The Liverpool and National Steeplechase at Aintree, 1843
ca. 1843
Not on view
20
William Tasker, 1808–1852
Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester
ca. 1839
Not on view
21
Joseph Stannard, 1797–1830
Buckenham Ferry, on the River Yare, Norfolk
1826
Not on view
22
Charles Turner, 1774–1857
An Extensive View of the Oxford Races
ca. 1820
Not on view
23
Peter Tillemans, 1684–1734
The Round Course at Newmarket, Cambridgeshire, Preparing for the King's Plate
ca. 1725
Not on view
24
Alfred Joseph Woolmer, 1805–1892
Interior of the British Institution (Old Master Exhibition, Summer 1832)
1833
Not on view
25
John Fisher, 1788–1832
Osmington: A View to the Village
ca. 1820
Not on view
26
unknown artist
The Wolverhampton Racecourse
1837
Not on view
27
George Vincent, 1796–1832
A View of Cheddar Gorge
ca. 1820
Not on view
28
George Vincent, 1796–1832
A View of Thames Street, Windsor
1827 to 1830
Not on view
29
unknown artist
An Imaginary View of Westminster Bridge
mid-18th century
Not on view
30
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
31
Joseph Mallord William Turner, 1775–1851
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
32
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
33
Louis Haghe, 1806–1885
Newstead Abbey, The Seat of the Late Lord Byron
undated
34
Print made by William Day, 1764–1807
The High Street, Southampton
1828
35
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
36
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
37
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
38
Thomas Higham, 1796–1844
Benacre Hall, Suffolk
1819
39
Thomas Rowlandson, 1756–1827
The London Citizen
undated
40
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York
1820
41
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
42
Thomas Rowlandson, 1756–1827
The Departure from Wakefield
ca. 1817
43
Thomas Rowlandson, 1756–1827
The Esquire's Intrusion
ca. 1817
44
Thomas Rowlandson, 1756–1827
The Welcome
ca. 1817
45
Thomas Rowlandson, 1756–1827
The Vicar's Family on the Road to Church
ca. 1817
46
Thomas Rowlandson, 1756–1827
The Vicar Preaching to the Prisoners
ca. 1817
47
Thomas Rowlandson, 1756–1827
The Fair Penitent
ca. 1817
48
Peter DeWint, 1784–1849
Harvesters in Landscape in Sussex
ca. 1820
49
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Ball
1798
50
unknown artist
A View of the Palace of Triano towards the Flower Garden
between 1780 and 1815
51
Print made by Remi Parr, 1743–after 1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
52
Print made by Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
53
James Malton, 1761–1803
A Military Encampment in Hyde Park
1785
54
Print made by unknown artist
View of one Wing of Fountainebleau, taken from the Court of Fountains
55
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
56
John Boydell, 1720–1804
St. Clement Danes
1751
57
Thomas Rowlandson, 1756–1827
Fortune-Telling
ca. 1817
58
Thomas Rowlandson, 1756–1827
The Dance
ca. 1817
59
Thomas Rowlandson, 1756–1827
The Family Picture
1817
60
Thomas Rowlandson, 1756–1827
The Scold, with News of Olivia
ca. 1817
61
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794
1794
62
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798
63
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
64
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: French Prisoners on Parole
1795
65
Thomas Rowlandson, 1756–1827
Limbourg, Belgium
between 1791 and 1792
66
Thomas Rowlandson, 1756–1827
Bradwell Lodge, Bradwell Quay, Essex
undated
67
John Michael Rysbrack, 1694–1770
Sketch for 'The Continence of Scipio'
undated
68
Joseph Josiah Dodd, 1809–1894
View of Tonbridge During the Late Election
after 1832
69
unknown artist
View of the Entrance to Fishguard, from Goodwych Sands
after 1814
70
Charles Claude Pyne, 1802–1878
The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
1872
71
Thomas Rowlandson, 1756–1827
Greenwich
1795 to 1800
72
Frederick James Havell, 1801–1840
The Stone Bow, Lincoln
1836
73
Thomas Rowlandson, 1756–1827
An Audience at Drury Lane Theatre
undated
74
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
75
Thomas Rowlandson, 1756–1827
Newbury Market Place, Berkshire
between 1815 and 1820
76
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
77
Thomas Rowlandson, 1756–1827
Customs House at Boulogne
1790s
78
Thomas Rowlandson, 1756–1827
Drury Lane. The School for Scandal
undated
79
Thomas Rowlandson, 1756–1827
View of the Church and Village of St. Cue, Cornwall
ca. 1812
80
Thomas Rowlandson, 1756–1827
Newport High Street, Isle of Wight
between 1797 and 1800
81
Print made by Robert Havell, 1769–1832
View of the Front of the New Public Buildings, Guildford
1819
82
Thomas Girtin, 1775–1802
Lichfield Cathedral, Staffordshire
1794
83
Thomas Girtin, 1775–1802
Tynemouth Priory, Northumberland
ca. 1793
84
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Bath
1798
85
Print made by John Tinney, died 1761
A View of the Palace of Versailles towards ye Garden
86
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
87
Peter Tillemans, 1684–1734
A Match at Newmarket
undated
88
Print made by John Maurer, active 1713–1761
A Perspective View of Covent Garden
89
Thomas Bowles III, ca. 1712–1767
An Inside View of the Church of St. Stephen Walbrooke London
90
Thomas Girtin, 1775–1802
Glasgow Cathedral
between 1794 and 1795
91
Thomas Girtin, 1775–1802
Sandsend, Yorkshire
1802
92
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
93
John Maurer, active 1713–1761
A Perspective View of Whitehall
94
unknown artist
The Royal Palace of St. James's next the Park
95
William Turner of Oxford, 1789–1862
The Exeter College Eight on the Isis, Oxford
1824
96
Edward Francis Burney, 1760–1848
View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge