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Credit Line Yale Center for British Art, Paul Mellon Collection

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unknown artist Pierrepont House, Nottingham, Nottinghamshire
unknown artist
Pierrepont House, Nottingham, Nottinghamshire
ca. 1705
Not on view
Frederick W. Watts At South Mickleham
Frederick W. Watts, 1800–1862
At South Mickleham
1829
Not on view
Frederick W. Watts Rocky Hillside
Frederick W. Watts, 1800–1862
Rocky Hillside
ca. 1830
Not on view
William Henry Millais Hayes Common
William Henry Millais, 1828–1899
Hayes Common
1852 to 1853
Not on view
Thomas Stringer John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds
Thomas Stringer, 1722–1790
John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds
1779
Not on view
unknown artist Kidbrooke Park, Kent
unknown artist
Kidbrooke Park, Kent
ca. 1745
Not on view
Richard Barrett Davis George Mountford, Huntsman to the Quorn, and W. Derry, Whipper-In, at John O'Gaunt's Gorse, near Melton Mowbray
Richard Barrett Davis, 1782–1854
George Mountford, Huntsman to the Quorn, and W. Derry, Whipper-In, at John O'Gaunt's Gorse, near Melton Mowbray
1836
Not on view
Nathaniel Dance Thomas "Sense" Browne
Nathaniel Dance, 1735–1811
Thomas "Sense" Browne
1775
Not on view
Philippe-Jacques de Loutherbourg Landscape with Cattle and Peasant
Philippe-Jacques de Loutherbourg, 1740–1812
Landscape with Cattle and Peasant
ca. 1781
Not on view
George Chambers Two Fishing Boats on the Banks of Inland Waters
George Chambers, 1803–1840
Two Fishing Boats on the Banks of Inland Waters
1831
Not on view
George Chinnery View in Southern India, with a Warrior Outside His Hut
George Chinnery, 1774–1852
View in Southern India, with a Warrior Outside His Hut
ca. 1815
Not on view
H. J. Aveling First Grand Match of Cricket Played by Members of the Royal Amateur Society on Hampton Court Green, August 3rd, 1836
Attributed to H. J. Aveling, active 1839–1842
First Grand Match of Cricket Played by Members of the Royal Amateur Society on Hampton Court Green, August 3rd, 1836
exhibited 1839
Not on view
Thomas Jones The Vale of Pencerrig
Thomas Jones, 1742–1803
The Vale of Pencerrig
1776
Not on view
Robert Polhill Bevan Over the Bank, Exmoor
Robert Polhill Bevan, 1865–1925
Over the Bank, Exmoor
ca. 1895
Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
Robert Polhill Bevan Found!
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
Robert Polhill Bevan The Flying Pack
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
Robert Polhill Bevan Who-o-p!
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear A View of the Pine Woods Above Cannes
Edward Lear, 1812–1888
A View of the Pine Woods Above Cannes
1869
Edward Lear Albania
Edward Lear, 1812–1888
Albania
between 1848 and 1849
Edward Lear Gozo, near Malta
Edward Lear, 1812–1888
Gozo, near Malta
1866
Edward Lear Wady Feiran, Peninsula of Mt. Sinai
Edward Lear, 1812–1888
Wady Feiran, Peninsula of Mt. Sinai
ca. 1880
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake The Tyger (Plate 42)
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Thomas Hearne The Ruins of the College of Lincluden, near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, near Dumfries
ca. 1806
George Barret Tree Study with Stags (Landscape)
George Barret, ca. 1728/32–1784
Tree Study with Stags (Landscape)
undated
Thomas Hearne Gundulf's Tower, Rochester Cathedral, Kent
Thomas Hearne, 1744–1817
Gundulf's Tower, Rochester Cathedral, Kent
undated
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
John Linnell Figures on a Bank, Kensington Gravel Pits
John Linnell, 1792–1882
Figures on a Bank, Kensington Gravel Pits
1812
William Henry Hunt Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
Thomas Hearne Trees in Ashtead Park, Surrey
Thomas Hearne, 1744–1817
Trees in Ashtead Park, Surrey
undated
Patrick Nasmyth Part of Regent's Park
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
Henry Moore High Tor, Matlock
Henry Moore, 1831–1895
High Tor, Matlock
undated
George Morland Landscape with Cottage and Figures on Horseback
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
Francis Place A Study for the Pilkington Crest, a mower with a scythe
Francis Place, 1647–1728
A Study for the Pilkington Crest, a mower with a scythe
undated
William Henry Hunt Aldenham Church
William Henry Hunt, 1790–1864
Aldenham Church
ca. 1817
John Linnell Llanberis, North Wales
John Linnell, 1792–1882
Llanberis, North Wales
1813
John Linnell Terraced Cottages with Fallen Trees
imitator of John Linnell, 1792–1882
Terraced Cottages with Fallen Trees
undated
Charles Tomkins Hanworth Park, Middlesex
Charles Tomkins, 1757–1823
Hanworth Park, Middlesex
undated
Cornelius Varley Hartwell, Buckinghamshire
Cornelius Varley, 1781–1873
Hartwell, Buckinghamshire
1833
T. E. Jeffers Barnes Common, June 1836
T. E. Jeffers, active 1836
Barnes Common, June 1836
1836
Sir Robert Smirke the younger Windsor Castle, Berkshire
Sir Robert Smirke the younger, 1781–1867
Windsor Castle, Berkshire
ca. 1823
George Bickham the Elder Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
Print made by George Bickham the Elder, 1683/4–1758
Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
undated
Jean B. C. Chatelain Shepherd and Flock Outside a Village
Print made by Jean B. C. Chatelain, 1710–1771
Shepherd and Flock Outside a Village
1737
George Bickham the Elder A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)
Print made by George Bickham the Elder, 1683/4–1758
A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)
undated
George Bickham the Elder A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
Print made by George Bickham the Elder, 1683/4–1758
A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
Thomas Higham Benacre Hall, Suffolk
Thomas Higham, 1796–1844
Benacre Hall, Suffolk
1819
Robert Dighton A Jack in Office
Robert Dighton, 1752–1814
A Jack in Office
1793
Samuel Buck Bristol High Cross
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
George Baxter The Belle of the Village
Print made by George Baxter, 1804–1867
The Belle of the Village
1854
Bradshaw & Blacklock The Crimean War
Print made by Bradshaw & Blacklock, active ca.1850
The Crimean War
after 1850
Bradshaw & Blacklock Eight colour prints
Print made by Bradshaw & Blacklock, active ca.1850
Eight colour prints
after 1850
Bradshaw & Blacklock Haddon Hall
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Italian Peasants - Tryoliean Waltz.
Print made by Bradshaw & Blacklock, active ca.1850
Italian Peasants - Tryoliean Waltz
after 1850
Bradshaw & Blacklock Newstead Abbey
Print made by Bradshaw & Blacklock, active ca.1850
Newstead Abbey
after 1850
George Baxter Christ's Charge to Peter
after George Baxter, 1804–1867
Christ's Charge to Peter
after 1855
Bradshaw & Blacklock Returning from the Spring. Virginia.
Bradshaw & Blacklock, active ca.1850
Returning from the Spring. Virginia
after 1850
Richard Ansdell Sleepest or Wakest Thou?
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Richard Parkes Bonington Vue Generale des Ruines du Château d'Arlay
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale des Ruines du Château d'Arlay
1827
Thomas Girtin View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
Print made by Thomas Girtin, 1775–1802
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean B. C. Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Louis Haghe Thornbury Castle, Gloucestershire
Louis Haghe, 1806–1885
Thornbury Castle, Gloucestershire
between 1823 and 1835
Charles Bretherton Postiglione Inglese
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
Henry William Bunbury The Siege of Namur
Print made by Henry William Bunbury, 1750–1811
The Siege of Namur
between 1773 and 1817
John Crome Road Scene, Trowse Hall, near Norwich
Print made by John Crome, 1768–1821
Road Scene, Trowse Hall, near Norwich
1813