Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
3
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
4
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
5
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
6
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
7
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
8
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
9
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
10
James Gillray, 1756–1815
Destruction of the French Collossus
1798
11
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
12
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
13
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
14
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
15
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
16
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
17
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
18
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
19
James Gillray, 1756–1815
Independence
1799
20
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
21
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
22
James Gillray, 1756–1815
A Portrait ------------
1799
23
James Gillray, 1756–1815
A Man of Importance
1799
24
James Gillray, 1756–1815
A Hackney Meeting
1796
25
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
26
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
27
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
28
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
29
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
30
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
31
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
32
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
33
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
34
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
35
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
36
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
37
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
38
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
39
James Gillray, 1756–1815
A Uniform Whig ---
1791
40
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
41
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
42
James Gillray, 1756–1815
Jack A Both Sides!
1783
43
James Gillray, 1756–1815
The Legacy
1786
44
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
45
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
46
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
47
Print made by unknown artist
Proteus ye 2d in Sev'ral Among his Many Publick Characters
1784
48
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
49
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
50
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
51
Print made by unknown artist
Plan of Mud Island, off the Kingdom of Corsica
ca. 1794
52
Print made by unknown artist
The Restricted Regency
1789
53
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
54
Charles Williams, active 1796–1830
The April Fool Consigned to Infamy and Ridicule
1801
55
Charles Williams, active 1796–1830
Cross Examination
1802
56
Isaac Cruikshank, 1764–1811
The British Menagerie
1796
57
Charles Williams, active 1796–1830
Prize Beef or Luxury in the Nineteenth Century
1802
58
Isaac Cruikshank, 1764–1811
The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput
1800
59
Print made by Isaac Cruikshank, 1764–1811
The Ghost's, or the Taylor Befrited &c. &c. A German Story
1790
60
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
61
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
62
James Gillray, 1756–1815
The Tottering Pyramid
1784
63
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
64
Print made by unknown artist
A Sacrifice to Slavery, Dedicated without Permission to the Puppet Player in Downing Street
1787
65
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
66
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
67
Print made by Frederick George Byron, 1764–1794
The Pitt Fall
ca. 1785
68
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
69
James Gillray, 1756–1815
The English Regency
1789
70
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
71
Print made by James Gillray, 1756–1815
The Sick Prince
1787
72
James Gillray, 1756–1815
The Battle of Bow-Street
1788
73
Print made by unknown artist
A Section of a Magnificent & Superb Water Closet
ca. 1790
74
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
75
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
76
Isaac Cruikshank, 1764–1811
General Fast
1796
77
Charles Williams, active 1796–1830
The Westminster Seceder on Fresh Duty
1801
78
Charles Williams, active 1796–1830
Between Two Stools The Bottom Goes to the Ground
1802
79
Charles Williams, active 1796–1830
The Union Club Masquerade
1802
80
Charles Williams, active 1796–1830
The City Combat, or the Desperate Attack at The English Baron
1802
81
Charles Williams, active 1796–1830
A New Bravura with a Duett Affettuoso
1802
82
Charles Williams, active 1796–1830
The Balance of Justice
1802
83
Charles Ansell, ca.1752–active 1790
The Sedition Hunter Disappointed, - or - D(amnin)g by Winchester Measure
1798
84
Charles Williams, active 1796–1830
The Doctor Administering His Gilded Pill
1802
85
Charles Williams, active 1796–1830
A Peep into Totenham Street or Dillitanti Performers in Training
1802
86
Isaac Cruikshank, 1764–1811
General Complaint
1796
87
unknown artist
Lobsters for the Ladies i.e. Jessamin Soldiers or a Veteran Corps Going on Duty
1798
88
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
89
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
90
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
91
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
92
James Gillray, 1756–1815
Patience on a Monument
1791
93
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
94
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
95
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
96
James Gillray, 1756–1815
The Royal Academy
1786
97
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
98
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
99
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
100
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children