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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionWidth [cm] 33
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1
- Sketch from Nature in Sion Park
- 1819
- Not on view
2
- Study of a Cloudy Sky
- ca. 1825
- Not on view
3
- A Bridge Over the River Wye
- 1776
- Not on view
4
- Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell
- 1818
- Not on view
5
- Rochester
- 1799
- Not on view
6
- The Squire's Door
- ca. 1790
- Not on view
7
- An Overshot Mill
- between 1802 and 1807
- Not on view
8
- Studies of Household Cavalry seen during the Coronation of Queen Elizabeth II, 1953
- 1953
- Not on view
9
- A Wooded Lane
- ca. 1825
- Not on view
10
- Dutch Sailing Vessels
- 1814
- Not on view
11
- A Stage Coach on a Country Road
- 1792
- Not on view
12
- A Finished Study for 'Reaping'
- 1858
- Not on view
13
- A Wherry Taking Passengers out to Two Anchored Packets
- 1825
- Not on view
14
- Mumtaz-Mahal
- 1957
- Not on view
15
- Percheron Stallion: Rhum
- cast 1967 (original model 1930)
- Not on view
16
- The Horse Mart
- ca. 1917
17
- The Meet
- 1898-1899
18
- Who-o-p!
- 1898-1899
19
- Opening the Fold
- 1880
20
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
21
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
22
- Cornfields with Barn, Shoreham
- ca. 1829
23
- A Bridge near Salisbury Court, Perhaps Milford Bridge
- ca. 1829
24
- Salisbury Plain from Old Sarum
- 1829
25
- A Horse Affrighted by a Lion
- 1788
26
- Human Skeleton, Lateral View
- 1795 to 1806
27
- Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)
- 1795 to 1806
28
- Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
- 1795 to 1806
29
- Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
- 1795 to 1806
30
- Tiger, Recumbent, Viewed Ventrally
- 1795 to 1806
31
- The First Stage of Cruelty
- ca. 1750
32
- Sheep-Washing, Windsor
- between 1813 and 1823
33
- Mer de Glace, Valley of Chamouni, Savoy
- 1812
34
- The Stork and Aqueduct
- between 1813 and 1823
35
- The Straw Yard
- 1808
36
- Autumn Sowing of the Grain
- ca. 1794
37
- The Capo Sant' Angelo, Amalfi
- ca. 1885
38
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
39
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
40
- Night the Third. Narcissa; Title Page
- ca. 1797
41
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
42
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
43
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
44
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
45
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
46
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
47
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
48
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
49
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
50
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
51
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
52
- The Christian Triumph; Title Page
- 1797
53
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
54
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
55
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
56
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
57
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
58
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
59
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
60
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
61
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
62
- Night the First. On Life, Death and Immortality; Title Page
- 1797
63
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
64
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
65
- 'We censure nature for a span too short' (Page 23)
- 1797
66
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
67
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
68
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
69
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
70
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
71
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
72
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
73
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
74
- Night the Third. Narcissa; Title Page
- 1797
75
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
76
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
77
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
78
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
79
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
80
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
81
- 'Disease invades the chastest temperence' (Page 10)
- 1797
82
- 'The present moment terminates our sight' (Page 13)
- 1797
83
- 'The longest night though longer far, would fail' (Page 15)
- 1797
84
- The Baffled Devils Fighting (Plate 3)
- 1827
85
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
86
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
87
- The Complaint, and the Consolation; or, Night Thoughts
- ca. 1797
88
- Lyons from Quayside on the Rhone
- ca. 1824
89
- The River at Dusk, Oxford
- 1792
90
- King's Mews, Charing Cross, London: Section
- 1731
91
- Interior of the Belfry, Bushey Church
- ca. 1822
92
- Aldenham Church
- ca. 1817
93
- John Flaxman
- 1778
94
- Lodge at Oxenhoath, Hudlow near Tunbridge, the Estate of Sir William Geary Bart
- 1870
95
- Goodwood, West Sussex: Ceiling Design
- undated
96
- A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary
- 1812
97
- Clifton Mount
- undated
98
- Tucumán, Argentina
- 1854
99
- Strong Symptoms of Loyalty
- 1800
100
- The Wet Party or the Bogs of Flanders, a New Song
- 1793