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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionWork Type drawing
Remove constraint Work Type: drawingHeight [cm] 43
Remove constraint Height [cm]: 43Search Results
1
- Timber Hauling
- ca. 1917
2
- Villa d'Este
- ca. 1796
3
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
4
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
5
- 'O treacherous conscience!' (Page 27)
- ca. 1797
6
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
7
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
8
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
9
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
10
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
11
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
12
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
13
- Night the Third. Narcissa; Title Page
- ca. 1797
14
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
15
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
16
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
17
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
18
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
19
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
20
- The Christian Triumph; Title Page
- ca. 1797
21
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
22
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
23
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
24
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
25
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
26
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
27
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
28
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
29
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
30
- Achilles Wounded
- undated
31
- A Doorway in the Acropolis, Athens
- 1838
32
- On a Man-o'-War
- between 1794 and 1799
33
- A Street Scene in Granada on the Day of the Bullfight
- 1833
34
- Beauvais
- ca. 1831
35
- Ekvera
- undated
36
- Study of Trees
- undated
37
- A Dove
- undated
38
- A Pheasant Wing
- undated
39
- St. Laurent, Rouen
- 1850
40
- Cremorne Gardens, Chelsea
- 1871
41
- Studies of a Suit of Armor
- 1875
42
- Design for Court of Edinburgh University
- 1779
43
- Bothwell Castle, Lanarkshire
- 1798
44
- Design for a Monument to Sir James Reade, Hatfield
- undated
45
- Olivia Returns to Her Family
- undated
46
- View on the river Vulturnus, Sept.r 1790
- 1790
47
- Ferry over the Vulturnus, Sept.r 1790
- 1790
48
- Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790
- 1790
49
- Jedburgh Parish Church
- undated
50
- Castle at Dieppe, Normandy
- undated
51
- View Within the Southern Entrance of Gundecotta Pass (1 of 6)
- ca. 1792
52
- The Rustic Lover
- 1786
53
- Clare College, Cambridge
- 1841
54
- Interior of the Belfry, Bushey Church
- ca. 1822
55
- A Greek Girl Standing on a Balcony
- 1840
56
- Seated Turk
- between 1840 and 1841
57
- Man in Egyptian Dress
- undated
58
- Head of a Man
- 1732
59
- Pike Pool, Beresford Hall, Derbyshire
- 1814
60
- Park Scene with Deer, Cattle, and a Group of Figures
- undated
61
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
62
- North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
- 1767
63
- Road Scene in Windsor Forest
- undated
64
- The Bridge
- 1804
65
- Study for an Allegorical Figure of Religion
- undated
66
- The Huntsman
- undated
67
- The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)
- 1820
68
- Shooting Party Setting Out
- 1789
![Rev. James Bulwer [One from] A Volume of Drawings and Prints](https://media.collections.yale.edu/thumbnail/ycba/c5067fbf-9c7b-41b6-8369-3b8824fd5547)
69
- [One from] A Volume of Drawings and Prints
- undated
![Rev. James Bulwer [One from] A Volume of Drawings and Prints](https://media.collections.yale.edu/thumbnail/ycba/0b1f74a6-d179-4a85-8aa9-29c60ab5d8a8)
70
- [One from] A Volume of Drawings and Prints
- 1834
![Rev. James Bulwer [One from] A Volume of Drawings and Prints](https://media.collections.yale.edu/thumbnail/ycba/28eae410-3711-454d-9ab8-e458f1422840)
71
- [One from] A Volume of Drawings and Prints
- undated
![Rev. James Bulwer [One from] A Volume of Drawings and Prints](https://media.collections.yale.edu/thumbnail/ycba/cd8f7400-b8b9-4611-8455-513be88731b0)
72
- [One from] A Volume of Drawings and Prints
- 1834
73
- A Gentleman Standing, Seen Back View, Wearing a Driving or Riding Coat ..
- undated
74
- A Gentleman Standing, Seen Full Face, Wearing a Driving or Riding Coat
- undated
![Rev. James Bulwer [One from] A Volume of Drawings and Prints](https://media.collections.yale.edu/thumbnail/ycba/d7df8047-873d-4006-b1a7-d97ae7c408c1)
75
- [One from] A Volume of Drawings and Prints
- 1834
76
- The Claudian Aquaduct, Rome
- 1785
77
- Shooting Party Returning Home
- 1789
78
- The Doctor's Pill
- undated
79
- Untitled
- undated
80
- A Peasant Girl Shading Her Eyes
- 1812
81
- St. Peter at Lisieux, Normandy: West Front
- 1818
82
- Garden Design for Northwick Park
- 1778
83
- Head of a Boy
- undated
84
- Near Chiavenna in the Grisons
- ca. 1779
85
- Mill on the Avon, Pershore, Worcestershire
- undated
86
- Design for Wall Decoration with Neoclassical Panels
- undated
87
- Woman Holding a Mask
- between 1795 and 1800
88
- The Lake of Albano and Castel Gandolfo
- between 1783 and 1785
89
- View at Lucerne: The Jesuits College
- undated
90
- Isola Madre, Lago Maggiore
- ca. 1781
91
- The Temple of Aphaia at Aegina: Elevation and Partial Section
- undated
92
- Study for a Block on the Road
- between 1869 and 1872
93
- Queen Square, London
- 1786
94
- Taking Down Steady
- 1963
95
- Coming Home Alone
- 1963
96
- Castleton Caves, Peak District, Derbyshire
- ca. 1760
97
- The Southern Entrance of Gundecotta Pass (1 of 6)
- ca. 1792
98
- Paultons, Hampshire
- undated
99
- Crimea Sketchbook, August to October 1855
- 1855
100
- Circassia Sketchbook, October to November 1855
- 1855