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Credit Line Yale Center for British Art, Paul Mellon Collection

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Genre religious and mythological subject

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Topic subjectplace ss England

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Sir James Thornhill Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
unknown artist Sketch for the Oil Painting "The Conversion of St. Paul"
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
Bartholomew Howlett Grantham Church
Print made by Bartholomew Howlett, 1767–1827
Grantham Church
1797
Joseph Powell Winchester Cross
Print made by Joseph Powell, 1780–1834
Winchester Cross
1800
Sir James Thornhill Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral
Sir James Thornhill, 1675–1734
Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral
between 1709 and 1717
S. Porter Durham Cathedral
Print made by S. Porter, active 1802
Durham Cathedral
1802
Sir James Thornhill A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
Sir James Thornhill, 1675–1734
A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
James Basire II Inside View of the East End of Merton College Chapel
Print made by James Basire II, 1769–1822
Inside View of the East End of Merton College Chapel
1802
Sir James Thornhill Design for a Ceiling at Addiscombe: Bacchus and Ariadne
Sir James Thornhill, 1675–1734
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
Daniel Lysons Brass Chrism of Constance Bownell and her Baby from Heston Church
Attributed to Daniel Lysons, 1762–1834
Brass Chrism of Constance Bownell and her Baby from Heston Church
1796-1811
J. C. Varrall Brinkburn Priory, Northumberland
Print made by J. C. Varrall, active 1815–1827
Brinkburn Priory, Northumberland
1832
William Radclyffe Eaton College, Berkshire
Print made by William Radclyffe, 1780–1855
Eaton College, Berkshire
1831
William Radclyffe Eaton College, Berkshire
Print made by William Radclyffe, 1780–1855
Eaton College, Berkshire
1831
William Radclyffe Eaton College, Berkshire
Print made by William Radclyffe, 1780–1855
Eaton College, Berkshire
1831
J. C. Varrall Brinkburn Priory, Northumberland
Print made by J. C. Varrall, active 1815–1827
Brinkburn Priory, Northumberland
1832
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
Francesco Bartolozzi Ticket to Westminster Abbey
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
Joseph C. Bentley Rievaulx Abbey
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1836
M. H. Long St. Herbert's Chapel
Print made by M. H. Long, active mid-19th century
St. Herbert's Chapel
1884
Sir Emery Walker St. Mary's Church, Dover
Print made by Sir Emery Walker, 1851–1933
St. Mary's Church, Dover
1903
Joseph C. Bentley Rievaulx Abbey
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1856
James H. Kernot St. Catherine's Hill, near Guildford, Surrey
Print made by James H. Kernot, 1802–1858
St. Catherine's Hill, near Guildford, Surrey
1832
James Redway Christ Church College, Oxford
Print made by James Redway, active 1827–1838
Christ Church College, Oxford
1834
William Miller Durham Cathedral
Print made by William Miller, 1796–1882
Durham Cathedral
1836
Robert Wallis Buckfastleigh Abbey, Devonshire
Print made by Robert Wallis, 1794–1878
Buckfastleigh Abbey, Devonshire
1828
Francesco Bartolozzi Ticket to Westminster Abbey
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
Samuel Freeman Statue of Achilles in Hyde Park
Print made by Samuel Freeman, 1773–1857
Statue of Achilles in Hyde Park
1827
Joseph C. Bentley Rievaulx Abbey
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1836
James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
J. C. Varrall Brinkburn Priory, Northumberland
Print made by J. C. Varrall, active 1815–1827
Brinkburn Priory, Northumberland
1832
W. R. Smith Leicester Abbey, Leicestershire
Print made by W. R. Smith, active 1819–1851
Leicester Abbey, Leicestershire
1834
W. R. Smith Leicester Abbey, Leicestershire
Print made by W. R. Smith, active 1819–1851
Leicester Abbey, Leicestershire
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
Joseph C. Bentley Rievaulx Abbey
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1836
James Basire II Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
James Basire II Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
James Basire II Vol. 6, Plate XXXII: The Story of Hezekiah.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
James Basire II Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
James Basire II Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
James Basire II Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
James Basire II Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
James Basire II Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
James Moore Stonehenge
James Moore, 1762–1799
Stonehenge
1791