The Lord Mayor's Mansion House, shewing the Front of the House & the West Side
702
Giles King, active 1732–1746
A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth..
703
Print made by Thomas Bowles III, ca. 1712–1767
The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V
704
Hablot Knight Browne, 1815–1882
The Buxom Hostess
1879
705
Lionel Edwards, 1878–1966
Newmarket - Pulling Up
1933
706
Robert Pollard, 1755–1838
Bottom Fishing Near Totten Mill
undated
707
Robert Pollard, 1755–1838
Fly Fishing
undated
708
James Pollard, 1792–1867
The North Country Mails at The Peacock Inn, Islington
1815
709
unknown artist
A View of St. Petersburg on either side the River Neva, between ye Admiralty & the Academy of Sciences
710
Sir Alfred J. Munnings, 1878–1959
Horse Fair in East Anglia
1899
711
Lionel Grimston Fawkes, 1849–1931
Leeward Islands: St. Thomas
undated
712
Print made by Thomas Bowles III, ca. 1712–1767
The Church of St. Mary Le Bow in Cheapside London
713
Thomas Bowles III, ca. 1712–1767
The South West Prospect of London, from Somerset Gardens to the Tower
714
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
715
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
716
unknown artist
The Royal Palace of St. James's next the Park
717
Print made by Louis Charles Ruotte, 1754–ca. 1806
The West India Flower Girl
undated
718
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
719
Richard Bernard Godfrey, 1728–op.1794
Edgar's Tower, Worcester
1786
720
Print made by James Fittler, 1758–1835
Warwick Castle
1780
721
Print made by Thomas Bonnor, ca. 1740–ca. 1812
St. Martin's Church Westminster
1810
722
Charles Grignion, 1717–1810
A Perspective View of the Foundling Hospital with Emblematic Figures
1749
723
Print made by John Piper, 1903–1992
King's College, Cambridge, from Trinity
ca. 1954
724
Thomas Rowlandson, 1756–1827
The Flower Seller
undated
725
Thomas Rowlandson, 1756–1827
Captain Barclay's Rally Match - The Finish
undated
726
attributed to Thomas Rowlandson, 1756–1827
Lyson's Cottage, Cowes, Isle of Wight
undated
727
Thomas Girtin, 1775–1802
Rochester, Kent: from the North
ca. 1790
728
Thomas Girtin, 1775–1802
View of Kingswear, from Dartmouth, Devon
ca. 1797
729
Thomas Girtin, 1775–1802
St. Bride's, Fleet Street, London
ca. 1801
730
Thomas Girtin, 1775–1802
Ouse Bridge, York
1800
731
Thomas Girtin, 1775–1802
Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark
between 1797 and 1802
732
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
733
Thomas Girtin, 1775–1802
The Old Bridge in Devon
between 1797 and 1801
734
Thomas Girtin, 1775–1802
Kingswear Seen from Dartmouth, Devon
ca. 1797
735
attributed to Thomas Girtin, 1775–1802
In the Farnese Gardens, Rome
ca. 1795
736
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
737
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
738
Thomas Girtin, 1775–1802
Tonbridge Bridge and Castle, Kent
ca. 1794
739
Thomas Girtin, 1775–1802
Winchester Cathedral, Hampshire, from the North-East
after 1794
740
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
741
unknown artist
The Watermill Above the Bridge at Charenton
undated
742
Print made by Robert Havell, 1769–1832
View of the Front of the New Public Buildings, Guildford
1819
743
Thomas Rowlandson, 1756–1827
Plymouth Dock
1817
744
Thomas Rowlandson, 1756–1827
The Bookmaker and his Client outside the Ram Inn, Newmarket
undated
745
Thomas Rowlandson, 1756–1827
A Review of the Northapmton Militia at Brackley
undated
746
Thomas Rowlandson, 1756–1827
Dr. Syntax Attends the Execution
1820
747
James Moore, 1762–1799
