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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionGenre literary theme
Remove constraint Genre: literary themeSubject Terms man
Remove constraint Subject Terms: manSearch Results
1
- Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
- between 1773 and 1774
- Not on view
2
- David Garrick and Hannah Pritchard (née Vaughan) in Benjamin Hoadly's "The Suspicious Husband"
- 1747
- Not on view
3
- Virgil's Tomb by Moonlight, with Silius Italicus
- 1779
- Not on view
4
- A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
- ca. 1826
- Not on view
5
- Louis-Francois Roubiliac Modelling His Monument to Shakespeare
- between 1760 and 1761
- Not on view
6
- Dr. Syntax: Losing His Temper
- ca. 1810
- Not on view
7
- Dr. Syntax: Walking with a Stick
- ca. 1810
- Not on view
8
- Apuleia in Search of Apuleius
- between 1813 and 1823
9
- Procris and Cephalus
- 1812
10
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
11
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
12
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
13
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
14
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
15
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
16
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
17
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
18
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
19
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
20
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
21
- A Widower and Children (Design 35)
- between 1797 and 1798
22
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
23
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
24
- A Welch Bard (Design 53)
- between 1797 and 1798
25
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
26
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
27
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
28
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
29
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
30
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
31
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
32
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
33
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
34
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
35
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
36
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
37
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
38
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
39
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
40
- The Author Writing (Design 105)
- between 1797 and 1798
41
- 'We censure nature for a span too short' (Page 23)
- 1797
42
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
43
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
44
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
45
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
46
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
47
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
48
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
49
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
50
- Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
- between 1797 and 1798
51
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
52
- Celadon and Amelia from Thomson's 'The Seasons'
- undated
53
- Prospero and Ariel
- 1821
54
- Studies for Shylock
- 1825
55
- Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
- ca. 1787
56
- Malvolio: Possibly a Self-Portrait in the Role
- undated
57
- Greatheart's Battle with Grim
- undated
58
- Prospero Summoning Ariel
- ca. 1800
59
- Thomas Weston as Spy in Bates "The Rival Candidates"
- undated
60
- Reverend Hugh Blair, D.D
- 1801
61
- Katherina and Grumio
- 1821
62
- Launce with his Dog Crab
- ca. 1821
63
- Sleepest or Wakest Thou?
- ca. 1853
64
- Procris and Cephalus
- 1864
65
- St. Herbert's Chapel
- 1834
66
- Celadon and Amelia
- 1782
67
- Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
- 1786
68
- And Ah! Let Pity Turn Her Dewy Eyes..
- 1801
69
- The Captive
- 1781
70
- As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
- 1803
71
- Lovelace in Prison
- 1788
72
- St. Julienne's Chapel
- 1834
73
- Illustration for Don Quixote, Two Figures at a Table
- undated
74
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
75
- Ferdinand Riding the Waves
- ca. 1830
76
- Faust and Margaret
- undated
77
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808, published 1813
78
- The Reunion of the Soul & the Body
- 1808, published 1813
79
- The Soul Exploring the Recesses of the Grave
- 1808, published 1813
80
- Robert Blair, The Grave, Title Page
- 1808, published 1813
81
- Anne Page and Slender
- 1821
82
- Lysander Awakening to See Helena
- 1825
83
- Illustration to Homer's Iliad
- 1723
84
- Christ Descending into the Grave
- 1808, published 1813
85
- Isaac Watts
- undated
86
- Rinaldo and Armida
- 1775
87
- Gadshill
- 1796
88
- Mr. Garrick in "The Farmer's Return"
- 1766
89
- Portrait of John Moody as Foigard
- between 1769 and 1771
90
- John Henderson as Iago
- before 1786
91
- Ticket: Anacreontic Society Meeting
- 1779
92
- John Henderson as Iago
- 1786
93
- Ticket: Anacreontic Society Meeting
- 1773
94
- Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
- 1776
95
- The Apparition of the Armed Head: Macbeth
- ca. 1781
96
- Ferdinand and Ariel
- ca. 1781
97
- Antigonus Disposing of Perdita
- ca. 1781
98
- Henderson in the Character of Falstaff
- undated
99
- John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
- 1787
100
- Prospero and Miranda
- 1781