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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionWidth [cm] 5
Remove constraint Width [cm]: 5Classification Prints
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1
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
2
- Alas! (Plate 9)
- 1826
3
- Death's Door (Plate 17)
- 1826
4
- "At length for hatching ripe he breaks the shell" (Plate 8)
- 1826
5
- "Help! Help!" (Plate 12)
- 1826
6
- At Length for Hatching Ripe He Breaks the Shell (Plate 8)
- 1793
7
- Alas! (Plate 9)
- 1793
8
- Death's Door (Plate 17)
- 1793
9
- I Want! I Want! (Plate 11)
- 1793
10
- Help! Help! (Plate 12)
- 1793
11
- I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
- 1793
12
- "I want! I want!" (Plate 11)
- 1826
13
- "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
- 1826
14
- Cottage in a Cornfield
- 1844
15
- Mrs. Hannah Sparke, Widow
- 1785
16
- Entrance to the New Jail, Clerkenwell
- undated
17
- Chapel, Charter House
- undated
18
- The Bacchante
- ca. 1827
19
- Cottage in a Cornfield
- 1844
20
- Sir Henry Englefield
- undated
21
- Peter Vanderbank (1649–1697)
- undated
22
- Mrs. Hannah Sparke
- 1785
23
- Study
- 1789-1790
24
- Study
- 1789-1790
25
- Study
- 1789-1790
26
- Study
- 1789-1790
27
- Study
- 1789-1790
28
- Study
- 1789-1790
29
- Study
- 1789-1790
30
- Untitled: Classical Domestic Scene
31
- Untitled: Classical Domestic Scene
32
- The Waveney - River Composition
- c.1833