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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms mother
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1
- Ellinor Guthrie (née Stirling)
- 1865
- On view at YUAG
2
- Warwick Castle
- 1748 to 1749
- On view at YUAG
3
- Virgin and Child
- between 1810 and 1820
- Not on view
4
- Second Class—The Parting. "Thus part we rich in sorrow, parting poor."
- 1855
- Not on view
5
- Kensington Gardens
- 1815
- Not on view
6
- The Hermitage
- ca. 1772
- Not on view
7
- Kensington Gardens
- between 1815 and 1816
- Not on view
8
- The Wandering Sailor
- ca. 1798
- Not on view
9
- A View of Cheddar Gorge
- ca. 1820
- Not on view
10
- Classical Landscape: Morning
- between 1740 and 1745
- Not on view
11
- David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return"
- ca. 1762
- Not on view
12
- The Gore Family with George, third Earl Cowper
- ca. 1775
- Not on view
13
- Landscape with Cottagers
- ca. 1775
- Not on view
14
- The Severe Steward, or Unfortunate Tenant
- between 1800 and 1801
- Not on view
15
- The Benevolent Heir or the Tenant Restored to his Family
- ca. 1797
- Not on view
16
- Christening of the Heir
- ca. 1799
- Not on view
17
- A Mother with her Son and a Pony
- ca. 1775
- Not on view
18
- Birth of the Heir
- ca. 1799
- Not on view
19
- Mother and Child by a Stile, with Culver Cliff, Isle of Wight, in the Distance
- 1849 to 1850
- Not on view
20
- An English Family in Macao
- ca. 1835
- Not on view
21
- Study of the Lamentation on the Dead Christ
- ca. 1785
- Not on view
22
- The Browne Family
- ca. 1778
- Not on view
23
- The Artist and His Family
- ca. 1772
- Not on view
24
- Sir Robert Smyth and Louisa Caroline Isabella Smyth (née Hervey), Lady Smyth with Their Son, Hervey
- between 1738 and 1739
- Not on view
25
- Elizabeth West (née Shewell), and Her Son Raphael
- ca. 1773
- Not on view
26
- Mrs. Barclay and Her Children
- between 1776 and 1777
- Not on view
27
- The Old Water Mill
- 1790
- Not on view
28
- Mares and Foals, facing right
- between 1790 and 1800
- Not on view
29
- Mares and Foals, facing left
- between 1790 and 1800
- Not on view
30
- A Western View of part of Westminster and Bird Cage Walk taken from the Mill House...,
- 1808
- Not on view
31
- A Wooded River Landscape with Mother and Child
- 1830
- Not on view
32
- A Married Sailor's Adieu
- ca. 1800
- Not on view
33
- Mid-Day Rest, Harvest
- ca. 1840
- Not on view
34
- Street Scene in Chorley, Lancashire, with a view of Chorley Hall
- ca. 1795
- Not on view
35
- Ring O' Roses
- ca. 1850
- Not on view
36
- The Rest on the Flight into Egypt
- ca. 1827
- Not on view
37
- Family Group
- between 1774 and 1780
- Not on view
38
- Selling Guinea Pigs
- ca. 1789
- Not on view
39
- Madonna and Child
- 1943
- Not on view
40
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
41
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
42
- A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
- undated
43
- Learning to Walk
- undated
44
- "I found him beneath a Tree" (Plate 3)
- 1826
45
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
46
- The Ecchoing Green (Plate 10)
- 1789
47
- A Cradle Song (Plate 18)
- 1789
48
- Infant Joy (Plate 14)
- 1789
49
- Songs of Innocence, Title Page (Plate 2)
- 1789
50
- The Little Boy Lost (Plate 16)
- 1789
51
- Infant Joy (Plate 28)
- 1789
52
- Holy Thursday (Plate 38)
- 1794
53
- The Fly (Plate 48)
- 1794
54
- 'We censure nature for a span too short' (Page 23)
- 1797
55
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
56
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
57
- The Little Boy Lost (Plate 20)
- 1789
58
- Songs of Innocence, Title Page (Plate 2)
- 1789
59
- Nurse's Song (Plate 22)
- 1789
60
- On Anothers Sorrow (Plate 24)
- 1789
61
- The Lamb (Plate 8)
- 1789
62
- Laughing Song (Plate 28)
- 1789
63
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
64
- A Cradle Song (Plate 26)
- 1789
65
- Nurses Song (Plate 37)
- 1794
66
- Mrs. William Wilberforce and Child
- 1824
67
- Study for The Mother's Bribe, or The Temptation to be Washed
- undated
68
- Studies of Two Women
- undated
69
- Grace Before Meat
- 1839
70
- A Village Snow Scene
- 1819
71
- Brass Chrism of Constance Bownell and her Baby from Heston Church
- 1796-1811
72
- Battersea Bridge
- undated
73
- James Gandon and Family
- 1780
74
- A Mother and Two Children
- 1786
75
- Madonna and Child
- undated
76
- Mother and Child with Young Boy Leaning on Window Sill
- undated
77
- Mother and Infant
- ca. 1798
78
- Artist's Wife and Child
- undated
79
- Church and Cottages
- undated
80
- Study of the Artist's Mother Sewing
- ca. 1776
81
- Rustic Scene: man fishing, left; cottage with water-mill and horses right
- undated
82
- Woman and Child Holding a Doll
- between 1758 and 1760
83
- The Spoiled Child, Scene I
- ca. 1802
84
- The Spoiled Child, Scene IV
- ca. 1802
85
- Mrs. West and Daughter Playing Catch
- undated
86
- Shakespeare Sacrificed; or, The Offering to Avarice
- 1789
87
- Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
- 1820
88
- Mrs. Beale and her Son Charles
- 1762
89
- Crofton
- 1813
90
- Hope Nursing Love
- 1771
91
- A Mother and Child
- undated
92
- The Spring Flood
- 1865
93
- Turver's Farm, Wimbish, Essex
- ca. 1799
94
- Mrs. Thomas Linley, née Mary Johnson
- 1790 to 1800
95
- Master William Page and Sir Hugh Evans
- 1821
96
- Her Majesty Queen Victoria & Family
- ca. 1851
97
- Gems of the Great Exhibition No. 4: The Foreign Department
- 1852 or 1854
98
- Study
- 1789-1790
99
- November
- 1788
100
- Madona Col Bambino
- 1791