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Credit Line Yale Center for British Art, Paul Mellon Collection

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William Blake "I found him beneath a Tree" (Plate 3)
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
William Blake The Pit of Disease: The Falsifiers (Plate 6)
Print made by William Blake, 1757–1827
The Pit of Disease: The Falsifiers (Plate 6)
1827
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
William Blake "My son! my Son!" (Plate 10)
Print made by William Blake, 1757–1827
"My son! my Son!" (Plate 10)
1826
William Blake "I want! I want!" (Plate 11)
Print made by William Blake, 1757–1827
"I want! I want!" (Plate 11)
1826
William Blake "Help! Help!" (Plate 12)
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1826
William Blake "The Traveller hasteth in the Evening" (Plate 16)
Print made by William Blake, 1757–1827
"The Traveller hasteth in the Evening" (Plate 16)
1826
William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
William Blake "He meets his Saviour in the Grave..." (Plate 20)
Print made by William Blake, 1757–1827
"He meets his Saviour in the Grave..." (Plate 20)
1826
William Blake Fire (Plate 7)
Print made by William Blake, 1757–1827
Fire (Plate 7)
1826
William Blake "At length for hatching ripe he breaks the shell" (Plate 8)
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake The Serpent Attacking Buoso Donati (Plate 5)
Print made by William Blake, 1757–1827
The Serpent Attacking Buoso Donati (Plate 5)
1827
William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake Chapter III, "As the stars are apart from the earth..." (Plate 9)
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 9)
1794
William Blake "To The Accuser who is The God of This World..." (Plate 19)
Print made by William Blake, 1757–1827
"To The Accuser who is The God of This World..." (Plate 19)
1826
William Blake The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
Print made by William Blake, 1757–1827
The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
1827
William Blake "Her voice pierc'd Albions clay cold ear..." (Plate 95)
Print made by William Blake, 1757–1827
"Her voice pierc'd Albions clay cold ear..." (Plate 95)
1804 to 1820
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake The Life, and Posthumous Writings, of William Cowper (volume 3)
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
William Blake A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
William Blake The Man Sweeping the Interpreter's Parlour
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
George Fennell Robson The Murder of Banquo
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830
Alexander Runciman Celadon and Amelia from Thomson's 'The Seasons'
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
unknown artist Illustration to Tonson's Ovid Metamorphosis (three of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (three of four)
ca. 1710
unknown artist Illustration to Tonson's Ovid Metamorphosis (two of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (two of four)
ca. 1710
unknown artist Illustration to Tonson's Ovid Metamorphosis (one of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
unknown artist Illustration to Tonson's Ovid Metamorphis (four of four)
unknown artist
Illustration to Tonson's Ovid Metamorphis (four of four)
ca. 1710
Robert Smirke Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
Robert Smirke, 1752–1845
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
Robert Smirke Prospero and Ariel
Robert Smirke, 1752–1845
Prospero and Ariel
1821
Richard Parkes Bonington Studies for Shylock
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
Robert Smirke Falstaff Dragging the Body of Hotspur
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
Henry Fuseli Study for 'Finding of the Body of Bassanio'
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
Sir David Wilkie Scene from Quentin Durward
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
Hugh Downman Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
John Boyne Malvolio: Possibly a Self-Portrait in the Role
John Boyne, ca. 1750–1810
Malvolio: Possibly a Self-Portrait in the Role
undated
Michael "Angelo" Rooker Illustration to Beaumont and Fletcher
Michael "Angelo" Rooker, 1746–1801
Illustration to Beaumont and Fletcher
undated
Richard Wilson Gulliver Bound by the Lilliputians
Richard Wilson, 1713/4–1782
Gulliver Bound by the Lilliputians
undated
Richard Westall Greatheart's Battle with Grim
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
John Hamilton Mortimer Literary Characters Assembled Around the Medallion of Shakespeare
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
Francis Barlow Illustration to Aesop's Fables: The Fox & the Crane
Follower of Francis Barlow, 1622–1704
