Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course
ca. 1765
Not on view
6
Joseph Mallord William Turner, 1775–1851
Squally Weather
between 1840 and 1845
Not on view
7
John R. Skeaping, 1901–1980
Mare and Foal
1980
Not on view
8
John R. Skeaping, 1901–1980
Racing - Hanging to the Left
1975
Not on view
9
John R. Skeaping, 1901–1980
The York Trophy
1977
Not on view
10
John R. Skeaping, 1901–1980
Turning to Go Down
1976
Not on view
11
Edward Duncan, 1803–1882
Pheasant Shooting
1830
Not on view
12
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket
ca. 1730
Not on view
13
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
14
James Ward, 1769–1859
The Midday Meal
ca. 1835
Not on view
15
James Ward, 1769–1859
A Border Leicester Ewe
between 1795 and 1800
Not on view
16
William Jones, active 1832–1836
Fishing: Bottom Fishing
ca. 1830
Not on view
17
Benjamin West, 1738–1820
Gentlemen Fishing
1794
Not on view
18
James Ward, 1769–1859
The Straw Yard
1810
Not on view
19
William Jones, active 1832–1836
Fishing: Playing a Fish
ca. 1830
Not on view
20
James Seymour, 1702–1752
A Bay Racehorse with Jockey Up
ca. 1730
Not on view
21
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
ca. 1730
Not on view
22
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
ca. 1730
Not on view
23
Sir Alfred J. Munnings, 1878–1959
John Hay Whitney's Royal Minstrel, with Joe Childs up
ca. 1929
Not on view
24
James Pollard, 1792–1867
Epsom Races: Preparing to Start
1834 to 1835
Not on view
25
James Pollard, 1792–1867
Epsom Races: The Betting Post
1834 to 1835
Not on view
26
James Pollard, 1792–1867
Epsom Races: Settling Day at Tattersalls
1834 to 1835
Not on view
27
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
28
James Pollard, 1792–1867
Epsom Races: The Race Over
1834 to 1835
Not on view
29
Edward Duncan, 1803–1882
Partridge Shooting
1830
Not on view
30
Edmund Bristow, 1787–1876
The Rat Trap
early to mid-nineteenth century
Not on view
31
George Chinnery, 1774–1852
Josiah Andrew Hudleston (1799-1865)
1832
Not on view
32
Joseph Francis Nollekens, 1702–1748
Portrait of Two Boys, probably Joseph and John Joseph Nollekens
ca. 1745
Not on view
33
Thomas Woodward, 1801–1852
Horses in a Thunderstorm
1823
Not on view
34
John Martin, 1789–1854
Kensington Gardens
1815
Not on view
35
John Martin, 1789–1854
Kensington Gardens
1815
Not on view
36
unknown artist
A View of Lambeth
ca. 1770
Not on view
37
William Daniell, 1769–1837
Westminster Bridge and Abbey
1813
Not on view
38
Agostino Brunias, 1728–1796
West Indian Women of Color, with a Child and Black Servant
ca. 1780
Not on view
39
James Ward, 1769–1859
Sketch for 'Gordale Scar'
between 1812 and 1814
Not on view
40
Peter DeWint, 1784–1849
Landscape with Chestnut Tree
ca. 1835
Not on view
41
James Pollard, 1792–1867
Outside the Pike and Anchor Inn at Ponders End, Middlesex
1834
Not on view
42
Agostino Brunias, 1728–1796
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
43
Agostino Brunias, 1728–1796
Planter and his Wife, with a Servant
ca. 1780
Not on view
44
Agostino Brunias, 1728–1796
A West Indian Creole Woman Attended by her Black Servant
ca. 1780
Not on view
45
Agostino Brunias, 1728–1796
A Leeward Islands Carib family outside a Hut
ca. 1780
Not on view
46
Agostino Brunias, 1728–1796
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
47
Edward William Cooke, 1811–1880
Toulon (?)
1845 or after 1863
Not on view
48
Attributed to William Mulready, 1786–1863
Lock gate
undated
Not on view
49
Balthazar Nebot, active 1730–1762
Fishmonger's stall
1737
Not on view
50
unknown artist
Canal under construction, possibly the Bude Canal
ca. 1840
Not on view
51
John Berney Ladbrooke, 1803–1879
Crown Point, Whitlingham, near Norwich
1855
Not on view
52
Alexander Marshal, active 1651–died 1682
Flowers in a Delft Jar
1663
Not on view
53
Thomas Webster, 1800–1886
Ring O' Roses
ca. 1850
Not on view
54
Sebastian Pether, 1790–1844
River Scene
1840
Not on view
55
Herbert Haseltine, 1877–1962
Sudborne Premier, Suffolk Punch Stallion
1964-1965
Not on view
56
Peter Gaspar Scheemakers, 1691–1781
Cleopatra
ca. 1723
Not on view
57
Carroll Bassett, 1906–1972
Dublin
1934
Not on view
58
Francis Danby, 1793–1861
A Lake in Norway
ca. 1825
59
Francis Danby, 1793–1861
Sunset over a River Landscape
early 1840s
60
Robert Polhill Bevan, 1865–1925
Sale at Ward's Repository, No. 2
ca. 1918
61
Samuel Palmer, 1805–1881
The Cypresses at the Villa d'Este, Tivoli
1838
62
Print made by John Constable, 1776–1837
The Ruins of Netley Abbey
1826
63
George Stubbs, 1724–1806
Study for the Self-portrait in Enamel
ca. 1781
64
George Stubbs, 1724–1806
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
65
William Hogarth, 1697–1764
The Bench
1758
66
William Hogarth, 1697–1764
A Rake's Progress, Plate III: He Revels
1735
67
William Hogarth, 1697–1764
A Rake's Progress, Plate II: His Levee
1735
68
William Hogarth, 1697–1764
A Rake's Progress, Plate VI: He Gambles
1735
69
William Hogarth, 1697–1764
A Rake's Progress, Plate VIII: In Bedlam
1735
70
William Hogarth, 1697–1764
The Distrest(ed) Poet
1740
71
William Hogarth, 1697–1764
A Rake's Progress, Plate IV: Goes to Court
1735
72
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate VII: In Fleet Street Prison
1735
73
Etched by Joseph Mallord William Turner, 1775–1851
Lake of Thun, Switzerland
1808
74
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
1813 to 1823
75
Print made by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
76
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
77
Etched by Joseph Mallord William Turner, 1775–1851
Scene in the Campagna
1812
78
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
79
Joseph Mallord William Turner, 1775–1851
Newark-upon-Trent
ca. 1796
80
Joseph Mallord William Turner, 1775–1851
Barnard Castle
ca. 1825
81
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
82
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
83
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
84
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
85
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
86
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
87
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
88
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
89
Hugh Douglas Hamilton, 1739–1808
Portrait of a Gentleman
undated
90
Edward Hull, 1810–1877
Lowestoft
1858
91
unknown artist
Portrait
undated
92
unknown artist
Head of a Young Man
undated
93
John Malchair, 1730–1812
Broad Street, Oxford
ca. 1790
94
Francis Nicholson, 1753–1844
Waterfall
undated
95
Patrick Nasmyth, 1787–1831
Sportsman and His Dogs
1828
96
Francis Place, 1647–1728
A Study for the Pilkington Crest, a mower with a scythe