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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 14
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1
- The Avon Gorge at Sunset
- ca. 1850
- Not on view
2
- Pylons at Karnak, the Theban Mountains in the Distance
- 1873 or 1874
- Not on view
3
- Windsor Castle from the Thames
- ca. 1825
- Not on view
4
- A View of Oxford
- mid-19th century
- Not on view
5
- Interior of a Stable
- between 1830 and 1840
- Not on view
6
- Sunny Landscape with Trees and Monument on a Hill
- ca. 1830
- Not on view
7
- The Burning of the Houses of Parliament
- ca. 1834
- Not on view
8
- Rochester Cathedral and Castle
- ca. 1825
- Not on view
9
- London from Islington Hill
- ca. 1825
- Not on view
10
- The Thames and Waterloo Bridge from Somerset House
- ca. 1825
- Not on view
11
- The Monument and London Bridge
- ca. 1825
- Not on view
12
- Somerset House, London
- ca. 1825
- Not on view
13
- Westminster Bridge
- ca. 1825
- Not on view
14
- Berkshire Boar: Highfield Royal Pygmalion
- 1968
- Not on view
15
- Middle-White Sow: Wharfedale Royal Lady
- 1984
- Not on view
16
- The Taglioni Coach and Other Scenes
- ca. 1840
- Not on view
17
- Antique Letter Box Converted into a Humidor
- ca. 1840
- Not on view
18
- Draped Torso
- ca. 1953
- Not on view
19
- Sketch of a Base for the Mill Reef Statue, 1972: Base Without Statue, End View
- 1972
20
- Huntsman and Hounds
- ca. 1896
21
- The Morning of Life
- 1860-1861
22
- Brighton Beach Looking West
- undated
23
- Colombus breaking the Egg
- 1753
24
- Fishing Boats Becalmed off le Havre
- undated
25
- Ship Aground, Brighton, with the Chain Pier Beyond
- 1830
26
- Figures on Margate Beach
- undated
27
- Monaco at Sunset from the Southwest
- ca. 1838
28
- The Fortified Rock of Monaco from the East
- ca. 1838
29
- St. Mawes, Cornwall
- ca. 1823
30
- Rome from Monte Mario
- ca. 1818
31
- Shipping
- between 1828 and 1830
32
- Foul by God: River Landscape with Anglers Fishing From a Weir
- ca. 1830
33
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
34
- What is Man!, Frontispiece (Plate 1)
- 1793
35
- Water (Plate 4)
- 1793
36
- Earth (Plate 5)
- 1793
37
- Air (Plate 6)
- 1793
38
- Alas! (Plate 9)
- 1793
39
- I Want! I Want! (Plate 11)
- 1793
40
- Does Thy God O Priest Take such Vengeance as This? (Plate 14)
- 1793
41
- Frontispiece (Plate 1)
- ca. 1788
42
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
43
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
44
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
45
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
46
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
47
- Chapter III, "As the stars are apart from the earth..." (Plate 9)
- 1794
48
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
49
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
50
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
51
- Title Page, For Children. The Gates of Paradise (Plate 2)
- 1793
52
- I Found Him Beneath a Tree (Plate 3)
- 1793
53
- Fire (Plate 7)
- 1793
54
- At Length for Hatching Ripe He Breaks the Shell (Plate 8)
- 1793
55
- Fear & Hope Are -- Vision (Plate 15)
- 1793
56
- Help! Help! (Plate 12)
- 1793
57
- My Son! My Son! (Plate 10)
- 1793
58
- Aged Ignorance (Plate 13)
- 1793
59
- Death's Door (Plate 17)
- 1793
60
- The Traveller Hasteth in the Evening (Plate 16)
- 1793
61
- I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
- 1793
62
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
63
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
64
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
65
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
66
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
67
- The Entrance Front of Hayley's House at Eartham
- 1801
68
- For Children. The Gates of Paradise, London, by William Blake
- 1793
69
- There is No Natural Religion
- ca. 1788
70
- Spurstowes Alms Houses, Hackney
- 1841
71
- A Large Church (Westminster Abbey) at Sunset
- undated
72
- A Soldier on Horseback
- undated
73
- Battledore and Shuttlecock
- ca. 1740
74
- Flying the Kite
- ca. 1740
75
- Chelsea Bridge with Men in a Barge
- 1860
76
- Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
- undated
77
- Frederick Howard, fifth Earl of Carlisle
- undated
78
- The Welsh Curate
- undated
79
- Edinburgh Castle and Horse Fair
- ca. 1828
80
- The Blacksmith
- undated
81
- Head of a Boy
- undated
82
- Windsor Castle
- undated
83
- A Park Landscape with Shepherd and Sheep
- 1793
84
- Widecombe Village
- undated
85
- Cloud Study
- undated
86
- Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
- 1802
87
- Martha Gunn, Bather at Brighton
- 1791
88
- Fishmarket on the Beach
- undated
89
- A Bull Charging
- 1794
90
- Eastbourne from Lord G.: Cavendish's Seat in the Park
- 1787
91
- Tyn Dhu Mill, North Wales
- undated
92
- Studland Dock Yard
- 1822
93
- Portrait of a Lady
- 1666
94
- House with Weathercock
- undated
95
- Binstead Parsonage, Isle of Wight
- undated
96
- Design for a Country Mansion
- undated
97
- Stained Glass Study, Water Plant with Grasshoper, Fish and Newt
- undated
98
- Greytown
- undated
99
- Sir James Wishart
- between 1794 and 1798
100
- On the Seine
- 1831