Credit Line: Yale Center for British Art, Paul Mellon Collection / Topic subjectplace ss: England

John Nixon, ca. 1760–1818

Bathing Machine on the Common, near Southsea Castle

1788

William Parrott, 1813–ca. 1869

Windsor Castle

undated

James Wyatt, 1746–1813

Projected Design for Fonthill Abbey, Wiltshire

1798

Print made by Thomas Hall, active early 19th century

A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

1808

unknown artist

View of the Coronation Procession of George IV

ca. 1821

Studio of Sir John Soane, 1753–1837

Section of the Court of Common Pleas and the Robery Room

1823

Print made by Day & Co., 1824–1913

North side of the Star Chamber, Westminster

ca. 1845

Print made by unknown artist

Part of Westminster

ca. 1850

Print made by John Thomas Smith, 1766–1833

Cotton Garden, Westminster

1804

unknown artist

House of Commons Restored Giving Additional Sitting Room for 100 Members

ca. 1800

Print made by George Gladwin, active 1820s–1830s

Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834

1835

Print made by James Sands, active 1813–1846

The Lower Lobby, House of Commons

1815

Print made by T. Clarke, 1799–1839

Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

1835

Print made by Robert William Billings, 1813–1874

Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

1835

Print made by unknown artist

Part of the Front of the Vestibule

1843

John Carter, 1748–1817

South View in the Entrance of Porch at West End of St. Stephen's Chapel West

between 1790 and 1802

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Attributed to John Carter, 1748–1817

Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

between 1790 and 1802

Attributed to John Carter, 1748–1817

Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

between 1790 and 1802

unknown artist

Entrance Doorway in the Tower, St Stephen's Chapel

undated

unknown artist

Details of the Screen of Entrance Porch, St Stephen's Chapel

undated

Print made by James Basire, 1730–1802

Plate IX: St Stephen's Chapel

1795

Print made by John Thomas Smith, 1766–1833

Geometrical Construction of the Freeze and Battlements in the House of Commons

1805

Print made by James Basire, 1730–1802

Plate XIII: St Stephen's Chapel

1795

Attributed to John Carter, 1748–1817

Details of Imposts and Bases of Columns, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Impost moldings, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Print made by Robert William Billings, 1813–1874

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Print made by John Thomas Smith, 1766–1833

Oak Door Discovered in the Speaker's State Dining Room

1806

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Attributed to John Carter, 1748–1817

View in Basement Story under House of Lords

between 1800 and 1807

Print made by Henry Melville, active 1826–1841

House of Commons, the Speaker Reprimanding a Person at the Bar

after 1850

Print made by unknown artist

Plate XXXIX: House of Commons as Fitted Up in 1835

ca. 1836

Attributed to John Carter, 1748–1817

Plan of Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817

East Front of Painted Chamber

between 1793 and 1799

unknown artist

Exterior of Painted Chamber, North View

undated

Print made by unknown artist

Staircase at Southeast Angle, Painted Chamber, Westminster

1835

Attributed to John Carter, 1748–1817

Palace at Westminster

between 1800 and 1807

Attributed to John Carter, 1748–1817

North Side, Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817

Side Window, North, Painted Chamber

between 1793 and 1799

unknown artist

Details of Capitals and Arches, Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817

East End, Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817

Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817

Wall Paintings

between 1793 and 1799

Attributed to John Carter, 1748–1817

Door on South Side of Painted Chamber

between 1793 and 1799

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Attributed to John Carter, 1748–1817

Details of one of the Figures

ca. 1795

Attributed to John Carter, 1748–1817

Paintings on the Wall by H in Plan

between 1793 and 1799

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by G.F. Storm, active mid–19th century

Vol. 6, Plate XXVIII

1842

Attributed to John Carter, 1748–1817

Enlarged Detail of Figures from Painting Shown in Previous Sketch

between 1793 and 1799

Print made by G.F. Storm, active mid–19th century

Vol. 6, Plate XXIX

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated

George Birch, 1842–1904

Plan and View of Room under the Painted Chamber

1827

Print made by T. Clarke, 1799–1839

Plate XXXVIII: House of Lords, as Fitted up in 1835

1836

George Harley, 1791–1871

Ruins of Westminster Palace

1834

Print made by T. Kearnan, active 1821–1850

The House of Lords, as Restored after the Fire

1835

Attributed to John Carter, 1748–1817

Princes Chamber

between 1800 and 1807

George Birch, 1842–1904

View of Guy Fawkes' Tower

1827

Attributed to John Carter, 1748–1817

South Side of Princes Chamber West

between 1800 and 1807

Attributed to John Carter, 1748–1817

Door near Painted Chamber

between 1800 and 1807

Frederick Mackenzie, 1788–1854

Old Palace Yard

1809

Attributed to William Capon, 1757–1827

Elevation of Buildings Fronting Westminster Hall

1822

Print made by John Woods, active 1836–1860

Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

1825

Print made by William Deeble, active 1814–1849

The King's Entrance to the House of Lords, From Poets Corner

1829

Charles James Richardson, 1806–1871

Decoration between Windows of Parlor, No. 3 Old Palace Yard

1871

Print made by R.C. Roffe, active in London 1806–1835

A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

1827

Print made by unknown artist

Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

1834

Charles James Richardson, 1806–1871

Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard

1871

Print made by unknown artist

Chance. The London Firemen's Dog

1834

Print made by unknown artist

Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

undated

Print made by T. Kearnan, active 1821–1850

New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

ca. 1835

R.C. Roffe Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Print made by R.C. Roffe, active in London 1806–1835

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

1827