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Credit Line Yale Center for British Art, Paul Mellon Collection

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Width [cm] 38

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Subject Terms religious and mythological subject

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1. Virgin and Child

Virgin and Child
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Tempera on panel
Dimensions:
11 1/4 x 9 1/4 inches (28.6 x 23.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. The Angel Binding Satan

The Angel Binding Satan
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
ca. 1797
Materials & Techniques:
Oil on canvas
Dimensions:
17 3/4 x 14 3/4 inches (45.1 x 37.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. The Fifth Plague of Egypt

The Fifth Plague of Egypt
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 11 1/8 inches (20.3 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Christ Giving Sight to Bartimaeus

Christ Giving Sight to Bartimaeus
Creator:
William Blake, 1757–1827
Date:
1799 to 1800
Materials & Techniques:
Tempera with pen and black ink on canvas
Dimensions:
Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Leicester Abbey

Leicester Abbey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1834
Materials & Techniques:
Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Leicester Abbey

Leicester Abbey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1834
Materials & Techniques:
Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. St. Catherine's Hill, near Guildford, Surrey

St. Catherine's Hill, near Guildford, Surrey
Creator:
Print made by James H. Kernot, 1802–1858
Date:
1832
Materials & Techniques:
Line engraving and etching, 2nd state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 10 11/16 × 14 15/16 inches (27.1 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Durham Cathedral

Durham Cathedral
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Turin from the Portico of the Superga Church

Turin from the Portico of the Superga Church
Creator:
Print made by James Mitan, 1776–1822
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 3/4 inches (26.8 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Funeral Procession at Rome

Funeral Procession at Rome
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 14 13/16 inches (25.2 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Counsellor, King, Warrior, Mother & Child, in the Tomb

The Counsellor, King, Warrior, Mother & Child, in the Tomb
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Soul Hovering over the Body reluctantly Parting with Life

The Soul Hovering over the Body reluctantly Parting with Life
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Mercury and Herse

Mercury and Herse
Creator:
Print made by John Cousen, 1804–1880
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 27 1/2 × 23 inches (69.9 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Reverend John Fisher, Bishop of Salisbury

Reverend John Fisher, Bishop of Salisbury
Creator:
Robert Dunkarton, 1744–1811
Date:
1811
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 5/8 × 15 inches (52.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Mercury and Argus

Mercury and Argus
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1841
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 29 1/4 × 19 inches (74.3 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Madona Col Bambino

Madona Col Bambino
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 3/4 × 15 1/8 inches (52.7 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Resurrection

The Resurrection
Creator:
John Jones, ca. 1745–1797
Date:
1796
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 7/8 × 19 1/8 inches (65.7 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene

West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
Creator:
George Siegmund Facius, 1750–1804
Date:
1785
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 26 15/16 × 18 1/8 inches (68.4 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene

West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene
Creator:
George Siegmund Facius, 1750–1804
Date:
1785
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 1/16 × 18 7/16 inches (58.6 × 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window

West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window
Creator:
George Siegmund Facius, 1750–1804
Date:
1785
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 27 1/16 × 19 1/8 inches (68.7 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene

West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene
Creator:
George Siegmund Facius, 1750–1804
Date:
1785
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 23 3/16 × 18 1/16 inches (58.9 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
Creator:
Print made by Thomas Burke, 1749–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching, hand-colored on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 19 5/8 x 14 13/16 inches (49.8 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Design for a Wall Panel

Design for a Wall Panel
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink with brown wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Rosebud, or the Judgement of Paris

Rosebud, or the Judgement of Paris
Creator:
Richard Westall, 1765–1836
Date:
1791
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 15 inches (32.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Sketch for the Oil Painting "The Conversion of St. Paul"

Sketch for the Oil Painting "The Conversion of St. Paul"
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper
Dimensions:
Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. A Faun with Pipes

A Faun with Pipes
Creator:
Richard Parkes Bonington, 1802–1828
Date:
undated
Materials & Techniques:
Black chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 22 7/8 × 15 inches (58.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Cave of Trophonius

Cave of Trophonius
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash and graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 9 5/16 × 15 1/16 inches (23.7 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Mrs. Sophia (née Heywood) Musters as Hebe

Mrs. Sophia (née Heywood) Musters as Hebe
Creator:
Charles Howard Hodges, 1764–1837
Date:
1785
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 23 3/4 × 15 1/16 inches (60.3 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Mrs. Quarrington as St. Agnes

Mrs. Quarrington as St. Agnes
Creator:
Thomas Chambars, ca. 1724–1789
Date:
1787
Materials & Techniques:
Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/8 × 14 3/4 inches (49.2 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Death of the Good Old Man

The Death of the Good Old Man
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Death of the Strong Wicked Man

Death of the Strong Wicked Man
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.
Creator:
Print made by James Basire, Sr., British, 1730 - 1802
Date:
after 1819
Materials & Techniques:
Hand colored engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 22 7/8 x 15 1/8 inches (58.1 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields

Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/8 inches (30.6 x 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Grave, A Poem, by Robert Blair

No cover image available
Creator:
Prints made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
13 Etchings bound in green cloth portfolio on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 14 inches (51.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection