Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: military art

1. Captain Richard Gubbins

Creator:: John Constable, 1776–1837
Date:: between 1804 and 1805
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 25 1/8 inches (76.2 x 63.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. An Action between English Ships and Barbary Corsairs

Creator:: Willem van de Velde the Younger, 1633–1707
Date:: ca. 1695
Materials & Techniques:: Oil on canvas
Dimensions:: 12 5/8 x 19 3/8 inches (32.1 x 49.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

3. The Victory Returning from Trafalgar, in Three Positions

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1803–6
Materials & Techniques:: Oil on canvas
Dimensions:: 26 3/8 x 39 1/2 inches (67 x 100.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. View of Horse Guards and Whitehall

Creator:: unknown artist
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 25 3/4 × 36 1/2 inches (65.4 × 92.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Sir William Drury, of Hawstead, Suffolk (1550–1590)

Creator:: Daniël van den Queborne, 1552/1557–1602/1605
Date:: 1587
Materials & Techniques:: Oil on canvas
Dimensions:: 93 3/4 x 61 1/2 inches (238.1 x 156.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. St. James's Park

Creator:: George Morland, 1763–1804
Date:: between 1788 and 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 19 inches (40.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Colonel Donald MacLeod of St. Kilda

Creator:: John Opie, 1761–1807
Date:: ca. 1796
Materials & Techniques:: Oil on canvas
Dimensions:: 50 1/8 x 48 1/4 inches (127.3 x 122.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. A Battle of the Third Anglo Dutch War, Probably the London at the Battle of the Texel, August 1673

Creator:: Willem van de Velde the Younger, 1633–1707
Date:: ca. 1700
Materials & Techniques:: Oil on canvas
Dimensions:: 44 3/4 x 72 1/2 inches (113.7 x 184.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Vice Admiral Sir George Anson's Victory off Cape Finisterre

Creator:: Samuel Scott, 1701/2–1772
Date:: 1749
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 71 inches (101.6 x 180.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Studies of Household Cavalry seen during the Coronation of Queen Elizabeth II, 1953

Creator:: Paul-Lucien Dessau, 1909–1999
Date:: 1953
Materials & Techniques:: Oil on canvas
Dimensions:: 16 1/8 x 13 inches (41 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Hussars Embarking at Deptford

Creator:: William Anderson, 1757–1837
Date:: 1793
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/4 x 24 inches (46.4 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804

Creator:: unknown artist
Date:: ca. 1804
Materials & Techniques:: Oil on board laid down on panel
Dimensions:: 15 7/8 x 20 1/16 inches (40.3 x 51 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

Creator:: George Jones, 1786–1869
Date:: 1815
Materials & Techniques:: oil on paper laid to card
Dimensions:: 8 3/4 x 14 3/4 inches (22.2 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. The Apotheosis of Nelson

Creator:: Benjamin West, 1738–1820
Date:: 1807
Materials & Techniques:: Oil on canvas
Dimensions:: 39 1/2 x 29 inches (100.3 x 73.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. The Fort of Bidjegur

Creator:: William Hodges, 1744–1797
Date:: ca. 1784
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/8 × 40 inches (61.3 × 101.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Henry Portman Seymour

Creator:: Sir Godfrey Kneller, 1646–1723
Date:: 1714
Materials & Techniques:: Oil on canvas
Dimensions:: 49 x 39 inches (124.5 x 99.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Study for 'Battle of Waterloo'

Creator:: George Jones, 1786–1869
Date:: 1815
Materials & Techniques:: Oil on paper mounted on board
Dimensions:: 17 × 20 1/2 inches (43.2 × 52.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Sir Thomas Winne

Creator:: unknown artist
Date:: ca. 1615
Materials & Techniques:: Oil on canvas
Dimensions:: 83 x 51 inches (210.8 x 129.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Boats Carrying Out Anchors to the Dutch Men of War

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Le Depart de la Flotte des Troyens

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Arch of Septimius Severus

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. St. James's Park

Creator:: Francis David Soiron, Born 1764
Date:: 1790
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/16 × 22 inches (48.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Avenue and Entrance to St. James Barracks

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, black wash, gray wash, graphite, ang gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. A Tuarez of Ghraat (Ghat?) Fezzan (Libya)

Creator:: George Francis Lyon, 1795–1832
Date:: 1819
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 6 1/4 inches (19.1 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. How to Salute

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 8 3/4 inches (25.4 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Back View of a Soldier

Creator:: Edmund Thomas Parris, 1793–1873
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 5/16 × 1 11/16 inches (8.4 × 4.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Clitheroe from Eadsford Bridge

Creator:: Print made by James Basire II, 1769–1822
Date:: 1800
Materials & Techniques:: Line engraving, published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 12 3/8 inches (24.8 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Hythe, Kent

Creator:: Print made by George Cooke, 1781–1834
Date:: 1824
Materials & Techniques:: Etching and line engraving; engraver's proof (I) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 3/4 inches (22.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Hythe, Kent

Creator:: Print made by George Cooke, 1781–1834
Date:: 1824
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Dover from Shakespeare's Cliff

Creator:: Print made by William Chapman, 1817–1879
Date:: 1860
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/4 × 16 1/2 inches (36.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Folkestone Harbour and Coast to Dover

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 9/16 × 21 9/16 inches (39.5 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Folkestone Harbour and Coast to Dover

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Marengo

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Shot from a Gun

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Dover from Shakespeare's Cliff

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching and line engraving; early engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 3/4 inches (22.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Dover from Shakespeare's Cliff

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 1/2 inches (28.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Dover from Shakespeare's Cliff

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching and line engraving; engraver's proof (1a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Dover from Shakespeare's Cliff

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching and line engraving; engraver's proof (2a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 17 3/4 inches (27.9 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Dover from Shakespeare's Cliff

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/4 × 19 5/8 inches (32.4 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Edinburgh Castle

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/16 × 11 1/16 inches (38.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Hougoumont

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 1/4 × 7 7/8 inches (31.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Placenza

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Paris from the Barriere de Passy

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. HMS Bellerophon, Plymouth Sound

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 × 11 7/8 inches (43.2 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Edinburgh Castle

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 20 × 13 3/8 inches (50.8 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: ca. 1827
Materials & Techniques:: Etching and line engraving; 1st published state, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 13/16 × 12 7/16 inches (24.9 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Acropolis of Athens

Creator:: Print made by John Cousen, 1804–1880
Date:: 1832-1834
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 14 5/16 inches (26.8 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Field of Waterloo from Hougoumont

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 1/16 × 11 13/16 inches (43.3 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. St. Sophia, Constantinople

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving; first published state on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Vincennes

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 1/2 × 8 5/8 inches (34.3 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Killiecrankie

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 × 11 1/4 inches (43.2 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Hougoumont

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 7/8 × 11 1/4 inches (42.9 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Placenza

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Brienne

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof (c) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 7 3/8 inches (30.5 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 × 5 1/4 inches (11.1 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching; open etched state (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 5 3/8 inches (13.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 5 3/8 inches (11.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Marengo

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Crickieth Castle, North Wales

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1837
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Chatham, Kent

Creator:: Print made by William Miller, 1796–1882
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Two Coorgs in their Proper Uniform

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 6 1/4 inches (15.2 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Crickieth Castle, North Wales

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1837
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Retreat Beating at Poona

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor, graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Image: 4 1/8 × 5 1/4 inches (10.5 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Cavalry Troops and Camp Followers on the Move

Creator:: Peter Tillemans, 1684–1734
Date:: undated
Materials & Techniques:: Watercolor and graphite; verso: gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 10 1/8 inches (17 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1815
Materials & Techniques:: Aquatint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 12 5/8 inches (25.1 × 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Two Horsemen

Creator:: James Gray Mayhew, 1771–1845
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 5 1/8 inches (16.5 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Fall of a City

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Low Flying Spitfires over Trees

Creator:: Sir Walter Thomas Monnington, 1902–1976
Date:: undated
Materials & Techniques:: Gray wash and graphite with white chalk on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 17 3/8 inches (31.4 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Three Soldiers in Armour Sitting on Stone Blocks

Creator:: John Hamilton Mortimer, 1740–1779
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 7 5/8 inches (17.5 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A Review on Epson Downs

Creator:: John Nixon, ca. 1760–1818
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 8 7/8 inches (8.9 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The 48th Regiment with Casemate, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Interior of Fort Nicholas, Sebastopol, Crimea

Creator:: William Simpson, 1823–1899
Date:: undated
Materials & Techniques:: watercolor and gouache with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 17 1/4 inches (26 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Graves of the Officers in the Fort on Cathcart's Hill

Creator:: William Simpson, 1823–1899
Date:: 1854
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 13 3/4 inches (20.6 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Watercolor, graphite and black chalk on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 × 15 13/16 inches (50.8 × 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. A British Officer of the Staff and an Officer of Hussars

Creator:: Sir Robert Ker Porter, 1777–1842
Date:: 1810
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 14 5/8 inches (44.1 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. A French Dragoon

Creator:: Sir Robert Ker Porter, 1777–1842
Date:: ca. 1810
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 14 1/2 inches (44.1 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Military of the Peninsular War

Creator:: Sir Robert Ker Porter, 1777–1842
Date:: 1810
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 14 5/8 inches (44.1 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. An Uralsky Cossack

Creator:: Sir Robert Ker Porter, 1777–1842
Date:: 1810
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 14 5/8 inches (43.8 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Grand Field Day at Chobham Camp

Creator:: George Bryant Campion, 1796–1870
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/2 × 27 1/2 inches (24.1 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Design for a Medal: Britannia Ruling the Waves

Creator:: Hubert-François Gravelot, 1699–1773
Date:: 1736
Materials & Techniques:: Pen and black ink and graphite, incised for transfer on medium, moderately textured, beige laid paper
Dimensions:: Mount: 11 × 7 3/4 inches (27.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Studies of a Suit of Armor

Creator:: Edward Burne-Jones, 1833–1898
Date:: 1875
Materials & Techniques:: Graphite, watercolor, and gouache on thick, moderately textured, brown wove paper
Dimensions:: Sheet: 16 3/4 x 12 3/4 inches (42.5 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Troops Returning to the Camp at Chobham

Creator:: George Bryant Campion, 1796–1870
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/2 × 27 1/2 inches (24.1 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860

Creator:: William Simpson, 1823–1899
Date:: ca. 1860
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 9 7/8 x 13 7/8 inches (25.1 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Encampment

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink and pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 inches (13 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A Squadron at Anchor

Creator:: Peter Monamy, 1681–1749
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 11 15/16 inches (18.7 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 10 inches (37.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Marengo

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 10 1/4 inches (38.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: ca. 1760
Materials & Techniques:: Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 inches (36.9 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: ca. 1759
Materials & Techniques:: Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/16 x 20 11/16 inches (36 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: ca. 1760
Materials & Techniques:: Line engraving and etching with hand colored ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 21 1/16 inches (37.1 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Review of the Queens Own Regiment of the Yeomanry Cavalry

Creator:: Henry Papprill, 1816–d.after 1883
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 25 1/2 inches (46.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Martin Van Juchen, Colonel En Commandeur Der Stad Wesel En Onderhoorige Fotressen, Blanchi Sous Le Harnois

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Cavalry Man Attacking Foot Soldiers

Creator:: Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Jane of Flanders, Countess of Mountford assembling the Inhabitants of Rennes

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1789
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Vede di Mezzo il Fiume un Cavaliero...

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1773
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background

Creator:: Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Birth of Pyrrhus

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Stipple engraving and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Camillus Rescuing Rome From Brennus

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Line engraving and stipple engraving, sepia
Dimensions:: Sheet: 17 1/8 x 22 1/4in. (43.5 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Genre military art

Search Results

1. Captain Richard Gubbins

2. An Action between English Ships and Barbary Corsairs

3. The Victory Returning from Trafalgar, in Three Positions

4. View of Horse Guards and Whitehall

5. Sir William Drury, of Hawstead, Suffolk (1550–1590)

6. St. James's Park

7. Colonel Donald MacLeod of St. Kilda

8. A Battle of the Third Anglo Dutch War, Probably the London at the Battle of the Texel, August 1673

9. Vice Admiral Sir George Anson's Victory off Cape Finisterre

10. Studies of Household Cavalry seen during the Coronation of Queen Elizabeth II, 1953

11. Hussars Embarking at Deptford

12. A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804

13. A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

14. The Apotheosis of Nelson

15. The Fort of Bidjegur

16. Henry Portman Seymour

17. Study for 'Battle of Waterloo'

18. Sir Thomas Winne

19. Boats Carrying Out Anchors to the Dutch Men of War

20. Le Depart de la Flotte des Troyens

21. Arch of Septimius Severus

22. St. James's Park

23. Avenue and Entrance to St. James Barracks

24. A Tuarez of Ghraat (Ghat?) Fezzan (Libya)

25. How to Salute

26. Back View of a Soldier

27. Clitheroe from Eadsford Bridge

28. Hythe, Kent

29. Hythe, Kent

30. Dover from Shakespeare's Cliff

31. Folkestone Harbour and Coast to Dover

32. Folkestone Harbour and Coast to Dover

33. Marengo

34. Shot from a Gun

35. Dover from Shakespeare's Cliff

36. Dover from Shakespeare's Cliff

37. Dover from Shakespeare's Cliff

38. Dover from Shakespeare's Cliff

39. Dover from Shakespeare's Cliff

40. Edinburgh Castle

41. Hougoumont

42. Placenza

43. Paris from the Barriere de Passy

44. HMS Bellerophon, Plymouth Sound

45. Hannibal Passing the Alps

46. Edinburgh Castle

47. Saltash, Cornwall

48. The Acropolis of Athens

49. The Field of Waterloo from Hougoumont

50. St. Sophia, Constantinople

51. Vincennes

52. Killiecrankie

53. Hougoumont

54. Placenza

55. Brienne

56. Hannibal Passing the Alps

57. Hannibal Passing the Alps

58. Hannibal Passing the Alps

59. Hannibal Passing the Alps

60. Marengo

61. Crickieth Castle, North Wales

62. Chatham, Kent

63. Two Coorgs in their Proper Uniform

64. Crickieth Castle, North Wales

65. Retreat Beating at Poona

66. Cavalry Troops and Camp Followers on the Move

67. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

68. Two Horsemen

69. Fall of a City

70. Low Flying Spitfires over Trees

71. Three Soldiers in Armour Sitting on Stone Blocks

72. A Review on Epson Downs

73. The 48th Regiment with Casemate, Gibraltar

74. Interior of Fort Nicholas, Sebastopol, Crimea