Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
2908
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
2909
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
2910
Print made by John Thomas Smith, 1766–1833
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
2911
Print made by Henry Melville, active 1826–1841
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
2912
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
2913
Print made by William Deeble, active 1814–1849
The Parliament House, from Old Palace Yard, Westminster
1829
2914
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West
1835
2915
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
2916
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
2917
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
2918
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
2919
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
2920
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
2921
Attributed to John Carter, 1748–1817
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
1815
2922
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
2923
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
2924
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
2925
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
2926
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
2927
Attributed to John Carter, 1748–1817
Springing of groins
1815
2928
Print made by James Basire II, 1769–1822
The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
1815
2929
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
2930
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
2931
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
2932
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
2933
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
2934
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
2935
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
2936
Print made by Robert Havell, 1769–1832
View of the Front of the New Public Buildings, Guildford
1819
2937
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
2938
Print made by Francesco Bartolozzi, 1728–1815
Dr. John Fothergill
1782
2939
Thomas Rowlandson, 1756–1827
Richmond Park
undated
2940
Thomas Rowlandson, 1756–1827
Plymouth Dock
1817
2941
Thomas Rowlandson, 1756–1827
The Bookmaker and his Client outside the Ram Inn, Newmarket
undated
2942
Thomas Rowlandson, 1756–1827
A Review on Blackheath, May 1785
1785
2943
Thomas Rowlandson, 1756–1827
A Review of the Northapmton Militia at Brackley
undated
2944
Thomas Rowlandson, 1756–1827
The Woolpack Inn
undated
2945
James Moore, 1762–1799
Rumburgh Priory Church, Suffolk, England
1790
2946
James Moore, 1762–1799
Thetford Priory, Norfolk, England
1790
2947
James Moore, 1762–1799
Castle Acre Priory, Norfolk, England
1790
2948
James Moore, 1762–1799
Ely Cathedral
1790
2949
James Moore, 1762–1799
Hadleigh Castle, Essex, England
1791
2950
James Moore, 1762–1799
Hadleigh Castle, Essex, England
1791
2951
James Moore, 1762–1799
Chapel of the Holy Ghost, Basingstoke, England
1791
2952
James Moore, 1762–1799
Chapel of the Holy Ghost, Basingstoke, England
1791
2953
James Moore, 1762–1799
Amsbury Abbey, Wiltshsire, England
1791
2954
James Moore, 1762–1799
Study of Sections from the Church of the Holy Ghost
1791
2955
James Moore, 1762–1799
Salisbury Cathedral
1791
2956
James Moore, 1762–1799
Newark Priory, Surrey
1791
2957
James Moore, 1762–1799
Gateshead Abbey
1792
2958
James Moore, 1762–1799
The Abbey of St. Mary, Yorkshire, England
1792
2959
James Moore, 1762–1799
East End of Tynemouth Priory
1792
2960
James Moore, 1762–1799
Bothal Castle, Northumberland
1792
2961
James Moore, 1762–1799
Ouse Bridge, York
1792
2962
James Moore, 1762–1799
Warkworth Castle, Northumberland
1792
2963
James Moore, 1762–1799
Warkworth Castle, Northumberland
1792
2964
James Moore, 1762–1799
Lindisfarne Priory, Holy Island, Northumberland
1792
2965
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York
1820
2966
Thomas Rowlandson, 1756–1827
The Departure from Wakefield
ca. 1817
2967
Thomas Rowlandson, 1756–1827
The Surprise
ca. 1817
2968
Thomas Rowlandson, 1756–1827
The Family Picture
1817
2969
Thomas Rowlandson, 1756–1827
Attendance on a Nobleman
ca. 1817
2970
Thomas Rowlandson, 1756–1827
The Vicar Preaching to the Prisoners
ca. 1817
2971
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
2972
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794
1794
2973
Thomas Rowlandson, 1756–1827
Rag Fair or Rosemary Lane
undated
2974
Print made by unknown artist
Plate I. Memorials of the Commissioners for Improving Westminster, 1811
1811
2975
Thomas Rowlandson, 1756–1827
Valley of Stones, Lynton, Devon
undated
2976
Thomas Rowlandson, 1756–1827
The London Citizen
undated
2977
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
2978
Thomas Rowlandson, 1756–1827
The Welcome
ca. 1817
2979
Thomas Rowlandson, 1756–1827
The Esquire's Intrusion
ca. 1817
2980
Thomas Rowlandson, 1756–1827
Fortune-Telling
ca. 1817
2981
Thomas Rowlandson, 1756–1827
The Dance
ca. 1817
2982
Thomas Rowlandson, 1756–1827
The Vicar Selling his Horse
ca. 1817
2983
Thomas Rowlandson, 1756–1827
The Vicar's Family on the Road to Church
ca. 1817
2984
Thomas Rowlandson, 1756–1827
The Fair Penitent
ca. 1817
2985
Thomas Rowlandson, 1756–1827
The Scold, with News of Olivia
ca. 1817
2986
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Gourmands at Dinner
1798
2987
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798
2988
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
2989
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
2990
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
2991
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
2992
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
2993
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
2994
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
2995
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
2996
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
2997
Robert Dighton, 1752–1814
Coits Played opposite the Horns, Kennington Common
ca. 1784
2998
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
2999
Robert Dighton, 1752–1814
Fives played at the Tennis court Leicester Fields
ca. 1784
3000
unknown artist
The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809