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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 14
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1
- The Avon Gorge at Sunset
- ca. 1850
- Not on view
2
- Sunny Landscape with Trees and Monument on a Hill
- ca. 1830
- Not on view
3
- Pylons at Karnak, the Theban Mountains in the Distance
- 1873 or 1874
- Not on view
4
- Windsor Castle from the Thames
- ca. 1825
- Not on view
5
- A View of Oxford
- mid-19th century
- Not on view
6
- The Monument and London Bridge
- ca. 1825
- Not on view
7
- Rochester Cathedral and Castle
- ca. 1825
- Not on view
8
- Interior of a Stable
- between 1830 and 1840
- Not on view
9
- The Burning of the Houses of Parliament
- ca. 1834
- Not on view
10
- London from Islington Hill
- ca. 1825
- Not on view
11
- Somerset House, London
- ca. 1825
- Not on view
12
- The Thames and Waterloo Bridge from Somerset House
- ca. 1825
- Not on view
13
- Westminster Bridge
- ca. 1825
- Not on view
14
- Draped Torso
- ca. 1953
- Not on view
15
- Middle-White Sow: Wharfedale Royal Lady
- 1984
- Not on view
16
- Berkshire Boar: Highfield Royal Pygmalion
- 1968
- Not on view
17
- The Taglioni Coach and Other Scenes
- ca. 1840
- Not on view
18
- Antique Letter Box Converted into a Humidor
- ca. 1840
- Not on view
19
- Sketch of a Base for the Mill Reef Statue, 1972: Base Without Statue, End View
- 1972
20
- Huntsman and Hounds
- ca. 1896
21
- Brighton Beach Looking West
- undated
22
- The Morning of Life
- 1860-1861
23
- Colombus breaking the Egg
- 1753
24
- Figures on Margate Beach
- undated
25
- Ship Aground, Brighton, with the Chain Pier Beyond
- 1830
26
- Monaco at Sunset from the Southwest
- ca. 1838
27
- Fishing Boats Becalmed off le Havre
- undated
28
- St. Mawes, Cornwall
- ca. 1823
29
- Rome from Monte Mario
- ca. 1818
30
- Shipping
- between 1828 and 1830
31
- The Fortified Rock of Monaco from the East
- ca. 1838
32
- Foul by God: River Landscape with Anglers Fishing From a Weir
- ca. 1830
33
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
34
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
35
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
36
- I Found Him Beneath a Tree (Plate 3)
- 1793
37
- My Son! My Son! (Plate 10)
- 1793
38
- The Traveller Hasteth in the Evening (Plate 16)
- 1793
39
- Death's Door (Plate 17)
- 1793
40
- What is Man!, Frontispiece (Plate 1)
- 1793
41
- Title Page, For Children. The Gates of Paradise (Plate 2)
- 1793
42
- Water (Plate 4)
- 1793
43
- Earth (Plate 5)
- 1793
44
- Fire (Plate 7)
- 1793
45
- At Length for Hatching Ripe He Breaks the Shell (Plate 8)
- 1793
46
- Alas! (Plate 9)
- 1793
47
- I Want! I Want! (Plate 11)
- 1793
48
- Help! Help! (Plate 12)
- 1793
49
- Aged Ignorance (Plate 13)
- 1793
50
- Does Thy God O Priest Take such Vengeance as This? (Plate 14)
- 1793
51
- Fear & Hope Are -- Vision (Plate 15)
- 1793
52
- I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
- 1793
53
- Air (Plate 6)
- 1793
54
- For Children. The Gates of Paradise, London, by William Blake
- 1793
55
- There is No Natural Religion
- ca. 1788
56
- Frontispiece (Plate 1)
- ca. 1788
57
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
58
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
59
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
60
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
61
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
62
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
63
- Chapter III, "As the stars are apart from the earth..." (Plate 9)
- 1794
64
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
65
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
66
- The Entrance Front of Hayley's House at Eartham
- 1801
67
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
68
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
69
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
70
- Tyn Dhu Mill, North Wales
- undated
71
- Studland Dock Yard
- 1822
72
- Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
- 1802
73
- The Quadrangle of the Royal Exchange
- undated
74
- Stained Glass Study, Water Plant with Grasshoper, Fish and Newt
- undated
75
- Man Carrying Bundle on his Back
- undated
76
- Ships on a Stormy Sea
- 1836
77
- Fishmarket on the Beach
- undated
78
- Study of a Girl Seated on a Chair
- undated
79
- Granville
- ca. 1843
80
- Botanical Garden/ Regent's Park 10 June 44
- 1844
81
- Binstead Parsonage, Isle of Wight
- undated
82
- A Bull Charging
- 1794
83
- Design for a Country Mansion
- undated
84
- Columns
- undated
85
- Tilly Whim Cave, Dorset
- undated
86
- Portrait of a Lady
- 1666
87
- Lambeth Palace from Across the River
- undated
88
- Eastbourne from Lord G.: Cavendish's Seat in the Park
- 1787
89
- At Mrs. Bulley's, Hooe, near Plymouth
- undated
90
- Composition of Rocks and Pine Trees
- undated
91
- Martha Gunn, Bather at Brighton
- 1791
92
- Design for a Monument to the Duke of Wellington
- undated
93
- Crowned Eagle and Two Birds
- 1760
94
- Woodpecker and Two Birds
- 1760
95
- Interior of a Coppersmith's, Shoe Lane
- undated
96
- Crystals and Fossils
- ca. 1760
97
- The Humble Bee and Insects
- 1760
98
- Melcomb Bingham Church - Dorset
- 1840
99
- A Storm on the Coast
- between 1840 and 1850
100
- Sky Study
- undated