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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Creator Bonington, Richard Parkes, 1801–1828

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Subject Terms costume

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Richard Parkes Bonington Seated Turk
Richard Parkes Bonington, 1802–1828
Seated Turk
1826
Not on view
Richard Parkes Bonington A Fish-market near Boulogne
Richard Parkes Bonington, 1802–1828
A Fish-market near Boulogne
1824
Not on view
Richard Parkes Bonington Corso Sant'Anastasia, Verona
Richard Parkes Bonington, 1802–1828
Corso Sant'Anastasia, Verona
1828
Not on view
Richard Parkes Bonington A Wooded Lane
Richard Parkes Bonington, 1802–1828
A Wooded Lane
ca. 1825
Not on view
Richard Parkes Bonington A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
Richard Parkes Bonington, 1802–1828
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Not on view
Richard Parkes Bonington Study of a Gentleman in 17th Century Costume
Richard Parkes Bonington, 1802–1828
Study of a Gentleman in 17th Century Costume
between 1827 and 1828
Thomas Shotter Boys Verona, Hay Barge on the Medway, and a Calvary (three prints)
Print made by Thomas Shotter Boys, 1803–1874
Verona, Hay Barge on the Medway, and a Calvary (three prints)
after 1833
Richard Parkes Bonington Rue du Gros Horloge
Print made by Richard Parkes Bonington, 1802–1828
Rue du Gros Horloge
1824
Richard Parkes Bonington Vue Generale de l'Eglise de l'Abbaye de Tournus
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale de l'Eglise de l'Abbaye de Tournus
1825
Richard Parkes Bonington Ruines de Château d'Arlay
Print made by Richard Parkes Bonington, 1802–1828
Ruines de Château d'Arlay
1827
Richard Parkes Bonington Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824