Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 40 / Image Use: Free to Use

1. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on board
Dimensions:: 9 3/4 x 11 7/8 inches (24.8 x 30.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Lion and Lioness

Creator:: George Stubbs, 1724–1806
Date:: 1770
Materials & Techniques:: Enamel on copper
Dimensions:: 9 1/2 × 11 inches (24.1 × 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A Limekiln, Possibly at Briton Ferry in South Wales

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795-96
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/8 x 15 7/8 inches (28.9 x 40.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. The Straw Yard

Creator:: James Ward, 1769–1859
Date:: 1810
Materials & Techniques:: Oil on panel
Dimensions:: 7 1/2 × 11 1/2 inches (19.1 × 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. In Dovedale

Creator:: John Linnell, 1792–1882
Date:: 1814 to 1815
Materials & Techniques:: Oil on paper mounted on panel
Dimensions:: 7 1/2 × 12 1/4 inches (19.1 × 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The Bayhorse, Tattersall’s

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1921
Materials & Techniques:: Watercolor and charcoal on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/16 × 15 5/8 inches (53.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Sale at Ward's Repository, No. 2

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1918
Materials & Techniques:: Crayon, graphite, and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 17 inches (34.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Rustic Contentment

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 15 3/4 inches (18.4 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Landscape Sketch

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pink wash, brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 15 3/4 inches (18.7 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Wayside Smithy

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 7 3/8 inches (25.1 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Study for "The Shearers"

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Frame: 19 5/16 × 15 7/8 × 1 1/16 inches (49 × 40.3 × 2.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Human Figure, Posterior View, Partially Dissected (Finished Study for Table XII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 21 x 15 7/8 inches (53.3 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Human Figure, Anterior View (Largely in outline)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 x 15 7/8 inches (53.3 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Human Figure, Anterior View (Outline drawing)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 3/4 inches (53.7 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Study of the Human Figure, Anterior View (Probably related to Table XI)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 15 7/8 inches (54 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, beige wove paper
Dimensions:: Sheet: 21 3/8 x 15 7/8 inches (54.3 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Human Figure, Lateral View (Outline Study in Reverse of Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite and red chalk on thin, smooth, beige wove paper
Dimensions:: Sheet: 19 3/4 x 15 5/8 inches (50.2 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 21 x 15 3/4 inches (53.3 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Human Figure, Anterior View (Finished Study of Final Stage of Dissection)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 15 7/8 inches (54 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 3/4 inches (53.7 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, smooth, beige wove paper
Dimensions:: Sheet: 19 x 15 3/4 inches (48.3 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 19 3/4 x 15 3/4 inches (50.2 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 15 3/4 inches (27.9 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. From Spenser's Fairy Queen

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink; second published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 5/8 inches (27.9 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Stonehenge at Daybreak

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1815 to 1819
Materials & Techniques:: Mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 3/4 inches (28.6 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Solway Moss

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 15 7/8 inches (27.9 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Ben Arthur, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 15 5/8 inches (28.3 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Lauffenbourgh on the Rhine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Marine Dabblers

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 15 7/8 inches (27.6 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Windmill and Lock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 5/8 inches (27.3 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Mt. St. Gothard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 15 3/4 inches (27 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Bridge and Cows

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 15 7/8 inches (27 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink, with scraping and brown wash; touched engraver's proof (aa) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 11 1/4 inches (20.6 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Vesuvius in Eruption

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1817 and 1820
Materials & Techniques:: Watercolor, gum, scraping out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 x 15 5/8 inches (28.6 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. People on the Road Near Kalicut, Malabar

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Watercolor, gouache, and gum arabic on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 × 15 9/16 inches (25.4 × 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Lady Ann Hussey (née Delaval) Stanhope

Creator:: James Watson, 1740–1790
Date:: 1767
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 24 7/8 × 15 3/4 inches (63.2 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Master Wynn in the Character of St. John

Creator:: John Dean, 1754–1798
Date:: undated
Materials & Techniques:: Mezzotint on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 15/16 × 16 3/8 inches (32.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Sleeping Girl

Creator:: John Jones, ca. 1745–1797
Date:: 1790
Materials & Techniques:: Stipple engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 20 1/2 × 15 7/8 inches (52.1 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Sleeping Child

Creator:: William Doughty, 1757–1782
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 7/8 × 17 3/16 inches (40.3 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. [Landscape]

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 9 3/4 x 15 7/8 inches (24.8 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Mrs Seaforth as, Tuccia - The Vestal Virgin

Creator:: Peltro W. Tomkins, 1760–1840
Date:: 1798
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 15 5/8 inches (52.7 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Castle in a Landscape

Creator:: Hugh William "Grecian" Williams, 1773–1829
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 15 7/8 inches (27.5 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A Moated House

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 15 3/4 inches (27.3 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Romantic Landscape

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1803
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 15 3/4 inches (32.1 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Elevation of a Proposed Building for Downing College, Cambridge

Creator:: William Wilkins, 1778–1839
Date:: ca. 1806
Materials & Techniques:: Watercolor, pen and black ink on slightly textured, heavy, brown wove paper mounted on linen
Dimensions:: Sheet: 12 1/8 × 15 3/4 inches (30.8 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Designs for Gothic Screen, Crucifix and Stained Glass Window

