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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- Hampstead Heath, with a Bonfire
- ca. 1822
- Not on view
2
- Horse and Cart
- ca. 1814
- Not on view
3
- Golding Constable's House, East Bergholt: the Artist's birthplace
- ca. 1809
- Not on view
4
- A View on Hampstead Heath, Early Morning
- ca. 1821
- Not on view
5
- Cloud Study, Early Morning, Looking East from Hampstead
- 1821
- Not on view
6
- The Marble Rocks — Nerbudda Jubbolpore
- 1882
- Not on view
7
- Dieppe Races
- 1885
- Not on view
8
- Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
- ca. 1874
- Not on view
9
- A View of Westminster Bridge and the Abbey from the South Side
- 1818
- Not on view
10
- London Bridge, with St. Paul's Cathedral in the distance
- 1815
- Not on view
11
- A Young Gentleman Riding a Schooled Horse
- between 1728 and 1729
- Not on view
12
- The Duchess of York's Spaniel
- 1804
- Not on view
13
- Landscape with Figures
- 1816
- Not on view
14
- Bologna
- ca. 1826
- Not on view
15
- East Gateway, Patna
- 1825
- Not on view
16
- Street in Patna
- ca. 1825
- Not on view
17
- The Vale of Pencerrig
- 1776
- Not on view
18
- George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801
- 1801
- Not on view
19
- Polo Pony: Perfection
- cast 1963 (original model 1933)
- Not on view
20
- Sudborne Premier, Suffolk Punch Stallion
- 1964-1965
- Not on view
21
- Self portrait
- ca. 1815
- Not on view
22
- Ploughing the Hillside
- ca. 1905
23
- At Hailsham, Sussex: a Storm Approaching
- 1821
24
- Italian Hill Town
- after 1838
25
- Four East Indiamen at Archor
- 1803
26
- A Tiger and a Sleeping Leopard
- 1788
27
- Human Body, Posterior View (Outline Drawing for Table VII)
- 1795 to 1806
28
- Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
- 1795 to 1806
29
- Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
- 1795 to 1806
30
- Dorking Hen Body, Lateral View (Outline drawing of the muscles)
- 1795 to 1806
31
- Human Skeleton, Anterior View
- 1795 to 1806
32
- Human Skeleton, Posterior View (Relates to Table II)
- 1795 to 1806
33
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
34
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
35
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
36
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
37
- Stonehenge at Daybreak
- 1815 to 1819
38
- A View of Boppart, with Figures on the River Bank
- 1817
39
- London from Greenwich
- 1811
40
- Rheinfels Looking to Katz and Goarhausen
- 1817
41
- Andernach
- 1817
42
- Lost to All Hope the Brig
- between 1845 and 1850
43
- Dartmoor: The Source of the Tamar and the Torridge
- ca. 1813
44
- Venice, The Mouth of the Grand Canal
- ca. 1840
45
- The Pontine Marshes above Terracina
- ca. 1880
46
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
47
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
48
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
49
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- ca. 1797
50
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
51
- 'The goddess bursts in thunder and in flame' (Page 95)
- ca. 1797
52
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
53
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
54
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
55
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
56
- A Welch Bard (Design 53)
- between 1797 and 1798
57
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
58
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
59
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
60
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
61
- The Serpent who Girds the Earth (Design 77)
- between 1797 and 1798
62
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
63
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
64
- Night the Third. Narcissa; Title Page
- ca. 1797
65
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
66
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
67
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
68
- The Christian Triumph; Title Page
- ca. 1797
69
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
70
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
71
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
72
- 'O treacherous conscience!' (Page 27)
- ca. 1797
73
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
74
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
75
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
76
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
77
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
78
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
79
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
80
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
81
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
82
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
83
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
84
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
85
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
86
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
87
- "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
- between 1797 and 1798
88
- "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
- between 1797 and 1798
89
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
90
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
91
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
92
- A Widower and Children (Design 35)
- between 1797 and 1798
93
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
94
- "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
- between 1797 and 1798
95
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
96
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
97
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
98
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
99
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
100
- The Author Writing (Design 105)
- between 1797 and 1798