hogarth, 1697–1764
Date:
1740
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 1/4 x 15 3/16in. (31.1 x 38.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2021. The Sleeping Congregation

The Sleeping Congregation
Creator:
Print made by William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 3/8 × 8 1/4 inches (26.4 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2022. Chairing the Members, Plate IV

Chairing the Members, Plate IV
Creator:
William Hogarth, 1697–1764
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 5/8 x 21 1/4in. (39.7 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2023. And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled

And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
Creator:
William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Etching
Dimensions:
Sheet: 15 1/8 x 20in. (38.4 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2024. A Rake's Progress, Plate VIII: In Bedlam

A Rake's Progress, Plate VIII: In Bedlam
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2025. The Polling, Plate III

The Polling, Plate III
Creator:
William Hogarth, 1697–1764
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/8 x 22 1/8in. (44.1 x 56.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2026. An Election Entertainment, Plate I

An Election Entertainment, Plate I
Creator:
William Hogarth, 1697–1764
Date:
1755-58
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/4 x 21 1/4in. (40 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2027. The Bench

The Bench
Creator:
William Hogarth, 1697–1764
Date:
1758
Materials & Techniques:
Engraving on wove paper
Dimensions:
Sheet: 12 3/8 x 8 1/4in. (31.4 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2028. The Cockpit

The Cockpit
Creator:
William Hogarth, 1697–1764
Date:
1759
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 1/2 x 15in. (31.8 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2029. Hogarth Painting the Comic Muse

Hogarth Painting the Comic Muse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1764
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2030. The Laughing Audience

The Laughing Audience
Creator:
William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 1/2 x 6 7/8in. (19.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2031. And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses

And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
Creator:
William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/8 x 19 3/4in. (38.4 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2032. Prospectus print "Crown & Mitre"

Prospectus print "Crown & Mitre"
Creator:
William Hogarth, 1697–1764
Date:
1754
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2033. William Hogarth

William Hogarth
Creator:
William Hogarth, 1697–1764
Date:
1764
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2034. A Midnight Modern Conversation

A Midnight Modern Conversation
Creator:
Print made by William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 7/8 × 17 7/8 inches (32.7 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2035. Southwark Fair

Southwark Fair
Creator:
Print made by William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 7/16 × 17 3/4 inches (34.1 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2036. A Rake's Progress, Plate IV: Goes to Court

A Rake's Progress, Plate IV: Goes to Court
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Line Engraving
Dimensions:
Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2037. A Rake's Progress, Plate I: He Takes Possession

A Rake's Progress, Plate I: He Takes Possession
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 12 1/2 x 15 3/16in. (31.8 x 38.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2038. A Rake's Progress, Plate VI: He Gambles

A Rake's Progress, Plate VI: He Gambles
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 1/4 x 15 1/8in. (31.1 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2039. A Rake's Progress, Plate II: His Levee

A Rake's Progress, Plate II: His Levee
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 1/4 x 15 1/4in. (31.1 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2040. Scholars at a Lecture (A Chorus of Singers)

Scholars at a Lecture (A Chorus of Singers)
Creator:
William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 1/8 x 6 7/8in. (20.6 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2041. Colombus breaking the Egg

Colombus breaking the Egg
Creator:
William Hogarth, 1697–1764
Date:
1753
Materials & Techniques:
Etching
Dimensions:
Sheet: 5 1/2 x 6 7/8in. (14 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2042. The Stage Coach; Or Country Inn Yard

The Stage Coach; Or Country Inn Yard
Creator:
William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 1/16 x 11 3/4in. (20.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2043. A Rake's Progress, Plate VII: In Fleet Street Prison

A Rake's Progress, Plate VII: In Fleet Street Prison
Creator:
Print made by William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Line engraving on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2044. Strolling Actresses Dressing in a Barn

Strolling Actresses Dressing in a Barn
Creator:
William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Engraving
Dimensions:
Sheet: 16 1/2 x 21 3/16in. (41.9 x 53.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2045. The Enraged Musician

The Enraged Musician
Creator:
William Hogarth, 1697–1764
Date:
1741
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 14 1/8 x 16 1/8in. (35.9 x 41cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2046. A Consultation of Physicians

A Consultation of Physicians
Creator:
William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 5/8 x 7in. (21.9 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2047. Subscription Ticket: Three Characters and Four Caricaturas

Subscription Ticket: Three Characters and Four Caricaturas
Creator:
William Hogarth, 1697–1764
Date:
1743
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 3/8 x 8 15/16in. (23.8 x 22.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2048. The First Stage of Cruelty: First, Children Torturing Animals

The First Stage of Cruelty: First, Children Torturing Animals
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2049. Simon Lord Lovat

Simon Lord Lovat
Creator:
William Hogarth, 1697–1764
Date:
1746
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 1/8 x 8 7/8in. (33.3 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2050. Gulielmus Hogarth

Gulielmus Hogarth
Creator:
William Hogarth, 1697–1764
Date:
1749
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/16 x 11 3/8in. (38.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2051. The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse

The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2052. The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)

The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 x 11 3/4in. (35.6 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2053. The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)

The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2054. The Invasion, Plate II: England

The Invasion, Plate II: England
Creator:
William Hogarth, 1697–1764
Date:
1756
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 1/2 x 14 3/4in. (29.2 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2055. Analysis of Beauty, Plate II: A Country Dance

Analysis of Beauty, Plate II: A Country Dance
Creator:
William Hogarth, 1697–1764
Date:
1753
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 1/4 x 19 3/8in. (36.2 x 49.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2056. The Invasion, Plate I: France

The Invasion, Plate I: France
Creator:
William Hogarth, 1697–1764
Date:
1756
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 1/2 x 15in. (29.2 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2057. Analysis of Beauty, Plate I: A Statuary's Yard

Analysis of Beauty, Plate I: A Statuary's Yard
Creator:
William Hogarth, 1697–1764
Date:
1753
Materials & Techniques:
Engraving on paper
Dimensions:
Sheet: 14 1/4 x 19in. (36.2 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2058. The Four Times of Day, Plate II: Noon

The Four Times of Day, Plate II: Noon
Creator:
William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Etching and engraving, second state
Dimensions:
Sheet: 19 3/8 x 16 1/16in. (49.2 x 40.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2059. Painting of Pharoah's Daughter and Moses in the Foundling Hospital

Painting of Pharoah's Daughter and Moses in the Foundling Hospital
Creator:
William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2060. Fair Scene

Fair Scene
Creator:
William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2061. The Four Times of Day, Plate I: Morning

The Four Times of Day, Plate I: Morning
Creator:
Print made by William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Engraving
Dimensions:
Sheet: 18 x 14 7/8in. (45.7 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2062. The Four Times of Day, Plate IV: Night

The Four Times of Day, Plate IV: Night
Creator:
William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/8 x 14 1/2in. (44.1 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2063. Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey

Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
Creator:
William Hogarth, 1697–1764
Date:
1718
Materials & Techniques:
Line engraving (reprint)
Dimensions:
Plate: 7 x 5 1/8 inches (17.8 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2064. George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock

George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 12 1/2 inches (22.5 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2065. Study for the Foundlings

Study for the Foundlings
Creator:
William Hogarth, 1697–1764
Date:
ca. 1739
Materials & Techniques:
Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:
Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2066. Hymen

Hymen
Creator:
William Hogarth, 1697–1764
Date:
ca. 1748
Materials & Techniques:
Black chalk on medium, slightly textured, brown paper
Dimensions:
Sheet: 19 1/2 x 14 1/2 inches (49.5 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2067. Gabriel Hunt

Gabriel Hunt
Creator:
William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Gray wash, black chalk, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 3/8 x 7 1/8 inches (26.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2068. Benjamin Read

