Title Page, Visions of the Daughters of Albion (Plate 2)
1793
6
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
7
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
8
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
9
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 17)
1794
10
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
11
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
12
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
13
Print made by Bradshaw & Blacklock, active ca.1850
Double Hairpin Set
after 1850
14
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
15
Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
16
Robert Dighton, 1752–1814
Administering the Oath at Highgate
undated
17
Robert Dighton, 1752–1814
Canvasing for Member of Parliament
undated
18
Robert Dighton, 1752–1814
A Country Amusement - Bull Baiting
undated
19
Robert Dighton, 1752–1814
The Travelling Show Man
undated
20
Robert Dighton, 1752–1814
The Produce of Industry
undated
21
Alfred Priest, 1810–1850
Coldham Hall, with H. Priest and C. Turner Angling, 1835
1835
22
Thomas Bradshaw, Born 1767
Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
undated
23
Robert Dighton, 1752–1814
The Ferry
undated
24
Robert Dighton, 1752–1814
The Harmonious Family
undated
25
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Fighting
ca. 1792
26
Print made by Richard Parkes Bonington, 1802–1828
Lac de Killin
1826
27
Print made by John Sell Cotman, 1782–1842
Castle Above a Waterfall
ca. 1830
28
Robert Smirke, 1752–1845
Bachanalia Scene
undated
29
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
30
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
31
Thomas Stothard, 1755–1834
A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background
undated
32
attributed to Sir George Howland Beaumont seventh Baronet, 1753–1827
The Picnic
undated
33
Peter Casteels, 1684–1749
Feeding Ducks
undated
34
Robert Smirke, 1752–1845
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
35
Gavin Hamilton, 1723–1798
Andromache Mourning the Death of Hector
between 1760 and 1763
36
Thomas Hearne, 1744–1817
Edinburgh
ca. 1778
37
Samuel Howitt, 1756–1822
Landscape with Hay Cart before a Cottage
undated
38
Dominic Serres, 1722–1793
Shipping in Southampton Water, off Calshott Castle
undated
39
J. Tobin, active 1776
Preparing to lay eel traps
undated
40
Elias Martin, 1739–1818
Group of Caricature Heads
undated
41
James Gray Mayhew, 1771–1845
Two Horsemen
undated
42
attributed to Peter DeWint, 1784–1849
The Harvesters
undated
43
Print made by Thomas Shotter Boys, 1803–1874
Quayside, Notre Dame in Distance
undated
44
Sir Richard Westmacott, 1775–1856
The Good Samaritan
undated
45
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
undated
46
Sir David Wilkie, 1785–1841
The Chelsea Pensioners Reading the Waterloo Dispatch
before 1822
47
William Hamilton, 1751–1801
Figures Harvesting
undated
48
Jan Wyck, ca. 1645–1700
A Hunting Party
undated
49
Peter Tillemans, 1684–1734
Racing: a Match in Progress
undated
50
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
51
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
52
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
53
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
54
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
55
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
56
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
57
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
58
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
59
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
60
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
61
Edward Duncan, 1803–1882
Pheasant Shooting
1825
62
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
63
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
64
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
65
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
66
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
67
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
68
Henry Thomas Alken, 1785–1851
"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
undated
69
Henry Thomas Alken, 1785–1851
"Scraps", No. 39: Mounted Hussars
1823
70
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
71
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
72
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
73
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
74
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
75
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
76
Isaac Cruikshank, 1764–1811
The Cuckold Departs for the Hunt
ca. 1800
77
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
78
Sawrey Gilpin, 1733–1807
A Gathering of Horsemen, With Coach, Tents, Flags, etc. (?a horse fair)
undated
79
Print made by Sir Charles D'Oyly, 1781–1845
Nuts or Indian Jugglers
ca. 1830
80
Print made by Thomas Chambars, ca. 1724–1789
Horatio Gentileschi and Edward Mascall
undated
81
Print made by Thomas Chambars, ca. 1724–1789
Sir Godfrey Kneller and John Zackary Kneller
undated
82
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1893
83
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1893
84
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1893
85
Print made by Sir Charles D'Oyly, 1781–1845
A Punca Bearer
ca. 1830
86
Print made by George Cruikshank, 1792–1878
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
1820
87
Print made by George Cruikshank, 1792–1878
Waiting Room at the Admiralty--.(No misnomer) - Plate 6