Illustration to Aesop's Fables: The Fox & the Crane
undated
George Cattermole Scene of Three Witches from Shakespeare's Macbeth
George Cattermole, 1800–1868
Scene of Three Witches from Shakespeare's Macbeth
1840
Thomas Stothard The Tenth Day of the Decameron
Thomas Stothard, 1755–1834
The Tenth Day of the Decameron
ca. 1825
Theodor von Holst Sheet of Sketches
Theodor von Holst, 1810–1844
Sheet of Sketches
undated
Julius Caesar Ibbetson Title page for "The Guardian"
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
John Flaxman Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
William Young Ottley Prospero Summoning Ariel
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
William Henry Pyne An Illustration to Rob Roy: Interior with a Party Drinking
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
Philippe-Jacques de Loutherbourg Thomas Weston as Spy in Bates "The Rival Candidates"
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
John James Chalon Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
John James Chalon, 1778–1854
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
undated
Alfred Edward Chalon Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
Alfred Edward Chalon, 1780–1860
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
ca. 1820
Richard Parkes Bonington Portia and Bassanio
Richard Parkes Bonington, 1802–1828
Portia and Bassanio
ca. 1826
Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)
Robert Smirke, 1752–1845
Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)
undated
Robert Smirke Illustration for Don Quixote (with figures on a donkey)
Robert Smirke, 1752–1845
Illustration for Don Quixote (with figures on a donkey)
undated
unknown artist Robin Hood and Clarinda hunting deer in a wooded landscape
unknown artist
Robin Hood and Clarinda hunting deer in a wooded landscape
undated
Francesco Bartolozzi Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
Print made by Francesco Bartolozzi, 1728–1815
Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
1774
Francesco Bartolozzi Cecilia
Francesco Bartolozzi, 1728–1815
Cecilia
1783
Francesco Bartolozzi April
Francesco Bartolozzi, 1728–1815
April
1790
Francesco Bartolozzi May
Francesco Bartolozzi, 1728–1815
May
1793
Francesco Bartolozzi September
Francesco Bartolozzi, 1728–1815
September
1793
unknown artist The Humrous Farce of Jobson and Nell
Print made by unknown artist
The Humrous Farce of Jobson and Nell
ca. 1743
Francesco Bartolozzi February
Francesco Bartolozzi, 1728–1815
February
1793
Francesco Bartolozzi June
Francesco Bartolozzi, 1728–1815
June
1789
Francesco Bartolozzi August
Francesco Bartolozzi, 1728–1815
August
1793
Francesco Bartolozzi October
Francesco Bartolozzi, 1728–1815
October
1793
Francesco Bartolozzi July
Francesco Bartolozzi, 1728–1815
July
1789
Francesco Bartolozzi Palamon and Arcite
Francesco Bartolozzi, 1728–1815
Palamon and Arcite
1790
Francesco Bartolozzi Joseph Andrews
Francesco Bartolozzi, 1728–1815
Joseph Andrews
1781
Francesco Bartolozzi Vignette: Angel Holding Medallion Of Composer. G.F. Handel
Francesco Bartolozzi, 1728–1815
Vignette: Angel Holding Medallion Of Composer. G.F. Handel
ca.1785
Francesco Bartolozzi I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
Francesco Bartolozzi Poetry And History, Presenting Painting, With Subjects For Her Pencil
Francesco Bartolozzi, 1728–1815
Poetry And History, Presenting Painting, With Subjects For Her Pencil
1794
Robert Pollard The Hermitage of Warkworth
Robert Pollard, 1755–1838
The Hermitage of Warkworth
1787
Robert Pollard Edwin and Angelina
Robert Pollard, 1755–1838
Edwin and Angelina
1785
J. Rogers Oliver Goldsmith and Canonbury Tower, Isington, Middlesex
J. Rogers, active ca.1825–ca.1842
Oliver Goldsmith and Canonbury Tower, Isington, Middlesex
undated
Francesco Bartolozzi Reverend Hugh Blair, D.D.
Francesco Bartolozzi, 1728–1815
Reverend Hugh Blair, D.D
1801
George White Sir Richard Blackmore
George White, ca.1684–1732
Sir Richard Blackmore
undated
unknown artist Samuel Butler
unknown artist
Samuel Butler
undated
Francis Legat King Richard the Third: Act IV, Scene III (The Murder of the Princes in the Tower)
Print made by Francis Legat, 1755–1809
King Richard the Third: Act IV, Scene III (The Murder of the Princes in the Tower)
1790
unknown artist Sir Francis Bacon, 1st Viscount St. Alban
unknown artist
Sir Francis Bacon, 1st Viscount St. Alban
1627
James Hardy Joseph Baretti
James Hardy, active 1770s
Joseph Baretti
1794
John Raphael Smith Sir Brooke Boothby, 6th Baronet Boothby of Broadlow Ash
John Raphael Smith, 1752–1812
Sir Brooke Boothby, 6th Baronet Boothby of Broadlow Ash
1797
William Faithorne the Younger John Smith, Writing Master in London
William Faithorne the Younger, ca. 1669–1703
John Smith, Writing Master in London
undated
George Vertue Sir Philip Sidney
George Vertue, 1684–1756
Sir Philip Sidney
1741