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Credit Line Yale Center for British Art, Paul Mellon Collection

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1. The Mountain Torrent

The Mountain Torrent
Creator:
Francis Danby, 1793–1861
Date:
between 1820 and 1830
Materials & Techniques:
Oil on canvas
Dimensions:
39 5/16 × 61 inches (99.9 × 154.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Portrait of an Unknown Boy

Portrait of an Unknown Boy
Creator:
Willem Wissing, ca. 1656–1687
Date:
ca. 1685
Materials & Techniques:
Oil on canvas
Dimensions:
81 1/2 x 48 3/4 inches (207 x 123.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'

'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
Creator:
William Artaud, 1763–1823
Date:
1788 to 1790
Materials & Techniques:
Oil on canvas
Dimensions:
95 x 80 1/2 inches (241.3 x 204.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Portrait of John Phillippo Nighorus

Portrait of John Phillippo Nighorus
Creator:
Richard Cosway, 1742–1821
Date:
1771
Materials & Techniques:
Oil on canvas
Dimensions:
36 3/8 × 28 inches (92.4 × 71.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Spearing the Otter

Spearing the Otter
Creator:
Philip Reinagle, 1749–1833
Date:
1805
Materials & Techniques:
Oil on canvas
Dimensions:
14 1/2 x 20 1/4 inches (36.8 x 51.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Fish Market by the Sea

Fish Market by the Sea
Creator:
Richard Dadd, 1817–1886
Date:
ca. 1860
Materials & Techniques:
Oil on canvas
Dimensions:
39 1/2 x 49 1/2 inches (100.3 x 125.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. Study for 'The Red Cross Knight'

Study for 'The Red Cross Knight'
Creator:
John Singleton Copley, 1738–1815
Date:
ca. 1793
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 21 inches (43.2 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. Sir Thomas Winne

Sir Thomas Winne
Creator:
unknown artist
Date:
ca. 1615
Materials & Techniques:
Oil on canvas
Dimensions:
83 x 51 inches (210.8 x 129.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

9. Man attacking a monster

Man attacking a monster
Creator:
Attributed to John Hamilton Mortimer, 1740–1779
Date:
between 1770 and 1780
Materials & Techniques:
Oil on canvas
Dimensions:
11 3/4 x 14 inches (29.8 x 35.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

10. 'The present moment terminates our sight' (Page 13)

'The present moment terminates our sight' (Page 13)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. 'Till death, that mighty hunter, earths them all' (Page 70)

'Till death, that mighty hunter, earths them all' (Page 70)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. My Son! My Son! (Plate 10)

My Son! My Son! (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)

"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. "My son! my Son!" (Plate 10)

"My son! my Son!" (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. 'Till death, that mighty hunter, earths them all' (Page 70)

'Till death, that mighty hunter, earths them all' (Page 70)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. 'Death! great proprietor of all! 'tis thine' (Page 8)

'Death! great proprietor of all! 'tis thine' (Page 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Three Fatal Sisters (Design 67)

The Three Fatal Sisters (Design 67)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. 'The present moment terminates our sight' (Page 13)

'The present moment terminates our sight' (Page 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Bard Weaving Edwards Fate (Design 55)

The Bard Weaving Edwards Fate (Design 55)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. "Appear to the Americans upon the cloudy night..." (Plate 6)

"Appear to the Americans upon the cloudy night..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Two Horsemen

Two Horsemen
Creator:
James Gray Mayhew, 1771–1845
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 5 1/8 inches (16.5 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Greenland Fishery

Greenland Fishery
Creator:
Print made by John Boydell, 1720–1804
Date:
1754
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Classical Scene: Minerva as the Goddess of Arts and Sciences

Classical Scene: Minerva as the Goddess of Arts and Sciences
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash with black and red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 15 3/16 × 11 1/8 inches (38.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Design for Medal: Both Hands Fil'd for Britain

Design for Medal: Both Hands Fil'd for Britain
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and black ink over graphite on medium, slightly textured, beige laid paper, mounted on moderately thick, moderately textured, cream laid paper, with watercolor and pen, with black and red ink border lines
Dimensions:
Mount: 11 x 7 5/8 inches (27.9 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. A Young Daughter of the Picts

A Young Daughter of the Picts
Creator:
Jacques Le Moyne de Morgues, ca. 1533–before 1588
Date:
ca. 1585
Materials & Techniques:
Watercolor and gouache, touched with gold on parchment
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Pale Melancholy