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, blue wove paper
Dimensions:: Sheet: 9 3/4 × 15 5/8 inches (24.8 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A Weasel

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Source of the Tamer and Torridge

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/2 × 17 1/4 inches (31.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Eloisa

Creator:: John Raphael Smith, 1752–1812
Date:: 1792
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 × 16 7/8 inches (58.4 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Promenade at Carlisle House

Creator:: John Raphael Smith, 1752–1812
Date:: 1781
Materials & Techniques:: Mezzotint (scratched letters)
Dimensions:: Sheet: 13 3/4 x 15 3/4in. (34.9 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Widow's Tale

Creator:: William Ward, 1766–1826
Date:: 1789
Materials & Techniques:: Colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 3/4 × 16 13/16 inches (57.8 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Widow's Tale

Creator:: William Ward, 1766–1826
Date:: 1789
Materials & Techniques:: Colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 13/16 × 18 inches (60.5 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Vauxhall Gardens shewing the Grand Walk at the Entrance of the Garden and the Orchestra with the Music Playing

Creator:: John S. Muller, ca. 1715–1792
Date:: after 1751
Materials & Techniques:: Etching and engraving, hand-colored
Dimensions:: Sheet: 10 1/16 x 15 3/4in. (25.6 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. A View of the Temple of Comus &c. in Vauxhall Gardens

Creator:: John S. Muller, ca. 1715–1792
Date:: 1794
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/4 x 15 7/8 inches (27.3 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Henry Raeburn

Creator:: William Walker, 1791–1867
Date:: 1826
Materials & Techniques:: Stipple engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 7/8 × 15 7/8 inches (55.6 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Stable Boy with Cart Horses

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 15 5/8 inches (31.4 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Position Aprés Avoir Desarmé sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 11/16 inches (28.4 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. A Country Church Amongst Hills

Creator:: John Laporte, 1761–1839
Date:: undated
Materials & Techniques:: Gouache on moderately thick, moderately textured, laid paper mounted on linen
Dimensions:: Sheet: 11 5/8 x 15 3/4in. (29.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. L'Epée & Lanterne Combattüe par L'Epée et Manteau

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]

Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Position de la Garde en Quarte, et le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. A View of Edinburgh

Creator:: Alexander Nasmyth, 1758–1840
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 15 7/8in. (22.8 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. London from Blackheath

Creator:: Francis Nicholson, 1753–1844
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 x 15 7/8in. (23.8 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Triumphal Arches, Mr. Handel's Statue & c. in the South Walk of Vauxhall Gardens

Creator:: John S. Muller, ca. 1715–1792
Date:: after 1751
Materials & Techniques:: Etching and engraving, hand colored
Dimensions:: Sheet: 10 1/4 x 15 7/8in. (26 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A View of the Chinese Pavillions and Boxes in Vauxhall Gardens

Creator:: Thomas Bowles III, ca. 1712–1767
Date:: after 1751
Materials & Techniques:: Etching and engraving, hand-colored
Dimensions:: Sheet: 10 1/16 x 15 13/16in. (25.6 x 40.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Plymouth, Devonshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1832
Materials & Techniques:: Etching and line engraving; 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 7/16 × 15 11/16 inches (31.6 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827
Materials & Techniques:: Etching and line engraving; 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/4 × 15 3/4 inches (31.1 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Marine View

Creator:: Print made by Elisha Kirkall, ca. 1682–1742
Date:: between 1720 and 1730
Materials & Techniques:: Mezzotint, printed in blue-green colored ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 16 5/16 inches (33.4 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A Flower Piece

Creator:: Richard Earlom, 1743–1822
Date:: 1778
Dimensions:: Sheet: 19 7/8 x 15 5/8in. (50.5 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. St. Paul's from St. Martin's Le Grand

Creator:: James Baily, active 1815–1834
Date:: 1815
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 19 3/8 x 15 7/8in. (49.2 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Plan of the West India Docks

Creator:: Print made by Benjamin Baker, 1766–1841
Date:: 1802
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 16 1/4 inches (30.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. A Meeting of Creditors

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 15 7/8in. (23.8 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1793
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 15 3/4in. (22.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Getting the Length of the Duchess's Foot

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/8 x 15 13/16in. (26.4 x 40.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Garrick, In the Character of Abel Drugger

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1825
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/8 x 15 7/8 inches (58.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Five People Praying

Creator:: Louisa Augusta Greville, 1743–active 1762
Date:: 1760
Materials & Techniques:: Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 9/16 x 18 1/4 inches (31.9 x 46.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Effects of British Valour on the French Directory

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/4 x 15 3/4in. (27.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. View Near the Mill Looking Toward Licenza: Horace's Villa on the Left

Creator:: Jacob More, 1740–1793
Date:: 1783
Materials & Techniques:: Gray wash, watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 13 9/16 x 17 11/16 inches (34.5 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Thames Ditton, Surrey: Design for Gothic Church

