Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
7
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
8
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
9
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
10
Print made by Robert Barnes, 1840–1895
Elderly Couple on a Park Bench, with Two Men Beyond
undated
11
Print made by Robert Barnes, 1840–1895
Three Men and Two Boys Sitting on a Pier
undated
12
Print made by Robert Barnes, 1840–1895
Boy Holding an Apple for a Girl with Two Girls Beyond
undated
13
Print made by Robert Barnes, 1840–1895
Boy Tying a Girl's Shoe
undated
14
Print made by Bradshaw & Blacklock, active ca.1850
Eight colour prints
after 1850
15
Print made by Bradshaw & Blacklock, active ca.1850
The Farmer's Boy & The Rustic Angler
after 1850
16
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
17
Print made by Alfred Henry Forrester, 1804–1872
The Follies of Costume
undated
18
Thomas Rowlandson, 1756–1827
Lord Harrington and Lord Petersham
undated
19
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
20
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
21
Print made by Thomas Chambars, ca. 1724–1789
Sir Godfrey Kneller and John Zackary Kneller
undated
22
Print made by John Doyle ('H.B.'), 1797–1868
Rather a Dangerous Kind of Hug
1847
23
Print made by John Doyle ('H.B.'), 1797–1868
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
1847
24
Possibly James Pollard, 1792–1867
The Derby Day: Tits and Trampers on the Road to Epsom