Rumburgh Priory Church, Suffolk, England
1790
748
James Moore, 1762–1799
Architectural Study of a Ruined Abbey
1791
749
James Moore, 1762–1799
Ouse Bridge, York
1792
750
James Moore, 1762–1799
Kelso Abbey, Scotland
1792
751
Monro School
Buildings Overlooking Water, near Naples
ca. 1796
752
Thomas Rowlandson, 1756–1827
The Market Place, Brackley, Northamptonshire
undated
753
Thomas Rowlandson, 1756–1827
A Village Scene outside a Church
undated
754
Thomas Rowlandson, 1756–1827
Newport High Street, Isle of Wight
between 1797 and 1800
755
Thomas Rowlandson, 1756–1827
Knives or Scissors to Grind
undated
756
Thomas Rowlandson, 1756–1827
Loading a Waggon
undated
757
Thomas Rowlandson, 1756–1827
The Inn Door (A Man escorted by two link boys to a door to the left)
undated
758
Thomas Rowlandson, 1756–1827
The Paris Diligence
undated
759
John Ruskin, 1819–1900
A View of Susa, Italy, from the West
1858
760
Thomas Rowlandson, 1756–1827
A Village Scene with Girls Spinning
undated
761
Thomas Rowlandson, 1756–1827
The South Gate, Exeter
undated
762
Thomas Rowlandson, 1756–1827
Loading a Stage-Coach
undated
763
Thomas Rowlandson, 1756–1827
Wapping Old Stairs
undated
764
Thomas Rowlandson, 1756–1827
Dr. Syntax with Kitty Cowslip
1821
765
Thomas Rowlandson, 1756–1827
Limbourg, Belgium
between 1791 and 1792
766
Thomas Rowlandson, 1756–1827
The Farmyard
undated
767
Thomas Rowlandson, 1756–1827
Scene outside the Half-Moon Inn
undated
768
Thomas Rowlandson, 1756–1827
The Arrival of the Fire Engine
undated
769
James Moore, 1762–1799
Wingfield Castle
1790
770
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
771
James Moore, 1762–1799
Weymouth Harbour
1791
772
James Moore, 1762–1799
Cerne Abbey
1791
773
James Moore, 1762–1799
Cerne Abbey
774
James Moore, 1762–1799
Cerne Abbey
1791
775
James Moore, 1762–1799
The Old Parsonage, Portland, England
1791
776
James Moore, 1762–1799
Okehampton Bridge
1791
777
James Moore, 1762–1799
Bindon Abbey, Dorset, England
1791
778
James Moore, 1762–1799
Landscape with a Large Tree, Shading a Cottage
ca. 1791
779
Samuel Prout, 1783–1852
Como
undated
780
Charles Gore, 1729–1807
Isola Bella, Lago Maggiore
ca. 1776
781
William Daniell, 1769–1837
Exmouth, Devon
ca. 1813
782
William Daniell, 1769–1837
Bramha and Nursingdara Ghat, Varanasi
between 1788 and 1789
783
Henry Edridge, 1769–1821
Great Bookham, Surrey
1814
784
John Robert Cozens, 1752–1797
Tivoli
1778
785
Samuel Davis, 1760–1819
Funchal, Madeira: A Square with a Church
1779
786
William Daniell, 1769–1837
Craignish Castle, Jura
ca. 1815
787
William Daniell, 1769–1837
View of Monghyr, Bihar
ca. 1788
788
John Robert Cozens, 1752–1797
The Lake of Nemi
between 1783 and 1785
789
Samuel Davis, 1760–1819
Moorshedabad [Murshidabad]
undated
790
William Alexander, 1767–1816
A View of the Coast of China
undated
791
Samuel Davis, 1760–1819
River Scene with Buildings
between 1777 and 1808
792
John Robert Cozens, 1752–1797
The Temple of Diana near Baia
between 1782 and 1783
793
John Robert Cozens, 1752–1797
Convent of S. Martino and Castello di Sant' Elmo from the Mole, Naples
ca. 1783
794
John Robert Cozens, 1752–1797
Convent of Monte Olivetto near Florence
ca. 1780
795
John Robert Cozens, 1752–1797
Naples from Sir William Hamilton's Villa, Portici
ca. 1783
796
John Robert Cozens, 1752–1797
Ronciglione
between 1782 and 1783
797
John Robert Cozens, 1752–1797
Carthusian Convent near Florence
between 1782 and 1783
798
Samuel Davis, 1760–1819
In the Village near Tassisudon [Tashicho Dzong]
ca. 1783
799
John Robert Cozens, 1752–1797
Cypress in the Garden of the Franciscans at Salerno