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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 19
Remove constraint Height [cm]: 19Search Results
1
- Extensive Landscape with Grey Clouds
- ca. 1821
- Not on view
2
- Cloud Study
- ca. 1821
- Not on view
3
- The Horse
- ca. 1805
- Not on view
4
- Arab Stallion
- 1968
- Not on view
5
- Tigers
- ca. 1800
- Not on view
6
- Sketch for 'The Reading of a Will'
- 1820
- Not on view
7
- The Midday Meal
- ca. 1835
- Not on view
8
- The Straw Yard
- 1810
- Not on view
9
- Stonehenge at Sunset
- 1836
- Not on view
10
- A View of Richmond Bridge, on the Thames
- between 1807 and 1810
- Not on view
11
- A Western View of part of Westminster and Bird Cage Walk taken from the Mill House...,
- 1808
- Not on view
12
- Pope's Villa, Twickenham
- ca. 1759
- Not on view
13
- Landscape with Deer under "The Beggar's Oak", Dagot's Park..
- between 1820 and 1830
- Not on view
14
- In Dovedale
- 1814 to 1815
- Not on view
15
- John Locke
- Not on view
16
- Mares and Foals
- 1989
- Not on view
![unknown artist [Boxers:] "Spring" and "Langan" - a pair of Staffordshire pearlware rectangular plaques](https://media.collections.yale.edu/thumbnail/ycba/47e46800-baac-46d2-a7d0-608b6cd5b57c)
17
- [Boxers:] "Spring" and "Langan" - a pair of Staffordshire pearlware rectangular plaques
- Not on view
18
- Foal
- 1989
- Not on view
19
- 1940 (composition)
- between 1940 and 1947
20
- The Launch of "La Sorcière" on the Lake of Geneva
- undated
21
- The Valley of Dolwyddelan
- undated
22
- Landscape Sketch
- undated
23
- Guildford
- 1844
24
- The Bellman
- 1879
25
- The Bellman
- 1879
26
- The Morning of Life
- 1860-1861
27
- The Weary Ploughman
- 1858
28
- The Lonely Tower
- 1879
29
- Study of Old Buildings
- undated
30
- The Weald of Kent
- between 1833 and 1834
31
- East Bergholt Church, Looking Out the South Archway of the Ruined Tower
- 1806
32
- Four East Indiamen at Archor
- 1803
33
- The Laughing Audience
- 1733
34
- The Source of the Arveron in the Valley of Chamouni, Savoy
- 1816
35
- Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
- 1819
36
- Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
- 1819
37
- Bonneville, Savoy
- 1816
38
- The Evening Gun
- ca. 1825
39
- Dumblain Abbey, Scotland
- 1816
40
- The Source of the Arveron in the Valley of Chamouni, Savoy
- 1816
41
- Bonneville, Savoy
- 1816
42
- Crowhurst
- between 1813 and 1823
43
- The Temple of Jupiter in the Island of Aegina
- between 1813 and 1823
44
- Catania, Sicily
- ca. 1825
45
- The Bridge over the River Rye at Helmsley, with the Castle Beyond
- between 1798 and 1799
46
- North East View of Grantham Church, Lincolnshire
- ca. 1797
47
- Hedging and Ditching
- 1812
48
- Procris and Cephalus
- 1812
49
- Procris and Cephalus
- 1812
50
- Via Mala
- between 1813 and 1823
51
- Stonehenge at Daybreak
- 1815 to 1819
52
- Procris and Cephalus
- 1812
53
- Frontispiece to the 'Liber Studiorum'
- 1812
54
- The Stork and Aqueduct
- between 1813 and 1823
55
- Stonehenge at Daybreak
- 1815 to 1819
56
- Apuleia in Search of Apuleius
- between 1813 and 1823
57
- The Source of the Arveron in the Valley of Chamouni, Savoy
- 1816
58
- Dumblain Abbey, Scotland
- 1816
59
- Ship in a Storm
- ca. 1826
60
- Bonneville, Savoy
- 1816
61
- Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
- 1819
62
- Hedging and Ditching
- 1812
63
- Solway Moss
- 1816
64
- A Weasel
- 1832
65
- Catania
- 1847
66
- Sketchbook of Shipping Scenes, from August 1845 to July 1846
- 1845 to 1846
67
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
68
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
69
- Infant Joy (Plate 14)
- 1789
70
- Songs of Innocence, Title Page (Plate 2)
- 1789
71
- The Lamb (Plate 8)
- 1789
72
- The Lord Answering Job out of the Whirlwind
- 1825
73
- When the Morning Stars Sang Together
- 1825
74
- On Anothers Sorrow (Plate 24)
- 1789
75
- Spring (Plate 26)
- 1789
76
- The Ecchoing Green (Plate 10)
- 1789
77
- A Cradle Song (Plate 18)
- 1789
78
- The Little Boy Lost (Plate 20)
- 1789
79
- A Dream (Plate 4)
- 1789
80
- The Little Girl Found (Plate 6)
- 1789
81
- The Divine Image (Plate 12)
- 1789
82
- Night (Plate 16)
- 1789
83
- Nurse's Song (Plate 22)
- 1789
84
- Laughing Song (Plate 28)
- 1789
85
- Introduction (Plate 3)
- 1789
86
- The Little Black Boy (Plate 30)
- 1789
87
- A Descriptive Catalogue of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
- 1809
88
- A Visionary Head
- 1819 to 1820
89
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
90
- Rustic Scene: man fishing, left; cottage with water-mill and horses right
- undated
91
- Mountain Landscape: with cows and goats foreground and figures, left
- 1801
92
- St. James Barracks
- 1851
93
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
94
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
95
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
96
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
97
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
98
- A Tuarez of Ghraat (Ghat?) Fezzan (Libya)
- 1819
99
- Benjamin Disraeli, Sketched at a Royal Academy Dinner
- 1876
100
- Lady in a Bonnet
- between 1760 and 1765