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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionGenre genre subject
Remove constraint Genre: genre subjectSubject Terms woman
Remove constraint Subject Terms: womanSearch Results
1
- Reapers
- 1795
- Not on view
2
- The Farmer's Wife and the Raven
- 1786
- Not on view
3
- An Unknown Woman
- 1789
- Not on view
4
- A Winter Landscape
- 1752
- Not on view
5
- A Woman in a Landscape
- ca. 1840
- Not on view
6
- The Wandering Sailor
- ca. 1798
- Not on view
7
- Woman Reading by a Paper-Bell Shade
- 1766
- Not on view
8
- Hare Hunting
- ca. 1690
- Not on view
9
- Second Class—The Parting. "Thus part we rich in sorrow, parting poor."
- 1855
- Not on view
10
- David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return"
- ca. 1762
- Not on view
11
- Sylvia Darning
- 1917
- Not on view
12
- First Class—The Meeting. "And at first meeting loved."
- 1855
- Not on view
13
- The Lady's Mile, Kensington Gardens
- ca. 1900
- Not on view
14
- The Squire's Door
- ca. 1790
- Not on view
15
- Figures in a Tavern or Coffee House
- ca. 1725 or after 1750
- Not on view
16
- Marcia Pitt and Her Brother George Pitt, Later second Baron Rivers, Riding in the Park at Stratfield Saye House, Hampshire
- 1782
- Not on view
17
- Catherine Howard (née Proctor), Countess of Effingham with Gun and Shooting Dogs
- 1787
- Not on view
18
- An Overshot Mill
- between 1802 and 1807
- Not on view
19
- A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
- ca. 1795
- Not on view
20
- The Dead Soldier
- ca. 1789
- Not on view
21
- William and Margaret from Percy's 'Reliques of Ancient English Poetry'
- ca. 1785
- Not on view
22
- Discussing a Catch of Salmon in a Scottish Fishing-Lodge
- ca. 1840
- Not on view
23
- Academy by Lamplight
- 1769
- Not on view
24
- The Blacksmith's Shop
- 1771
- Not on view
25
- Interior of a Stable
- between 1830 and 1840
- Not on view
26
- A Mother with her Son and a Pony
- ca. 1775
- Not on view
27
- Cottage by a country lane
- ca. 1820
- Not on view
28
- Winter Landscape
- 1790
- Not on view
29
- Fishmonger's stall
- 1737
- Not on view
30
- Mother and Child by a Stile, with Culver Cliff, Isle of Wight, in the Distance
- 1849 to 1850
- Not on view
31
- Coach in a Thunderstorm
- ca. 1795
- Not on view
32
- Revellers on a Coach
- between 1785 and 1790
- Not on view
33
- Hob Selling Beer at the Wake
- ca. 1725
- Not on view
34
- Hob Taken Out of Ye Well
- between 1720 and 1730
- Not on view
35
- Hob Continues Dancing in Spite of his Father
- ca. 1725
- Not on view
36
- Hob's Defence
- ca. 1725
- Not on view
37
- A Dinner Conversation
- between 1735 and 1740
- Not on view
38
- Lovers in a Park
- ca. 1745
- Not on view
39
- Lovers in a glade
- between 1750 and 1755
- Not on view
40
- The Ballad Singer
- ca. 1764
- Not on view
41
- Ring O' Roses
- ca. 1850
- Not on view
42
- A Woman of the Court at Faizabad, India
- 1772
- Not on view
43
- A Finished Study for 'Reaping'
- 1858
- Not on view
44
- The Trapeze
- ca. 1920
- Not on view
45
- Scene in a London Street
- 1770
- Not on view
46
- Frost Scene
- 1827
- Not on view
47
- Allegory of Trade
- 1743
- Not on view
48
- Sign for a Paviour
- 18th century
- Not on view
49
- Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
- 1827
- Not on view
50
- Landscape with Milkmaid
- between 1754 and 1756
- Not on view
51
- Mary Constable Reading
- 1812
52
- The Farmer's Wife and the Raven
- 1788
53
- Study of a Seated Lady
- ca. 1740
54
- Beside the Lily-Pond
- 1869
55
- Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
- undated
56
- A Minuet
- 1824
57
- Riders Outside an Inn
- undated
58
- Woodcutter and His Family
- undated
59
- A Greek Girl Standing on a Balcony
- 1840
60
- A London Street Crier
- undated
61
- Accepted
- 1853
62
- A Street in Florence with the Duomo and Campanile in the Background
- ca. 1765
63
- A Woman Seated and Holding an Image
- undated
64
- Sketches from Life in Paris: Woman and Man Carrying Buckets
- ca. 1835
65
- A Regency House
- ca. 1820
66
- London Cries: Flowers
- undated
67
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
68
- A Regency Pair
- 1802
69
- A Lady Painting
- 1837
70
- Mother and Child with Young Boy Leaning on Window Sill
- undated
71
- Pale Melancholy
- ca. 1804
72
- Coast Scene near Plymouth
- undated
73
- Sketch for a Family Group
- undated
74
- A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
- undated
75
- Lady in a Bonnet
- between 1760 and 1765
76
- Denial and Disappointment
- undated
77
- Study of a Seated Woman
- 1787
78
- Church and Cottages
- undated
79
- Woman with Cattle
- 1803
80
- A Lady Copying at a Drawing Table
- ca. 1765
81
- London Cries: Last Dying Speech and Confession
- ca. 1759
82
- The Meat Market
- undated
83
- Cottage and Foot Bridge
- 1794
84
- Poulterer's Shop
- undated
85
- Man on Horse, with Pigs
- undated
86
- Landscape with a Milk Maid and a Beau
- undated
87
- A Family in Hyde Park
- undated
88
- Portrait of a Lady at a Drawing Table
- undated
89
- Solicitude: A Man Supporting a Fainting Woman
- undated
90
- A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background
- undated
91
- Back View of Country Woman in Hat and Shawl
- undated
92
- Man and Woman Holding Baby, Seated on Bank
- undated
93
- Landscape with Courting Couple
- 1839
94
- Peasants Resting
- 1795
95
- Figure Studies: Boy Standing
- undated
96
- Seated Woman
- undated
97
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
98
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
99
- London Cries: A Muffin Man
- ca. 1759
100
- London Cries: "Black Heart Cherries..."
- ca. 1759