Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
5
Print made by Bradshaw & Blacklock, active ca.1850
The Farmer's Boy & The Rustic Angler
after 1850
6
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
7
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
8
Francis Wheatley, 1747–1801
Donnybrook Fair, 1782
1782
9
Print made by Bradshaw & Blacklock, active ca.1850
Eight colour prints
after 1850
10
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
11
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
12
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
13
Print made by John Doyle ('H.B.'), 1797–1868
Rather a Dangerous Kind of Hug
1847
14
Print made by John Doyle ('H.B.'), 1797–1868
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
1847
15
Print made by Robert Barnes, 1840–1895
Boy Tying a Girl's Shoe
undated
16
Print made by Robert Barnes, 1840–1895
Elderly Couple on a Park Bench, with Two Men Beyond
undated
17
Print made by Robert Barnes, 1840–1895
Three Men and Two Boys Sitting on a Pier
undated
18
Print made by Robert Barnes, 1840–1895
Boy Holding an Apple for a Girl with Two Girls Beyond
undated
19
Possibly James Pollard, 1792–1867
The Derby Day: Tits and Trampers on the Road to Epsom
undated
20
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
21
Print made by Alfred Henry Forrester, 1804–1872
The Follies of Costume
undated
22
Thomas Rowlandson, 1756–1827
Lord Harrington and Lord Petersham
undated
23
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
24
Print made by Thomas Chambars, ca. 1724–1789
Sir Godfrey Kneller and John Zackary Kneller
undated
25
John Flaxman, 1755–1826
Two Women Talking to a Man at a Counter
undated
26
Print made by Bradshaw & Blacklock, active ca.1850