Creator:: Sir Robert Taylor, 1714–1788
Date:: ca. 1776
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 15 7/8 inches (30.2 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A Farmhouse

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1817
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Building of Waterloo Bridge

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1816
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and watercolor on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 x 15 5/8 inches (25.4 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Cart Horse Being Led

Creator:: James Howe, 1780–1836
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Three Horses and Stable Lad

Creator:: James Howe, 1780–1836
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 7/8 inches (27 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Horse and Pony

Creator:: James Howe, 1780–1836
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 15 7/8 inches (27.6 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Scene with Horse and Rider

Creator:: James Howe, 1780–1836
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Sailor's Farewell

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: 1801
Materials & Techniques:: Watercolor, pen and black ink, gouache and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. On the Shores of an Italian Lake

Creator:: Harry John Johnson, 1826–1884
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/4 × 15 3/4 inches (31.1 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Landscape with figures

Creator:: William Havell, 1782–1857
Date:: ca. 1804
Materials & Techniques:: Watercolor, scraping out and gum, over graphite on thick, smooth, cream card
Dimensions:: Sheet: 17 1/4 × 15 7/8 inches (43.8 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Pale Melancholy

Creator:: William Havell, 1782–1857
Date:: ca. 1804
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 × 15 5/8 inches (27.9 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. River Scene with Boy and Sheep

Creator:: William Havell, 1782–1857
Date:: undated
Materials & Techniques:: Watercolor over graphite with gum on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 5/8 inches (28.3 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Elevation of a Proposed Design for Cambridge Colleges

Creator:: William Wilkins, 1778–1839
Date:: ca. 1823
Materials & Techniques:: Graphite and watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 8 5/8 × 15 5/8 inches (21.9 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Elevation of a Proposed Design for Cambridge Colleges

Creator:: William Wilkins, 1778–1839
Date:: ca. 1823
Materials & Techniques:: Watercolor, pen and black ink, and gray wash on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 8 1/4 × 15 3/4 inches (21 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Palace of La Belle Gabrielle

Creator:: Print made by William Miller, 1796–1882
Date:: 1826-1837
Materials & Techniques:: Etching and line engraving; 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 15 7/8 inches (27.9 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 40

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1. Cloud Study

2. Lion and Lioness

3. A Limekiln, Possibly at Briton Ferry in South Wales

4. The Straw Yard

5. In Dovedale

6. The Bayhorse, Tattersall’s

7. Sale at Ward's Repository, No. 2

8. Rustic Contentment

9. Landscape Sketch

10. The Wayside Smithy

11. Study for "The Shearers"

12. Human Figure, Posterior View, Partially Dissected (Finished Study for Table XII)

13. Human Figure, Anterior View (Largely in outline)

14. Human Figure, Anterior View (Outline drawing)

15. Study of the Human Figure, Anterior View (Probably related to Table XI)

16. Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)

17. Human Figure, Lateral View (Outline Study in Reverse of Table VIII)

18. Human Figure, Lateral View

19. Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)

20. Human Figure, Anterior View (Finished Study of Final Stage of Dissection)

21. Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)

22. Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)

23. Human Skeleton, Lateral View

24. Human Figure, Lateral View

25. Human Figure, Lateral View

26. Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)

27. Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right

28. From Spenser's Fairy Queen

29. Stonehenge at Daybreak

30. Apuleia in Search of Apuleius

31. Solway Moss

32. Ben Arthur, Scotland

33. Lauffenbourgh on the Rhine

34. Marine Dabblers

35. Windmill and Lock

36. Mt. St. Gothard

37. Bridge and Cows

38. The Straw Yard

39. Vesuvius in Eruption

40. People on the Road Near Kalicut, Malabar

41. Lady Ann Hussey (née Delaval) Stanhope

42. Master Wynn in the Character of St. John

43. The Sleeping Girl

44. The Sleeping Child

45. [Landscape]

46. Mrs Seaforth as, Tuccia - The Vestal Virgin

47. Castle in a Landscape

48. A Moated House

49. Romantic Landscape

50. Elevation of a Proposed Building for Downing College, Cambridge

51. Designs for Gothic Screen, Crucifix and Stained Glass Window

52. A Weasel

53. Source of the Tamer and Torridge

54. Eloisa

55. The Promenade at Carlisle House

56. The Widow's Tale

57. The Widow's Tale

58. Vauxhall Gardens shewing the Grand Walk at the Entrance of the Garden and the Orchestra with the Music Playing

59. A View of the Temple of Comus &c. in Vauxhall Gardens

60. Henry Raeburn

61. Stable Boy with Cart Horses

62. Position Aprés Avoir Desarmé sur le Coup de Quarte

63. A Country Church Amongst Hills

64. L'Epée & Lanterne Combattüe par L'Epée et Manteau

65. Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]

66. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]

67. Position de la Garde en Quarte, et le Coup de Flanconnade

68. A View of Edinburgh

69. London from Blackheath

70. The Triumphal Arches, Mr. Handel's Statue & c. in the South Walk of Vauxhall Gardens

71. A View of the Chinese Pavillions and Boxes in Vauxhall Gardens

72. Plymouth, Devonshire

73. Orford, Suffolk