Benjamin Read
Creator:
William Hogarth, 1697–1764
Date:
ca. 1757
Materials & Techniques:
Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 10 1/2 x 9 3/4 inches (26.7 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2069. Study of a Female Nude

Study of a Female Nude
Creator:
William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Graphite, black chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 10 1/4 × 17 1/8 inches (26 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2070. Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right

Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
Creator:
William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2071. George Taylor's Epitaph: George Taylor Breaking the Ribs of Death

George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Pen and brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2072. Coast Scene with White Cliffs and Boats on Shore

Coast Scene with White Cliffs and Boats on Shore
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 9 1/8 inches (18.4 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2073. A View of Boppart, with Figures on the River Bank

A View of Boppart, with Figures on the River Bank
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1817
Materials & Techniques:
Watercolor, gouache, black chalk and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2074. Windsor Castle and Park with Deer

Windsor Castle and Park with Deer
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 11 3/8 inches (20.7 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2075. Christ Church Gate, Canterbury

Christ Church Gate, Canterbury
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1793 to 1794
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 10 3/4 inches (22.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2076. View of Ely Cathedral

View of Ely Cathedral
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1796
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 x 6 5/8in. (10.5 x 16.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2077. Monaco at Sunset from the Southwest

Monaco at Sunset from the Southwest
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1838
Materials & Techniques:
Watercolor and scratching out on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/2 x 7 3/8 inches (14 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2078. Fishing Boats Becalmed off le Havre

Fishing Boats Becalmed off le Havre
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 5 1/2 x 7 3/4 inches (14 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2079. Figures on Margate Beach

Figures on Margate Beach
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
undated
Materials & Techniques:
Watercolor, gouache and white chalk on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 5 1/2 x 7 1/2 inches (14 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2080. Ship Aground, Brighton, with the Chain Pier Beyond

Ship Aground, Brighton, with the Chain Pier Beyond
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1830
Materials & Techniques:
Watercolor, black ink, and gouache on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 5 1/2 x 7 5/8 inches (14 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2081. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1832
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 8 1/2 inches (28.6 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2082. Jason

Jason
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2083. The Bridge in Middle Distance

The Bridge in Middle Distance
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2084. Lake of Thun, Switzerland

Lake of Thun, Switzerland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 11 inches (20 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2085. The Fifth Plague of Egypt

The Fifth Plague of Egypt
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 11 1/8 inches (20.3 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2086. The Drawing of the Clyde

The Drawing of the Clyde
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching printed in brown ink; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2087. The Drawing of the Clyde

The Drawing of the Clyde
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2088. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Little Devil's Bridge over the Russ above Altdorft, Switzerland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2089. Original Sketch of a Picture for W. Leader, Esq.

Original Sketch of a Picture for W. Leader, Esq.
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint printed in brown ink, with graphite; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/8 inches (22.2 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2090. The Hindoo Worshipper

The Hindoo Worshipper
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and aquatint, printed in brown ink First Published State on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2091. Windmill and Lock

Windmill and Lock
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2092. Junction of Severn and Wye

Junction of Severn and Wye
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching, aquatint, and mezzotint, printed in brown ink; engraver's proof (b?) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/2 inches (25.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2093. Marine Dabblers

Marine Dabblers
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2094. From Spenser's Fairy Queen

From Spenser's Fairy Queen
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink; second published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 15 5/8 inches (27.9 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2095. Water Mill

Water Mill
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2096. Crypt of Kirkstall Abbey

Crypt of Kirkstall Abbey
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2097. Procris and Cephalus

Procris and Cephalus
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2098. Procris and Cephalus

Procris and Cephalus
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 11 1/2 inches (21.6 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2099. Winchelsea, Sussex

Winchelsea, Sussex
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 3/4 inches (29.5 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2100. The Bridge and Goats

The Bridge and Goats
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection