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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionGenre literary theme
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601
- Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"
- 1765
602
- A Tempest – Voyage of Columbus
- 1834
603
- The Landing of Columbus
- 1834
604
- Thomas King and Sophia Baddely in "The Clandestine Marriage"
- 1772
605
- MacBeth meeting the Witches
- 1770
606
- Mrs. Abington as Thalia
- ca. 1783
607
- Jane Shore
- 1790
608
- Tancred and Clorinda
- 1785
609
- Griselda Returning to her Father
- after 1785
610
- Gualtherus and Griselda
- 1784
611
- Alphonso and Aciloe
- 1788
612
- The Death of Cora
- 1788
613
- Celadon and Amelia
- 1782
614
- Ophelia: There's Rue for You, and Here's Some for Me
- 1784
615
- Ticket for the Benefit of Madame Banti
- 1797
616
- Ticket for the Benefit of Madame Banti
- 1797
617
- Telemachus and Mentor Discovered by Calypso
- 1810
618
- St. Pierre's Cottage
- 1834
619
- Captivity
- 1834
620
- The Winter's Tale, Act IV, Scene III
- 1792
621
- Cephalonia
- 1833
622
- Miss Anna Brunton
- 1785
623
- Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
- 1786
624
- And Ah! Let Pity Turn Her Dewy Eyes..
- 1801
625
- Ticket: For The Benefit Of Mad' Banti
- 1795
626
- Concert Ticket: Benefit Night of Luigi Borghi
- 1780
627
- A Garden
- 1834
628
- The Gipsy
- 1834
629
- Leaving Home
- 1834
630
- A Garden
- 1834
631
- A Village – Evening
- 1834
632
- Angelica And Medora
- 1787
633
- Griselda
- 1784
634
- Angelica and Medoro
635
- Rinaldo et Armida
- 1785
636
- Morte de Clorinda
- 1785
637
- Eloisa
- 1792
638
- Alexander and Nerina
- 1784
639
- Vortigern And Rowena
- 1788
640
- Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
- 1778
641
- Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
- ca.1785
642
- Polyhemus, Playing The Panpipes For Galatea
- 1783
643
- King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
- 1779
644
- Shakespeare's Tomb
- 1782
645
- Antony and Cleopatra, Act I, Scene II
- 1794
646
- Troilus and Crssida, Act 3, Scene II
- 1794
647
- Ophelia vide Hamlet, Act 4, Scene VII
- 1794
648
- Troilus and Cressida, Act 4, Scene II
- 1794
649
- King Lear, Act 4, Scene VII
- 1794
650
- As You Like It, Act IV, Orlando and Oliver
- 1788
651
- David Garrick in the Character of 'Kitely'
- 1769
652
- L'Allegro
- undated
653
- The Captive
- 1781
654
- Sir Francis Bacon, 1st Viscount St. Alban
- undated
655
- Sappho Embracing Love
- 1783
656
- Cordelia
- 1784
657
- Hercules and Omphale
658
- My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
659
- Death of Dido
660
- Jupiter and Io
- 1784
661
- Tancred and Erminia
- 1784
662
- Vede di Mezzo il Fiume un Cavaliero..
- 1773
663
- Angelica, e Medoro in Varj Modi..
- 1773
664
- Lo Corse ad Abbracciare, e a Sargli Sesta..
- 1773
665
- E d'Uccider se Stesso in Pensier Venne..
- 1773
666
- Stava Ella Nel Sepolcro; e Quivi Attrita..
- 1773
667
- Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
- 1778
668
- The Birth of Shakespeare
- 1782
669
- Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
- 1773
670
- Orlando Rescues Olympia From The Orca In The Island Ebuda
- 1768
671
- Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
- 1853
672
- A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
- 1773
673
- ...Scuote, il Lembo Pieno; e Nella Torbida Onda..
- 1773
674
- In Quel Momento il Monte, e il Piano Scosse..
- 1773
675
- Illustration From Bell's Edition of The Poets of Great Britain
- ca. 1785
676
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
- 1780
677
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
- 1785
678
- Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
- 1782
679
- Anthony and Cleopatra, Act 3, Scene II
- 1794
680
- Coriolanus, Act 5, Scene III
- 1783
681
- Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background
- undated
682
- Lauretta
- 1776
683
- The Freeing of Amoret
- 1792
684
- The Deserted Village
- 1795
685
- Chryseis Restored To Her Father
- 1786
686
- The Shepherdess of the Alps
- 1776
687
- The Dead Ass, Nampont
- 1799
688
- The Snuff Box, Calais
- 1799
689
- Selim of the Shepherd's Moral
- 1788
690
- Lodona
- 1792
691
- The Hours
- 1788
692
- Title page: L'Amico' de Fanciulli, Vol. III
- 1788
693
- Title page: Depicting Cupid, Venus, and Juno
- 1782
694
- Macbeth, Act I, Scene II
- 1784
695
- As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
- 1803
696
- Study of Two Figures on a Balcony
- undated
697
- Study of Figures in a Cave
- 1805
698
- Study of a Dramatic Scene
- undated
699
- The Murder of Duncan - Study of Sleeping Grooms
- between 1809 and 1811
700
- The Murder of Duncan - Macbeth Stabbing Duncan
- between 1809 and 1811