One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket
ca. 1730
Not on view
19
James Seymour, 1702–1752
The Stables and Two Famous Running Horses belonging to His Grace, the Duke of Bolton
1747
Not on view
20
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
ca. 1730
Not on view
21
William Jones, active 1832–1836
Fishing: Bottom Fishing
ca. 1830
Not on view
22
Benjamin Marshall, 1768–1835
Portrait of a Sportsman, Possibly Richard Prince
between 1825 and 1826
Not on view
23
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
24
James Pollard, 1792–1867
The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington
1835
Not on view
25
Sir Alfred J. Munnings, 1878–1959
Newmarket Again
ca. 1952
Not on view
26
Thomas Spencer, 1700–1753
Scipio, a spotted hunter, the property of Colonel Roche
ca. 1750
Not on view
27
William Jones, active 1832–1836
Fishing: Playing a Fish
ca. 1830
Not on view
28
unknown artist
View of Horse Guards and Whitehall
ca. 1750
Not on view
29
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: The Chase
1842
Not on view
30
Thomas Butler of Pall Mall, active 1750-1759
Learning about the Hounds
ca. 1750
Not on view
31
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: The Death
1842
Not on view
32
Cecil Charles Windsor Aldin, 1870–1935
Study for Cloutsham Farm, Exmoor (`The Devon and Somerset')
1925
Not on view
33
Richard Wilson, 1713/4–1782
Wilton House from the Southeast
between 1758 and 1760
Not on view
34
Dean Wolstenholme, 1757–1837
Lord Glamis and his Staghounds
1823
Not on view
35
John Hamilton Mortimer, 1740–1779
Thomas Le Blanc
ca. 1767
Not on view
36
unknown artist
The Cousin of John Gawler of Ramridge House, Weyhill, Hampshire
ca. 1765
Not on view
37
Abraham Cooper, 1787–1868
'Elis' at Doncaster, Ridden by John Day, with his Van in the Background
between 1836 and 1837
Not on view
38
John James Chalon, 1778–1854
A View of Theobald's Park, Hertfordshire
ca. 1840
Not on view
39
Richard Roper, active 1749–1765
The Match between Aaron and Driver at Maidenhead, Aug. 1754: Aaron winning the Second Heat
ca. 1754
Not on view
40
Francis Smith, active 1763–1780
The Grand Vizier giving Audience to the English Ambassador
ca. 1760
Not on view
41
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: The Meet
1842
Not on view
42
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: Full Cry
1842
Not on view
43
George Morland, 1763–1804
A Party Angling
1789
Not on view
44
George Garrard, 1760–1826
A Bay Horse Approached by a Stable-Lad with Food and a Halter
1789
Not on view
45
Henry Thomas Alken, 1785–1851
Scenes From a Steeplechase: Another Hedge
ca. 1845
Not on view
46
Benjamin Herring, 1830–1871
Silks and Satins of the Turf
1865
Not on view
47
John Singleton Copley, 1738–1815
Richard Heber
1782
Not on view
48
Marcellus Laroon the Younger, 1679–1772
Lovers in a glade
between 1750 and 1755
Not on view
49
unknown artist
The Practical Joke
ca. 1740
Not on view
50
James Millar, ca.1735–1805
Family Group
between 1774 and 1780
Not on view
51
John Wootton, 1682–1764
The Duke of Rutland's Bonny Black
ca. 1715
Not on view
52
Benjamin West, 1738–1820
The Artist and His Family
ca. 1772
Not on view
53
Edward Penny, 1714–1791
The Profligate Punished by Neglect
1774
Not on view
54
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
55
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
56
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
57
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
58
Francis Hayman, 1707/8–1776
Falstaff Inspecting the Recruits
between 1761 and 1765
59
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
60
Print made by Bradshaw & Blacklock, active ca.1850
Eight colour prints
after 1850
61
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
62
Print made by Bradshaw & Blacklock, active ca.1850
Rural Scenes
after 1850
63
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
64
Robert Smirke, 1752–1845
Katherina and Grumio
1821
65
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
66
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
67
Print made by Robert Barnes, 1840–1895
Boy Sketching a Man with Two Girls Watching
undated
68
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
69
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
70
James Gillray, 1756–1815
Le Coup de Maitre
1797
71
Print made by Henry William Bunbury, 1750–1811
Love and Wind
undated
72
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
73
James Ward, 1769–1859
Study of a Coat and Breeches
undated
74
Robert Smirke, 1752–1845
Anne Page and Slender
1821
75
Robert Smirke, 1752–1845
Malvolio Dancing
1827
76
James Roberts, active 1766–1809
Officer with Cockade and Sword
undated
77
Samuel Shelley, 1750–1808
Peers in their Robes
undated
78
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
79
Nicholas Pocock, 1740–1821
Man Drinking from a Spout
undated
80
unknown artist
Design for a Greenhouse at Kew Gardens
undated
81
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
82
Henry William Bunbury, 1750–1811
A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
undated
83
Print made by Robert Barnes, 1840–1895
Boy Tying a Girl's Shoe
undated
84
Print made by Robert Barnes, 1840–1895
Boy Holding an Apple for a Girl with Two Girls Beyond
undated
85
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Games at Vauxhall: Playing at Cricket
ca. 1743
86
Print made by Francesco Bartolozzi, 1728–1815
Virtuous Love
1793
87
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
88
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
89
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
90
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
91
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
92
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
93
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."