Pale Melancholy
Creator:
Paul Sandby Munn, 1773–1845
Date:
ca. 1804
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 1/8 inches (23.2 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Joshua Commanding the Sun to Stand Still

Joshua Commanding the Sun to Stand Still
Creator:
John Martin, 1789–1854
Date:
1827
Materials & Techniques:
Mezzotint, published state on moderately thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:
Sheet: 23 1/4 × 30 13/16 inches (59.1 × 78.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Pandemonium

Pandemonium
Creator:
Print made by John Martin, 1789–1854
Date:
1831
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 3/8 × 30 3/4 inches (56.8 × 78.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Triumph of Britannia

The Triumph of Britannia
Creator:
Simon François Ravenet, 1706–1774
Date:
ca. 1765
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 x 20 1/2in. (38.1 x 52.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Valley of the Shadow of Death

The Valley of the Shadow of Death
Creator:
James Gillray, 1756–1815
Date:
1808
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 15 7/16 inches (26.4 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Sketch for the Oil Painting "The Conversion of St. Paul"

Sketch for the Oil Painting "The Conversion of St. Paul"
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper
Dimensions:
Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Colonel Mordaunt's Cock Match at Lucknow

Colonel Mordaunt's Cock Match at Lucknow
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1792
Materials & Techniques:
Mezzotint and etching with hand coloring in watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 x 28 7/8 inches (53.3 x 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Colonel Mordaunt's Cock Match at Lucknow

Colonel Mordaunt's Cock Match at Lucknow
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1792
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 27 1/2 inches (54 x 69.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Study of a Military Scene

Study of a Military Scene
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, black chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 5 5/8 × 4 3/8 inches (14.3 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Barbara Palmer (née Villiers) Countess of Castlemaine

Barbara Palmer (née Villiers) Countess of Castlemaine
Creator:
Thomas Watson, 1743–1781
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 11/16 × 13 1/16 inches (42.4 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Glenfinlas

Glenfinlas
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 9/16 x 11 5/8 inches (24.3 x 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Study of a Woman, being Taken Away by a Winged Being

Study of a Woman, being Taken Away by a Winged Being
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 2 1/2 × 4 7/16 inches (6.4 × 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. African Hospitality

African Hospitality
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Mezzotint, printed in color, published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 22 1/4 x 29 1/4in. (56.5 x 74.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
Creator:
Print made by Jean B. Michel, active 1803
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 1/2 × 19 3/4 inches (74.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. "Scraps", no. 35: Mounted Mameluke with Bamboo Spear

"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 9 1/4 inches (17.3 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. "Scraps", no. 34: Mounted Mameluke Pointing a Pistol

"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn

Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 8 15/16 inches (19.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Hunting in a Wood

Hunting in a Wood
Creator:
Francis Sartorius, 1734–1804
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on thick, rough, cream laid paper
Dimensions:
Sheet: 11 5/16 × 17 5/16 inches (28.7 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. A Scene on Mount Olympus

A Scene on Mount Olympus
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and white gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring

The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. A Hunter Holding a Spear in a Woodland Setting

A Hunter Holding a Spear in a Woodland Setting
Creator:
Francis Cleyn, 1582–1658
Date:
undated
Materials & Techniques:
Black chalk, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 8 inches (29.2 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Man and woman of Chasna-Tenerife

Man and woman of Chasna-Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 7 1/2 inches (22.9 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Peasants of Chasna, Tenerife

Peasants of Chasna, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1825
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 6 5/8 inches (20 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Neptune and Britannia

Neptune and Britannia
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, cream wove paper, mounted to medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 6 1/4 inches (15.2 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. A Rifleman at Musketry Practice

A Rifleman at Musketry Practice
Creator:
John Augustus Atkinson, 1775–1831
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 3 1/8 inches (11.4 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Design for a Medal: Boths Hand Fil'd for Britain

Design for a Medal: Boths Hand Fil'd for Britain
Creator:
Hubert-François Gravelot, 1699–1773
Date:
between 1734 and 1736
Materials & Techniques:
Pen and black ink, pen and red ink, graphite with red chalk, squared for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, and pen, with black and red ink border lines
Dimensions:
Mount: 11 x 7 5/8 inches (27.9 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Port Mahon

Port Mahon
Creator:
Hubert-François Gravelot, 1699–1773
Date:
between 1756 and 1773
Materials & Techniques:
Pen and black ink, pen and brown ink, brown wash, gray wash, watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 8 × 9 7/8 inches (20.3 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Creator:
Mary Hoare, 1744–1820
Date:
1780
Materials & Techniques:
Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:
Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection